국민대 대학원_논문지도

1998/10/16(14:08) from gumnuri.kookmin.ac.kr
작성자 : 이대원 (yidaewon@chollian.net)	조회수 : 1356 , 줄수 : 46

차례 수정.... 범위 줄이기.

.............. 차  례             . 국문요약          . 그림차례          . 작품차례         Ⅰ. 머리말            ..  연구목적 .....................................................................................................            ..  연구 범위와 방법.......................................................................................         Ⅱ. 본론 .................................................................................................................            ..  구성주의 ....................................................................................................                     .  개요 ............................................................................................                     .  조형원리 ....................................................................................                     .  구성주의에서 공간, 시간의 개념..........................................                     .  활동작가 -  블라디미르 타틀린 .........................................                                 -  나움 가보 ........................................................                                 -  안톤 페브스너..................................................                                 -  엘 리씨츠키 ....................................................                     .  키네틱 아트의 연관성 ............................................................                     .  주요 작가 ..................................................................................            ..  biomorphic form .......................................................................................                     .  정의 ............................................................................................                     .  역사적 전개 ..............................................................................                     .  작품 응용 ..................................................................................            ..  스테인리스 스틸                     .  조형 재료 측면 .........................................................................                     .  금속 재료학 측면 .....................................................................                                   Ⅲ. 작품 설명 .......................................................................................................                         Ⅳ. 맺는말 .............................................................................................................           . 참고도판 ...........................................................................................................           . 참고문헌 ...........................................................................................................           . Abstract ...........................................................................................................           . 논문후기 ...........................................................................................................                       . 신 조형주의 없앴고 목차를 좀더 세분화 했습니다.