| .. |
| | .. | |
ڸ ڸ ϼ.
32 ϸ...
ڸ ؿ~ Ŀ Ѽ ~
.. a.3+2=5
b.32-5=27
27̶ ڿ 2ʰ ִٰ
ũŻ Ŭϸ ´ϴ~~!!
Ʋ ȵ˴ϴ..
|
313.IP 219.241.102.67 55.Password SYtXRTx7W623Y 479.Access 999 745.Filesize 543.Access 2402 479.Access 4136 r # 9 &9 0 D?385.9 {Mm?616.9
O?295.
>513. #tT>515.
Cw9?625.
do ?75.P bi>177.$
^>474.2 c$?679. p>638.J
U471.e >110.t j>248.
W>81.I 7 ?175.&9 eN?287.=9
Rb>96.N b >239. Ax>241.ļ
>270.Ҽ 4)>395. >465.
a>287.
>421. :>14.N, * >166.; >236.H 3 >303. $L>625. ?659.I9 >?328.b9
%>53.L b>298. }p>351.ſ Y>90.T R E>300. 4 5 >47.FԿ 7>116. Xe>482.
>66.TZ
aX>489.f
l>331.z L@?690.p9 M1d>474.
"D]?351.9
4R`?430.9
90.Text ȭ ´ Ȱǰ .
. . Ͽ. .
... ڷ. Ͽ. .
1. ũ ǥƯ .
2. ȭ ðο
3. ũ
4. ũ üƯ м 佺Ƽ ǻ ä
5. ũ
6. ȭ ȭ 뼺 Ͽ
... ã.
1. ( ̴)ũ
(丶 . Ϲݵ)
2. ȭ â Ȱ
(̰ . Ϲݵ)
3, (ȭ ȯ汸)ȯ汸
( . Ϲݵ)
66.Thread 0 489.Filesize 583371 331.Domain 211.237.211.171 474.Lines 14 295.Filename 625.Lines 24 75.Password SYPVqcPuwMyLU 164.Access 894 704.Filesize 16384
( ND,<613. 298.E
"ޠ<84.L <246.
2A<275.) C<543.9 89<78.FQ WoU<126.^ <238.t
5<661. *d<97.T
<707.
544. <65.S ! 1<282.
/oX<464. 5 NJ?<672.? <<238.T 51.E d0<196.l
w<433.
FeL<235. G<9.AcZ 8c
<43.E 239. 270. C<336. 638.
MB'<2.Em \<159. 7 <|<190.[ <260.r
M<479.}
=<580.J C<128.
}<142.
]<395. "<400.Æ
f <549.ۆ <479. YW~<597. k<543.
<551.
<45.N 9<476., Z<115.; 2
' 1 B 2 B 2 + =588.h
116. <=244.s
=544. Lq=99.T =390.I y ^*=78.D =12.E x=426.͇ 4=435.
e=32.D $
zp =272.$ = >=17.T ( f ҭ=652.n0
d=100.y0 .jw=474.2 p=423.0 A =551.0
=conf 1 V=15.T#1
{=161./1
759.2 s=454.B1
E:=152.Z1 ~)=485.j1 x k=597.1
F=77.A0
=32.F1 !=115.1
Zv=347.1
n=246.1
=636.1 Na[=638.1
,n=676.1
421.@ 3=518. 2 Q=341.!2 Uxw=149.D2 #L=597.^2 wO=115.v2 t =594.2 y=661.2
4=664.`$ F 668.
LSa=695.'
'=393.'
n*=661.' 748.' 32.Domain 211.216.157.131 272.Text
+ġŸ 110*70*66mm ,ũ,,LED
664.Text ..
ó ˺ ٷ Ͼ ̰..
츮 츮 ִ Ͼ
Ұ ִٴ ˾ƾ Ѵ..
츮 ִ ..
ʾƵ 𰡸 ִ..
տ ִ ϴ..
տ ִ ..
տ ִ ͵..
ʾƵ..
װ͵ ٶ ʾƵ..
߰ ִٴ װ ͵
ֱ ̴..
Ͼ ٸ δ ص..
ִ Ҿ ä..
ִ ٸ Ÿ ְ ִ..
..
ó.. ִ..
ִ ..
˿ ڸ ..
˿ ִ װ Ѵ..
..
װ ¼ Ѽ Ͼ ״ ǰ
̴..
695.Domain 124.63.101.62 393.Name ñ... 661.Date 20060428014639 748.Access 1 17.Text
*J o o 2 c oY 7Y ^J " o 2I 7 wY 2 ^^ 7I "
- - + + T - + -
D 2 2
å а 츮 Ⱑ ſ ϴ.
ª ϳ ǰ, ɽ Ӱ ϴ.
ƾ İ ª ̱
մϴ.*^^*
ʹ ϰ Ἥ .^^
·, ϸ ڱҰ ٽ Ếϴ.
**************************************************************************
Ƽ Ƚϴ.
ٰ б ؼ, б к ű ϰ Ǿϴ.
4 ϸ dz ϴ ǵ鿡 Ǿ ϰ 츮̶ ı ԻϿ ̳ʷ ϰ Ǿϴ.
1 ̶ ð ϸ鼭 θ Ϲ ſ ư, δ㽺 ִٴ , ϰ ӻ ٰ Ÿϴ.
Ͽ ְ ϸ, ȸ 䱸ϴ κ ϴ θ ؾ߰ڴٴ п Խϴ.
ϴ ڼ ȸ ʿ ǰ ͽϴ.
**************************************************************************
ɽ µ... ...
Ʋ ϴ. ̤;
ƴƴ å о 츮 ٸ ֵ ϰڽϴ.
~~ ƴ.^^
"o 2I 7 wY 2 ^^ ^I cY !!! "
T - + -
2 w
652.Email 100.Subject ű ڳ... 77.Access 1312 423.Text Ǯ ϰ ġ Ǯ . 551.Password SYnKfoewIh.z2 conf.UploadEnable true 15.Thread 0 161.Filesize 13266 454.Domain 211.196.78.5 152.Name 485.IP 210.123.35.123 597.Lines 6 77.Access 999 32.Filesize 115.Lines 11 347.Email 246.Password SYrVObm3v4wlA 636.IP 218.39.197.169 638.Filename 676.Filesize 518.IP 211.196.78.37 341.Subject 05.06.07 ħ ̾߱ 149.Domain 210.123.35.229 597.Date 20060317102529 115.Date 20030503120732 594.Thread 0 661.Lines 0 474.Access 1775 85.161 300.Text <̰ ƴϴ> Ʈ, 1964
<̰ ƴϴ> Ʈ, 1928-1929
繰 Ű ΰ ִ.
'̸ ̱' ''.
Į ϳ ȴ.
⼭ 繰 ̸ ̴ ÿ 繰 ش.
Ʈ Į ߴ.
ٸ ִ.
. ̶? عȴ !
- п 2. ' Ʈ 3- 繰'
ڵ ¸ ־.
ó ڴ Ҿ ȣ Ǿȴ.
ִ. ȣ ̻ 踦 ʾҴµ,
װ͵ ִ ΰ?
ҾȰ Į̴.
װ ѹ Ű, ø ѹ ݺѴ.
ڶ ' ȣ' ̸ ܴ ŷ ̴.
̷ 'Į' ؽƮ ǰ
ϴ ִ.
ٴ öڵ ؽƮ 'ڿ ſ', ' '
ߴ.
ǹ̿ Į ٴ ö ̶̻ ִ.
ó ̻ Ҵ.
Ʈ Ȥ ⸦ Ϸ ߴ ƴұ?
- п 3. ' -ı Į'
175.IP 211.216.157.180 287.Lines 5 659.Domain 124.60.51.121 328.Filename 690.Domain 211.196.78.108 351.Lines 6 430.Filesize 385.Domain 221.150.98.200 616.Email pangda82@hotmail.com 438.Access 999 756.Filename 4.47 2955 748.Lines 15 754.IP 121.175.52.180 110.Access 914 29.138 625.Access 1351 6: 9 M: " 470. 588. 295.
>513. #tT>515.
672. bi>177.$
^>474.2 328.2
p>638.J
>471.e >110.': j>248.
W>81.I 475. 545.ʚ
Rb>96.N b >239. Ax>241.ļ
>270.Ҽ 4)>395. >465.
a>287.
>421. :>14.N, * >166.; >236.H 3 >303. $L>625.=: 756.9
55.F %>53.L b>298. }p>351.ſ Y>90.T R E>300. 4 5 >47.FԿ 7>116. Xe>482.
>66.TZ
aX>489.f
l>331.z 748.9 M1d>474.
203.(
624.ՙ 749.Name ο 749.Name wxgjjhshx 0 {?595.hH p a?328.b9
L@?690.p9 )?46.A
G
?98.FG ׂ?59.I%G
"D]?351.9
?625.8G 4R`?430.9
?287.PG Β?482.hG
?664.G ?161.H h?631.H ?423.I D?385.9 {Mm?616.9
?435.G 6?438.9 q?351.G ?63.EG %?83.D D
?515. H
CT?68.TD bQ?234.G u
?47.DE #߳?4.EmH #r?177.8H
" ?480.E G"?272.E M?671.F
?567.SH o?110. F
Z?164.(F nP?241.6F
?113.kF n 679.Access 2278 5.60.153 68.Text Silversmith /
Silverwork
Silverware Ź ı / /
Tableware Ź ı
Silver decorative art Ŀ
Trophies ()ǰ
Office accessories 繫 μ
Private commissions Ź
Product designer ǰ Ȱ
Silver vessel
Silver cutlery Ź /
Hand-made
Organic Essentialism
47.Date 20030320233258 480.IP 221.150.98.161 272.Subject ϳ 671.Filesize 110.Lines 8 164.Access 99 241.Password SY8DFaKO.EE8Y 83.Filesize 676.Thread 0 113.Text
*Y
D
ol
^
-
2
............... .. ... .... .....
7L2l...
-T
D 110.Date 20030502020456 475.Name 46.Access 913 98.Filename 59.IP 61.78.84.180 625.Date 20060405094120 287.Date 20050503012517 482.Password SYZXoxmJ6/RM6 664.Subject : θ ̴ 435.Thread 0 351.Date 20050612214155 63.Email prin2862@hotmail.com 234.Name ݴ 515.Password SYZXoxmJ6/RM6 4.Email gumnuri@chollian.net 177.Password SYl/ZTEdn2OLg 567.IP 221.168.133.2 595.Text 
˶ī Ʋ ..
161.Thread 0 631.IP 218.39.197.169 423.Subject : -- 743.Access 1 349.Lines 5 380.Lines 22 130.Email gumnuri@chol.com 383.Text մ
̾
踻
- geodesic() : ª ( Ȥ )
- : ̸ ݼ ٽ
- : ̴ Įؼ , ݼ ؼ
537.Name 赿 651.Thread 0 421.Filename ξ--2.jpg 450.Name 645.Email 464.Thread 0 301.IP 210.123.35.123 349.Date 20050611152136 380.Date 20050913161052 32.Name 346.Thread 344 413.Lines 1 467.Access 999 544.Password SYMsytvs3NSQc 596.IP 211.196.80.72 601.Name 輺 71.Lines 28 116.Filename 413.Date 20051012193853 531.Access 999 65.Filename 410.Thread 0 239.Password SYi30NGbHBYMs 84.Thread 69 142.Text
...̵.2003.05.30.ħ..ݹ濡.Բ.ô...
....
.
7L2l
-T
D
270.Password SYqeTiaNn5Ik. 629.IP 58.143.172.26 52.Subject 10:00 334.Subject 404.Email malignant@empal.com 269.Domain 211.108.71.67 81.Filename 638.IP 220.116.81.18 182.Domain 203.252.161.31 57.Name 賲 117.Date 20030506104421 413.Email 666.Text
ؿ
ϸ
ִ ð ...
巯 ̱ ...
...
ϼ
̾ ٶ
.
7L2l
-T
D 476.Lines 13 156.Subject Re: 663.Date 20060428111509 517.Filename 489.Password 14.Lines 24 44.Domain 220.85.187.141 179.Filename 349.Email 380.Email 2.Access 999 168.Thread 163 117.Lines 1 248.Password 59.Filename 81.Date 20030411053857 235.Date 20050314015305 319.Thread 0 350.Thread 0 430.Password SYMsytvs3NSQc 531.Email 46.Subject ..ϱ... conf.Title ݼӰ 274.Subject 482.IP 211.196.80.77 594.Lines 5 166.Access 865 747.Thread 0 77.Filesize 81.Name ȣ 422.Domain 210.123.36.156 69.Password SYtXRTx7W623Y 245.Subject 05.03.15 ħ ̾߱ 453.IP 211.196.78.5 8.Text What influence has Western Art had on the development of Korean Art since Chosun?
(翹 ô̷ ѱ ߴ ƽϱ? )
What effect has Modernism (Western) had on Korean Art during the Republic of Korea (since the Independence)?
(ѹαع ٴǰ ѱ ƽϱ? )
498.Thread 0 565.Lines 22 62.Access 99 514.Text http://cafe.naver.com/sonjisa.cafe?iframe_url=/ArticleRead.nhn%3Farticleid=11345 378.Access 930 ylFolPHwCc6 234.Domain 210.123.35.39 265.IP 210.206.82.231 377.Lines 36 456.Filesize 68.IP 210.104.102.180 673.Email hyjin08@hotmail.com 441.Lines 0 528.Access 951 374.Thread 0 182.Filesize 706.Email 475.Domain 210.123.35.123 173.Name 嵿ȭ 298.Subject 05.05.02 ħ ̾߱ 528.Access 225 92.Domain 210.123.35.39 136.Lines 223 690.Filename 56.Date 20030331104224 659.Filename 10.Domain 210.104.102.180 254.Access 999 133.Thread 0 385.Filename 84.Password 5.Name 賲 565.Name ݴ 10.Filesize 55.Access 99 conf.HomeTarget 492.Thread 0 377.Date 20050909101808 525.Thread 0 441.Date 20051021043448 72.Email bronzering@hanmail.net 657.IP 210.123.35.193 170.Text ٹ
..
..
츮 Ǯϴ° ʳ, ãƺǵ..
- ڱ(),(),(),..̸ ڸ(ü) ̷ ų
.
.
Ǯغôµ ܼ Ѹδ ؾߵ..
.
.
.
غ ø..
Ź...
.
.
432.Email 240.IP 61.72.4.253 44.Text ..ϱ.
ϱ ռ. ϴ ΰ ϴ.
ϳ, "ΰ ϸ, ſ ִ dz ǰ"
ο, "߿ ٰ ν dz ǰ"
ǿ ǿ 츮鼭 ̸ ȭŰ
ؾ, Ǵ ǰ մϴ.
, ε Ϲε鿡 ϰ, δ㽺,
簡 Ǿ ִٴ ˴ϴ.
"ɼ , ̸ Ͽ dz ǰ" .
ϴ.
23.Date 20030314010443 473.Text 518.Filesize 665.Subject մϴ. ȸ Դϴ. η ˷ּ !. 4.Date 20030311140346 173.Filename P1010231.jpg 439.Date 20051021023915 470.Date 20051104124057 37.Filesize 41.Name ݴ 397.Email malignant@empal.com 744.Access 3 470.Access 1762 5.68 173.Domain 211.219.26.206 654.Lines 11 657.Text
ϸ
ܰڸ Ӹ ũⰡ پ ƴ϶
̳ ó ũⰡ þ ְڴ
.
7L2l
-T
D 395.Filesize 303.Password SYJHP1uX5LeOk 691.Name 輺 688.Domain 211.196.78.108 386.Name 654.Date 20060420231406 467.Lines 14 11.Password SY.XrZ59F5BSs 116.Password SYl/ZTEdn2OLg 77.IP 211.183.63.173 168.IP 220.117.72.54 467.Date 20051104013402 467.Access 1841 531.Access 1289 t.com.cy 549.Domain 221.150.98.142 580.Domain 220.116.73.227 48.IP 211.204.137.14 473.Email hanscraft@hotmail.com 710.Password SY3jJ32sWqEu2 241.Lines 12 328.Access 899 320.Filesize 107125 355.Email 174.Thread 170 512.Thread 0 311.Name 254.Password 275.Domain 210.123.35.39 436.Subject ۾ -- 613.Domain 124.60.51.121 328.Access 744 168.Email ijin100@yahoo.co.kr 405.Password SYZXoxmJ6/RM6 72.Domain 61.254.176.142 497.Filesize 44567 57.Text
߿ ƿ.
Ǵ п 3б
ì ˼ѵ...................
̼ ھ..........
.
.................................
..................................
488.Name 490.Filename -1.jpg 644.IP 61.37.203.82 370.IP 211.216.27.3 55.Thread 46 482.Lines 38 638.Date 20060407160528 689.Thread 688 23.Subject Ļ ϼ̽ϱ?...........(--)(__) 523.Filename .gif 114.Email gumnuri@chollian.net 644.Text
Ϸ ڿ ɾƼ Ͼ ʾҴ.
ڰ ־..
Ϻη ʾҴ.. 뽺
ϱ ؼ..
ð 귶 ʹٴ
, Ҵ.
467.Password SYZXoxmJ6/RM6 {H673.`X
\H492.Z -YH441.~X
DH495.X H377.Z 0H444. 1= H374.X lH92.F qH182.X
mH383.! x,I405. iH706.X
AH475.X wH173.X yH298.X e3H528. Y 'H525.3Z H92.DY
h]H136.3Y
HH690.AY
NQH77.T
&
H56.DOY (H659.fY
H441.@Z H72.EXZ EH10.DtY
H657.xZ H170.Z S H139. 2WH254.Y eH432.[
7H136. ۾H133.Y yѡH331.
tLH385.Y
H513. . oH84.PY 46.Text ̿
Ȱΰ ߾.
ī ʵб 6 4⵿
ϸ鼭 ִ ū ƾ ѿȸϰ
ſ
ݶ
...
, ϴ ÷ٺ
ں ϴÿ ־
... Ȱ...
Ҿ.
ģϱ..
(?) ƺϴµ..
< ¿ ּ м >
ΰ ּؼ
ǥ ؼ
Ͻİ Ǵ ʽ´ ϶
غ ͽϴ.
380.Filename 710.Lines 75 413.Filename _ر1.jpg 710.Date 20060626211549 61.Filesize 246.Lines 25 433.Date 20051020224232 472.Subject : -1 54.Subject ... 517.Thread 0 424.Email malignant@empal.com 243.Thread 0 128.Date 20030509001618 246.Access 99 495.Filename conf.MailTail 95.Password SY3JbuE26MsYI 344.Domain 211.104.22.113 375.IP 221.150.98.200 167.Subject 649.IP 222.106.104.27 174.Filesize 283.Name 638.Access 185 73.Lines 20 134.IP 210.123.35.39 325.Filesize 62046 391.Email artercrafter@naver.com 88.Text
Դϴ.
۳
ϰ
Ƣ ƿ.
ݰ ȯմϴ.
ݱ° .
ϴ
÷ٺ
ƵհŸִµ
Ӹ
Ƶ
ָ
ִ
þߺ
ϰ
ٰɴϴ.
136.Filename 67.Date 20030410114457 128.Lines 88 179.Thread 176 246.Date 20050321163449 70.IP 218.235.60.236 441.Password SYFv2vIPU8Lnc 85.Name 131.Filename 246.Access 803 638.Access 999 758.Thread 0 638.Access 1000 126.Subject .. .. 츮 ..˶˶... 87.Date 20030417000324 379.Thread 378 conf.LastNum 751 480.Text ٽ ٽ øϴ.
7dMoEn.
:
> St Mary & All Saints Church,
> Chesterfield, U.K.
41.Domain 210.123.35.39 516.Name 149.Filename 178.Name ȭ 446.Date 20051026092510 525.Filesize 513.Text :
> ѿڿ ϴ ڿ ۾Դϴ.
> 巯 ߾ ִµ ,
> ڴ ڸ ξ ΰ ϴ Դϴ.
>
> ڱ ϴ Ҷ Ͼ Դϴ.
> ٸ Ӱ մϴ.
ڽ Ӱ մϴ.
172.Lines 72 564.Access 999 672.Subject Standing in Front of a Mirror 695.Filename 544.Domain 58.142.196.112 742.Email 751.Lines 13 jr.com 687.Lines 76 41.Filesize 437.Email artercrafter@naver.com 172.Date 20030613075559 33.Password SYfvONnf5Dgvk 336.Password SYrVObm3v4wlA 99.IP 220.75.238.113 163.Email 518.Text Ͼ Ǵ ɸ
ĺ긮ī ްϴ ̰ ϰ ־.
Peter Hugo
Sam, Klein Karoo, 2003
輺 :
>
> 
>
> ε ٽ .
756.Lines 109 234.com@Yama234.com 295.Access 1000 295.Access 1275 746.Text ϴ½ô ó ϴ, 15 Ǹ ̵̻Ǿմϴ
, 彬,30̸ ȿ ȮҼϴ
,ø,ð Ʋ
3cm ū, Űϴ
ineedyoudoyouneedme.info
(Ʈÿ)
charins boures 49
40 Ѵ ذǾϴ
ڿ ڽְ,ƼĿ2 ٷϴ
, Ȱ ߴ âմϴ, ڽ ,ڵ鿡 뽬մϴ
Ѵ 1.5ô, ݴ 뿹Դϴ
1111
ְ Ʈǰ-¢ Т֢
ʴ עǢ ʶ߸ ȸ!!!
ѱ! ȱ! Ѵ! ״ǿܢ!
ְǿ ׳ ǿ!!!
,,=Ϻ ۾ ǰ!!!
Ը̰ ִ ٷ ǰ!!! 707.Access 999 758.Filesize 707.Access 1000 707.Access 1870 W s 2 0 B680.ߢ 1B88.Tq 2 7B136.s
f.B54.SNp KBB67.D s &7B424.rp
ڢB243.p `B128.p 8 B246.p B495.p
'Bconfp : B95.Pp +B344.p
cB375.q B167.*q &:B677. ,B128.6s
[B179.Cs FC246.Rs EB528.
ZB150.
j@50.I , Wj@679., Y C C C C ( A67.F A531.=, aA273.ɒ
#vA172.W,
A564.r,
753.
vA413., 139. 203.
744. ڔPA306.,
{sA590., ,
K
A635..
mGzA32.E.
,A128.9 9"A297.
A377.
?A687.+
7A37.TF r$A671.) A707.6
751.
178.. $ .A282.B
8JA439.N sA470.^ ѵA595.n 301.e q A654. -A321. A113. =ٔA704.ȑ A97.A
jA52.F 7A282. 0>A547.
DIRA446.
eA318. VA467.. 495. վA15.AH
8PA498.V A689.
A551.I +A349.{ >$A380. A433. A430. 128.Access 999 297.Filesize 377.Filename 687.Password SYi30NGbHBYMs 37.Text 7L2l
-T
D
Բ ϸ
츮 ٷξ....
å ѱ涧
츮
ݼ зɴϴ.
Ѵٴ .
å.....
翡ΰ ߰ڽϴ.
671.Thread 0 707.Lines 0 282.Lines 1 439.Name 470.Name 輺 595.Subject ˶ī Ʋ .. 654.Domain 58.143.172.26 321.IP 61.72.78.86 113.Subject 704.Thread 0 97.Access 999 52.Filesize 282.Date 20050503005937 547.Email 446.Password SYKiSv67G.2Dw 467.Domain 221.150.98.161 15.Access 937 498.IP 210.105.22.126 551.Access 180 349.Domain 219.241.48.216 380.Domain 210.123.36.156 430.Thread 0 67.Filename 273.Email gumnuri@chollian.net 753.Filesize 744.Name himcha 97.Access 1508 dfj 433.Access 1439 1CSqhjsk.U 128.Access 1161 551.Access 1557 318.Text 2005.05.24 ħ ̾߱
ε. IIT
ε ۲ 22
ϸ 3,000
ε ۰ Բ Ѵ.
߽ Ҹ Ѵ.
ε ֵ Ǿ Ѵ.
ѱ õ Ҹ ϰ ִ.
߱ Ҹ. 600-800 Ҹ ִ.
츮 Ҹ. 1800.
ε Ҹ. 2,000.
Ҹ ̾ ִ.
ѱ Ҹ ÷ Ÿ ִ.
츮 ...
ݴ ۲. ̴ ۲.
ü ȿ Ҹ, ȦҸ, ħ.
ũ Ҹ, , 絵
ǥ ִ.
뷮 Ҹ ְ ִٸ,
3,000 ð ̾߱ ?
ν ܼ ġ ִϱ...
ͽ. η紩.
Ʋε Ʋϳ ó
Ÿ ְ ްų ִ .
ϴ ߿ϰ, Ӷ ƴ ߿ϴ.
츮 ϰ
츮۷ Ǯ
Ӷ ִ.
,
츮 ϰ Ǹ
ϰ ǰ
dzο .
ٸ ƴϴ.
677.Text 亥 ڶ Ÿ
Ҹ
÷ Ҹ ´
ƹ/ Ű ٸ Ҹ
鼺
ΰ ٸ
־ Ѵ
οͶ پ ̴
ϳ
ϴ ̳
ٸ ƴϴ
ϵ ν ο ũ þ
Beethoven Coral fantasy
Hear with eyes
Hear with thought
Feel the space with sounds
Morse code
Hunminjungum
King sejong
King sejong felt pity that most of his people were illiterate.
Josun was apparently different from China
At another point, Hangle could be considered by means of a kind of war weapon
Hanol
A peace of clouds or sunset
Real space is not four-cornered plane
By sharing our knowledge, the quantity of our knowledge could be doubled.
٫ȫ롡ի
ͪڤ
Ūڤ
視
様ڤ
⫹ݬ号
ի߫
国ު
Ū̪Ϊ驪
戦争˪ʪ
ϫΫ
ᳪʫ⪢몤焼
当ǪǪϪʪ
ܪ۪Ϊ˪ê᪬ު増몳ȪǪ
beethoven Coral fantasy.
il entend par les yeux.
il entend par la pensEe.
il sent l'espace par le son.
il entend le son par la forme.
morse code.
hunminjungum
roi sejong
il plaint du peuple.
il est diffErente de la chine.
il faut utiliser facilement.
il peut utiliser par l'arme pour la guerre.
hanol
un nuage ou un crEpuscule sur le ciel.
l'espace rEel n'est pas un plat carrE.
la crEation intellectuel double par le partage de l'expErience intellectuel.
680.IP 210.123.35.123 528.Filename 150.Email gumnuri@chollian.net 408.IP 218.235.29.232 441.Filename 4.gif 551.Lines 3 630.Filesize 97613 665.Email super01@korea.com 433.Lines 1 707.Date 20060626132839 512.Filesize 57759 436.Text 564.Password SYl/ZTEdn2OLg 254.Filename GLYWORK_921.jpg s . B u + WB73.Lq B134.q iB325.q
f.B54.SNp :qHB391.q
&7B424.rp
ڢB243.p `B128.p 8 B246.s B495.p
'Bconfp : B95.Pp +B344.p
cB375.q B167.*q &:B677. .uB649.?q B472.%p 758.s EB528.
ZB150.
168.1 537.1 649.1
B408." B441.8
B551.K
B630.W
[$B665.j
OB433.
8B707. ]B512.
ЇLB436. o8B564.ǣ
bB254.
sLB174.Uq
BB283.cq B638.2 746.2 2 7B136.s
WB246. p
1B88.Tq 2 x}\B433.
p KBB67.D s ,B128.6s
[B179.Cs B680.ߢ
B517.ep
l í @ 8 8 % 89.F FC246.Rs
dzE687.T 764.
407.Filesize 11.Lines 33 490.Password SYnKfoewIh.z2 177.Date 20030615130103 400.Filename ʹ۾.jpg 74.Subject ̿ 393.Domain 211.192.67.233 515.Date 20051124214231 328.Date 20050607100044 446.Access 999 523.Password SYFv2vIPU8Lnc 624.Email bronzering@hanmail.net 325.Thread 0 241.Date 20050315020300 52.Email gumnuri@chollian.net 133.Filesize 630.Thread 629 426.Domain 211.196.79.71 457.IP 220.77.231.74 249.Subject ϳ 319.Email 350.Email 172.Access 874 639.Name ++ 485.Text , ϴ Ű Ҵ.
̴ ġ ʴ.. ʴ.
ϴ ƾ ڴ..
131.Password SYBbs.Yy0J4eE 313.Subject Ǯ 152.Domain 211.211.61.151 54.Name 賲 295.Lines 31 482.Date 20051111124037 374.Filesize 521.IP 210.123.35.123 336.Filename 687.Access 999 751.Access 1 762.IP 222.169.35.219 762.IP 218.237.128.186 762.IP 60.196.42.162 762.IP 222.162.78.230 762.IP 124.121.222.173 687.Access 1000 Ox1LwzMHxk 244.Text
** **
־ ̶
ӿ ׳ ĥ ִ ̸,
ϰ ٸ , dz
30 ƿ .
̷ ̾ ִٰ ִ.
, Ȱ ӿ
湮 ãԵǸ鼭,
© ϴ ̱ ϴ.
̷ ־ ' ֱ
ְ Ÿ Ÿ̱ ϴ.
ְ ٸ ִ ̱ ϸ,
ϰ ģٸ ƹ ,
ϰ ; ڿ͵ DZ Ѵ.
Ͽ ѷ ⸦ ϴ
ͼ ð ӿ ذ ,
ӿ ִ ã´ٰ ִ.
̰ ƿ ð ̰, ̸, ģ ̱ ϴ.
Ƽ ̳ ֱ ٶ.
298.Text ö. ũ. ü â.
. differance
difference ϴ δ differance Ҹ Ȱ.
հ ̴.
ڵ Ű µ
츮 ̶ 츮 , ̶ ȵȴ
츮 츮 ؼ Ŵ.
̸ 츮ڰ ٷҡ̶
ٷ, ٷ, ٷ...
̵ ˾Ƶ ִ ãƺڰ л Ŵ
. غ ٷ, ٷ, ٶ...
ٸ. ٷ... Ǯ ϸ ʵл, л ݹ ˾Ƶ´.
ũ
ƴ϶
Ѵٴ ̴.
̷.
. , , , , 簨, ... ̷,
̷Ĵ ð 帧, , ӵ ҿ ־.
ڼ.
ٹ
ٹ ƴ϶ , ð 帧 , Ÿ ƴ .
ð 帧 ̴ ٴ .
̴ Ⱥ̱ ϰ,
Ⱥ̴ ̱ Ѵ.
. ڶ ũ . ˸° ڶٴ
. . . .
. . . .
. . ¹ٶ. ٶ.
츮 츮 ؾ Ǵ 츮 ̿. ܱ, , ̿...
, Ʈ ݴ !!!
687.Access 2619 446.Access 1348 636.Text ȭ ڽ ״ ǥϴ ̶ Ѵ.
ؼ ǥغ Ѵ. ڽ 巯⸦ ϰ ߷Ѵ.
ٸ Ŵ ٰ ϴ ͵ ū ǽ .
ٸ ٴ Ȯϰ Ǵ Ƶδٸ ڽ ְ ǥ ְ ̴.
鿡 ȣ ִ 繰 Ͽ ǥν ģٰ ְ 鿡Դ 븦 ְ ش.
Ӹ ũٴ 佺 ٰ ϰ ߴ. Ӹ⸸ ִ ߴ. µϴ.
ӿ ǥ Ѵ.
鿡 ģ 繰̴. پѻ, ϸ ش. ҷŲ.
ձ װ ִ . ġ ū ะ ó .
鿡 ȣ ִ 繰̰ Ӹ ϰ ǥϱ ٰ Ѵ.
! - 4 " & F480.st v !&F87.D
̰ ΰ, ̸ΰ?
̿ 츮 ߾ о ٶ.
: ִ ƴ?
±رⰡ ֳ 츮 ѱ ִ.
6000 Ǵ ִ.
츮 ױ۸ó ִ ٰ Ͽ
ױ۸ Ѱθ ٸ ̳ ̾߱⸦ Բ .
ѱ 츮 ƴϴ.
Ҹ ̸ ִ.
츮 Ű ؾ Ѵ.
--------
------
------
ܿ------??? ( ˾ƿ)
̷ ͵ .
츮 5000 ذ Ѱ ̾ ̴.
Ƿ 츮 ȿ ư ִ.
̷ ѱ Ϻ ų μ ִ ٶ
ϴ ʴ.
츮 ٷ Ѵ.
츮 ؾ ϴ ̴.
---
Ͼ---
---
---
Ķ---ٴ
---
---ڶ ˸° ũ
The signature on canvas.
Is it a painting or signature?
Writer:Lee o-dek Title: Using Correct Korean.
writer:Umberto eco Title: The Way To Write a Good Thesis.
We should have to read these books.
Q:Do you know what is it in the core of the country?
Even if the flags are fluttering,there is Korean"HANGUL"in the core of the country.
There are about 6000 kinds of languages.
We can never express many situations using only one language like English.
Korean is not the language for only us.
Because this has identical own meanings.
So it is essential to keep our Korean.
BOM--------spring------to see
YEORUM-----summer------bear fruit
GAUL-------fall--------go away
What is the meanning of GYEOUL(winter)?
It is important to inquire into these stuff.
Our Korean have splending history over 5000 years.
So inner side of Korean,there is the orgine of Korean still aliving.
During Japanese colony period,the fact that our Korean was erupted make us feel really sorry.
It is very important using Korean well.
And when you think something,you need to consider the meaning in Korean.
SAEGAL------seperating light------color
MOOGIGAE----holding water---------rainbow
HINSAEK---comes from sun(HAE)----white
GUMUNSAEK--comes from charcoal soot--black
BULGUNSAEK--comes from fire(BUL)----red
PARANSEAK--comes from sea(BADA)----blue
NORANGSAEK--sunset--------------yellow
JAJI--------growing big without deficient---penis
Ы߾٣
絵ǪΪȪ٣ǪΪ
ݫǫȫ룺国ު᪷Ū۰
٫ー롡ȫ룺骷۰
読̸몳ȡ
䲪国真ΪêƪΪ
国˫ƪ国ϫϫǪ롣
6ު롣
ĪޡȪСު状Ϫު몳ȪǪʪȪ롣
国ު窿ΪΪǪϪʪ
ʪ몦ȪϫϫʪǪϪګ몫Ǫ롣
国ުΪʪȪ
ܫーーーー̸ーーーーー
ーー実実ーーーー
룭ーーêƪުーー
竦ーーګǪ窦
Ϊ誦Ū̸몳ȪǪ롣
国ުЪ룵Ҵ歴Ȫƪ롣
内ݻǪϪӪŪ残êƪϪ
国ު۪쪿ΪϪ残ҷʪȪǪ롣
国ު᪷Ū몳Ȫ
Ū˪国ުǪϪګê驪롣
ーーーêªーーー
ーーー⩪ݶー
ーーફ来ーー黒
֫뫰ーー来ーーー
ѫー来ーー青
Ϋーーーーٺーーーーー黄
㫸ーーーーʪȪʪުʪڪーーー茎
77.Text
ũԳ....
- Ƹ Ǵ ǰ
. ..
-ų ų ٹ̰ϴ ̳ ǰ̳ ̳ Ǵ
ü Ͽ Ƹٿ ǿ
ų °.
̼- ð Ҽ ֵ Ƹٿ ǥϴ
, ,
1. ̼ ΰ ȭ ΰ, ̸ ȭ
Ұΰ...
2. Ѵٸ. ȭ Ұΰ...
ü ....
1.
̼ Ƿ߰ ̼ ̼ ̰ ..
ǥ-ǰμ ȸ °
۰μ ȹϴ
2.
ߺ ǰ ִ ǰ ۾
ǰ ǰ ̰ ,...
ǵ ǰ̾ ǰ̾....
۾ ü ۰ ̾, װ ٶų ϰԵ ̾
...
ũ ̷ ϴ° ù° غ
ϴ غҽϴ.
ϰ ãƺ ڷᰡ ϴ.
˾ƺ~ .!!
139.Text Ƽ
Bruno Martinazzi ΰ õ ǥߴ.
丮뿡 Ȱϴ ״ Ư¡ ϴ ű Ѵ. ̴ ΰ üκп ΰ ο Ѵ.
ٹ ö ϰ ݿϴµ,
հ â° Ű,
ġ 迭 ڴ ΰ ֺ ָ ϴ Ѵ.
ű ۵Ǿ ϰ ̴.
ű -1
1960 80 ̱ ű 帧 ֿ ۰
2002 2 ۼ
GIF89a$ 136.Date 20030515232949 331.Password SYrVObm3v4wlA 92.Filesize 405.Access 99 444.Text
Ҹ
ݱ ︮ Ҹ Ͽ ã ҽϴ.
:
> 9ȣ - ѱ Ϣ
>
> ϰ̿dz̺Ҵϵ㸮ŭѼ̿ʹ´. Ȳ
> Ȧ¥γڸڽƶ.δ.
> ȭðѽٹԿŲŲȫ
> . ϳѽ̴ѹźſ
> ι.
>
>
>
> 10ȣ -
>
> ³. װͣթ
> ǴºȭϢ. ſﰡǼ³
> .óԱ迡°̽Դ´.
> ȭչٴβ鼭ɾҴϾ̳
> ư.̷̰ڹλ¾ʰѴ.
>
>
>
> 15ȣ
>
> 1
> °ſ½dzִ.ſdz¿ÿ̴.
> ݰſdzϸ綳ִ. ſdz¾𰡼
> Ϸϴϱ.
>
> 2
> ˸ǰħ. Ȯѳ°ἮϿ
> ȭǹҴ.
>
> 3
> °ſӿִ½dzθ. ſ￡عϷ
> . ſdzħѾεÿ´.ſ
> ³Թ̾ѶѴ.صǾֵ̱
> Ǿִ.
>
> 4
> ἮѳDz.ʴ³ſ.̶
> ǰǰڴ. µſdzڻ
> ΰϿ.±Խþߵµâ״.â
> ڻ츸ѵâ̴. ڻƴϸװڻ
> ״³ģ. ſdzºһ.
>
> 5
> ġźݼξϰ°ſdz
> ܴϿ. źȯǿ
> Ͽǽٸִ.
>
> 6
> 忡ũ. ѳ
> Ҵ.ϴڴ³ƴϴ.ǼҼ
> λѰŴ˰ִ.
>
>
> ̻ 2 - ,, (ȹ)
>
>
>
> ̻ () 3 Ҵ.
> ̸ ݱ ̴.
> 1934 '߾Ϻ' 30ȣ ʴ Ͽ 15ȣ Ǿ. ʹ ռ Ͽ ̴.
>
> ̻ õ о Ǯ ƴ.
>
> µ Ÿ ʰ ״ յڰ ʴµ Ϻη Ǯ ϴ.
> ˼ ˽ ̱ ְ ݱ Ǯ ̴.
> 1ȣ ص Ǯ̰ ʰ ȴ.
513.Subject : Ӹ 巯 -() 203.Text ...Ʋ......ǰ..
..÷.....
.......
..........Ʋ..........
...........Ʋ.............. 383.IP 58.142.211.135 495.Lines 6 528.Access 851 55.Access 885 .at 495.Access 1848 254.Access 1179 528.Access 999 Ⱑ¯] 3.co1.kr/ 528.Access 1524 ī.渶 ¶θ Ҽ ִ°??? 382.Thread 0 14.Filename 334.Text ݺ. ̿ ü
Ӹ
1.ʿ伺
2.
븻
1. ̷
2.ݺ
2-1. ã
2-2. ̴°
3.ü ǥ
3-1.ԽŻƮ
3-2.
4.ü ǥ緹
4-1.ɾƮ ü ǥ
644.Subject ڰ ־. 181.Name 415.Thread 0 331.Date 20050610161433 61.Email sweetbe74@hotmail.com 59.Domain 61.78.84.180 157.Password SYnkARlywv2gM 370.Subject Ǯ 547.IP 219.248.93.125 659.Lines 25 141.Thread 0 403.Subject : 巯 ̾߱ 273.IP 210.123.35.39 656.Thread 0 455.Name 輺 44.Access 999 96.Filename 306.IP 211.41.255.219 549.Password SYZXoxmJ6/RM6 159.Filesize 26303 83.Subject dl 190.Filesize 152.Filename 33.Thread 0 536.Access 999 376.Email malignant@empal.com 613.Password 39.Email 275.Password SYl/ZTEdn2OLg 516.Domain 210.105.22.126 690.Lines 8 178.Domain 220.117.128.45 409.Email 15.Text 츮 츮
״ ?
Ѹ Ⱑ ̷ .
4° µ Ӹ ӿ
o 2I DY ..................... o 2I DY..
T 2 T 2
oI ּ.
o
ֿ u
294.Email 331.Lines 3 385.Access 900 410.Filesize 462.Password SYMsytvs3NSQc 264.Thread 0 149.Date 20030530085817 401.Name ̼ g :o 4 4 4 0 DJ134.l U J182.n J652.n C>J336./_ oJ444.n @
K283.o OJ649. H pJ680. X c xvJ41.EW J387.W
7:J131.>_ J467.V_
xJ496.p_ \4J46.T l m J349.W
,J380.o
NJ710.o
:mJ39.D_
RJ347._ wJ139._ NJ170._
sJ375. ` CˉJ529.;n EDK481. o
J413.o
nJ710.o J523._
gJ61.Fo ;:J637.g
?J405.g
T$J490.g ςOJ299.g
wbJ408. h ONJ536.g
VJ203.Kn S<1J146.l^
HJ456.sn "J255.n 6 J439.^ J470.^ bJ37.I^ XmrJ405.^ J523.^ CќJ588.n =J131.^
J76.Fn LJ654.^
.rJ262._
Eo ^ g q o 0 0 . oJ444.n J76.Fn LJ654.^
C>J336./_ .rJ262._
764.Eo
OJ649. H pJ680. X c xvJ41.EW J387.W
7:J131.>_ J467.V_
xJ496.p_ \4J46.T l m J349.W
,J380.o
NJ710.o
:mJ39.D_
RJ347._ wJ139._ NJ170._
sJ375. ` CˉJ529.;n 764.Ro J413.o
nJ710.o J523._
gJ61.Fo ;:J637.g
?J405.g
T$J490.oo ςOJ299.g
wbJ408. h ONJ536.g
VJ203.Kn S<1J146.l^
HJ456.sn "J255.n 6 J439.^ J470.^ bJ37.I^ XmrJ405.^ J523.o J182.n CќJ588.n =J131.^
J652.n DJ134.l U
A" 2" * e" q " , , / `SH234. X H5.NaY BG H265.X JH377./X
MH456. Ȼ ̻
-
ƶ ̶ ã ̴ ...
Ƹ ֵ Ѵ.
̿ ٸ ΰ
ڸú ¼ ָӴϵ ٿ Ŵ ſ￡ ģ .
ó Ʋ ִ 巯 ִ.
 Ͽ ձ:
ϴ ó 츮 ȵ ̴.
Ǹ δ.
״ Ű Ӿ ڶ ظ Ѿ ΰ?
ũ⸦ .
We can feel something new by changing sizes.
Nature gave me the best tool – Salvador Dali
Lee Sang who is Surrealism chose the letter of his book himself to consider the sizes and layer of his book as a part of his book.
JenaAtti means my dearest friend. - Song Jong-Eun
Thesis should be written anybody can understand.
Design
Is length and speed different?
When Gaudi, Architect, designed his architecture faced gravity, he hang sand bag, set mirror under that and drew the shape of the reflection.
Like that way, you can find good feature by using something turned over that could be considered wrong.
We see the room like we see night sky.
If you see a fist with a closing one eye, that look flat.
״ Ű Ӿ ڶ ظ Ѿ ΰ?
We can not calculate the size of empty space.
-franCais
on peut avoir nouveau sentiment par changement du grandeur.
la nature a donnE le meilleur outil pour moi. ...salvador dali
lee-sang, il a imprimE A l'imprimerie aprEs avait choisi des caractEres et alors il additionne le chic A la grandeur et le style de caractEre.
'zena atti' Ca veut dire mon meilleur ami ...song jong eun
l'essai, il faut facile pour comprendre A tous.
design
la longueur et la vitesse. ils sont differentes?
ڸú ¼ ָӴϵ ٿ Ŵ ſ￡ ģ . ó Ʋ ִ 巯 ִ.
comme on voit le ciel nocturne quest plein les Etoiles, on voir ceete chambre comme Ca.
Ǹ δ.
quand est-ce que la taille de bouddha passe la vitesse de lumiEre apres la taille de bouddha grandit sans limite.
on ne peut pas mesurer la dimension de la place vide.
変檿視몳ȪǪ롣
ԪءԳ쪿ー
ꫵ쪹Ϋ֪ǫ
ʫƫѪӹ
ϪǪǪ誦驪롣
ǫë
ުΪ
ʫǫ㪹ϰڪЪê写êĪ
Ϊ誦˪Ҫêêުê֪êΪ檷ê몳Ȫ⪢롣
ǪêѪǪ娪̸誦˪ݻ詪̸ƪ롣
Ÿ Ű Ӿ ڶ ظ Ѿ ΰ?
41.Email gumnuri@chollian.net 387.Filesize 349.Filename w.jpg 680.Text ƹ Ϻ ÷ Ѱ ִٰ Ѵ.
¾ ҿϸ 㹰 ó ΰ ư ۿ ÷ ִ ̶ ִ.
ڽ 鿡 ִ ϰ ִ ǽ ÷̴.
̷ ߸ ġ ̰ ٸ ϱ ̴.
۰ ̽ Ǹ ΰ ıϱ ϴ ǽġ̶ ߴ.
ΰ ӿ ǽ ִµ ̷ ٸ ϰ ǰ ٸ ؼ ڶ ,ǽ ư Ǵ ̴.
κ Դ ظ ڽſԴ ū ְ ȴ. ϸ غ ִ. ڽ Ű DZ Ѵ.
ִ н ̸ 巯 ٴ ڱȿ ΰ ϴ ִ. ȿ ξ θ ū ó ִ ̱ ۾ Ͽ 巯μ ؼϰ ٸ Բ ϰ ֵ Ѵ.
ؼϰ 巯 ֺ Ȳ ϱ ؼ ڿ ǥ ʿϸ, Ǵ Ϳ źΰ̳ η ̴.
巯 ÷ źΰ ƴ ȣ ִ 繰 ǥν 巯, ̸ ̴ ȣ, , ٶ ̴.
ҿܵ ƴ ھ ǥ Ȥ Ǹ鼭 ٶ ̿ ̿ ڿ Ű ϰ ̴.
146.Filesize 137125 439.Domain 220.117.248.11 470.Domain 211.196.78.64 37.IP 211.211.82.148 405.Date 20050930103042 523.Access 999 131.Lines 1 654.Filename models2.jpg 262.Password SYOzErFbZz8cI 336.Access 851 131.Date 20030512005111 467.Filename DSCF4959.jpg 496.Name 39.Domain 218.235.60.200 347.IP 211.104.22.113 139.Subject Ƽ ؼ 170.Subject Re: 523.Lines 1 375.Text 츮 ٽϱ ռ ŭ Ǿ Ƽ , װ ⸸ ߴ.
켱 Ҹ Ǿ ÷ Ҵ.
ū ޱ , Դ° ÷ Ҵ.
͵ ͵ ϴ ġ ʴ Ҹ ̾ ־.
Ҹ ϰ ־ٰ ϰ Ҹ ߾.
Ҹ Ŀٶ ϰ ִ.
Ҷ , ̴ ħ Ҹ 츮 ֺ ĵ Ϳ 鸰ٴ Ƿ .
Ҹ ӿ ִٴ ̾.
츮 .
° , , ڷ ô° . , ͷ ° .
ū ̵ȴ.
鸮 ι° ū ȴ.
̳ ڷ ô ° ū ȴ.
״ ȴ.
̴ ū ȴ.
ū ȴ.
̰ ū ȴ.
, ̱⸸ ϴ° 츮 ΰ ߴ, ٸ äִ 츮 ΰ Ͽ, ֱ Ͽ, ū Ǿ.
̸, , ̰ ְ, Ҹ ҳ ڱ ߴµ, ɺθ ִµ ڰ , Ҹμ ä ִ ٰ Ǿ.
ѵ 鰣 ϴٰ ̶ Ѿٴϴ Ϳ Ͽ, ϳ ִ ̶ Ҹ ; Ҹ , 縦 ̵ ϴ° ; dz ⸦ ٶ, ä ϴٰ Ҹ , ϴٺ ΰ '' 縦 Ҹ ̴ Ͽ ǰŴ, ϰ '' Ҹ ϰ Ǿ.
7dMoEn.
637.Email 405.Lines 33 490.Access 999 299.Email 536.Password SYBND8V/Smf/o 408.Text ٸ å
:
> ݱ 3° ̾߱
>
> ̾߱ ̸ ʾҴ.
> ñ 鼭 õõ ̴.
>
> 
> ̾߱ :
> Ϸ 系 ä
> ο .
> 系 ǻ츱 ٿ Դ´.
> 系 , ڳ ɴ´.
> ٽ ¾ ڽ ٴ .
> ڱⰡ ̸,
> ﵵ ˾
> ο ϴ Ǵٽ Ż̳ .
> 系 ٽ .
>
>
> ------------------------------------------------------------------------
> 2° ݱ ̾߱
> | [â ]
134.Text
7L2lamen
-T
D 529.Name 203.Subject źϹƲ ̿ ǰ 456.Thread 0 255.Name 588.IP 124.60.51.121 76.Filename 182.Thread 181 652.IP 218.39.197.169 444.Subject : ݱ + ī̳ ζ 283.Domain 211.41.255.219 481.Email malignant@empal.com 514.Email 764.Lines 33 764.Access 1 490.Access 1000 490.Access 2096 523.Access 1619 t w w q q . @
K283.o 3K514.:o
Y(YK380.w
j5K95.T{
HK176.t
$GK413.#t
6:K434.>t K132.Wt K465.gt K400.w
ʑK656.t
*K63.S nK454.O rK149.t K400. sWK240.t
K490.t
TZK493. x n\pK647.{ ^K531.{
DK321.!{ MK695.o 764. 549.ߑ
IjK490.C{ ^K382.[{
K602.}t
z[5K654.t
K675.t bK39.Fi{ &%K43.Nv{ IK526. | mK344.
~K264.
o]K188.u XK523. t M)K373. EDK481. o
OK498.{ bK336.
bC
K82.L{ $K97.T tK415.{
VÖK76.D{ f}K269.{ ނK406.{ 8K349. v
lK252.'v 523.Date 20051209053306 176.Email 413.Password SYZXoxmJ6/RM6 434.Domain 219.248.93.86 132.Name 賲 465.IP 221.150.98.161 602.Filesize 53081 654.Password SYg8GwCDCiyUY 656.Filesize 675.Domain 222.106.104.79 149.Access 831 400.Access 99 240.Email 490.Lines 0 188.Text ̷
'ѳ' ΰ
... ..
㿡 ٰ ؾϳ..
ٰ ؾϳ..
http://imagebingo.naver.com/album/image_view.htm?user_id=jini0821&board_no=28240&nid=15091
349.Password SYi30NGbHBYMs 252.Text - John Pai
ȸ ư.
Ӽ .÷ ġ ϴ
Ÿ.
츮 Ӷ.
ٸ Ӷ. ϴ ִ.
ٸٴ ߿ Ÿ ΰ ,
ȸ Ѵ.
.
.
츮. ̷ ÷.
380.Password SYnfsAqtTNwsU 400.Lines 0 454.Access 999 400.Access 999 493.Text ̸ ħ Ͼ "Ŀ"() ұ Ѽ ־ ź
ٴ幰 ? ̶ ϰڴ.
ٴ幰 ¥ٰ , ٴ尡 ƿ ٴ幰 Ư ˱
ٴ幰 ̶ ϰ ʹ.
¬, ԽηѰ ٴ幰 .
Ŀ ġ 帰 ٴ幰 ϸ, ű ϴð .
ĿǴ " Ŀ"(ġĿ) ġ µ Ͽ.
. ٴ幰 ƴ϶ ε巯 Խη ϴ.
" Ŀ" ٷ Ѵ. ġ ˾ư ̶?
647.Name ݴ 531.Filename 321.Subject 695.Access 99 490.Date 20051116154143 382.Filesize 39.Filesize 43.Name 498.Subject : - 82.Lines 32 415.Filesize 166429 76.Date 20030411010933 269.Thread 0 406.Name 95.Thread 0 526.Text ̶ 'å' .
'å' , '' '' ǹΰ Ƽ 'å' غ, å Ĵ ǹϴ°ŵ ϴ.
[ν, library]
̶, ״ Ǯϸ Ƶ ǹ ȴ. ϵ(զ) μ () <(ͨ)> ִ ⼭ ( զ ) ̶ Ѵ. 翡 ̳ ۾ () ۵Ǿ, 翡 () Ƿ罺 ̸ ȭ()Ͽ ڷ() ٰ Ѵ. ڷ (), ҷ Ѵٸ, Ƹ ȭ ¸ ŭ ȴ. , Ÿ̾ 濡 ִ ٺδϾ () ڸ () ܳ () ߰ߵν BC 21 ڸ ƴѰ ǰ ִ.
344.Filename 264.Filesize 373.Name ݴ 336.Lines 113 97.Text ýϴ.
2003 1б ȹ:
ݼ DZ 3.0 3ð
̼а ݴ
Ǵ gumnuri@chollian.net
ǥ:
ݼ Ư ϰ ٸ , ü â µ ִ.
:
ڰ+
:
:
1982, , 19820815, ݴ
gum,nuri, ȱȽ, 19870415, ݴ + ȫ
ݴ 1991, ȱȽ, 19911003, ݴ +
nuri gum sculpture, theodore museum of contemporary art, 19920411. ݴ + j. curia.
. -\ -8, ȱȽ, 19931006, ݴ + Ȼ
19940609 - \ -9. ȱȽ, 19941022, ݴ + Ȼ.
\ȱȽ.19941131.ݴ + 68
ȹǥ: 1~16
1- Ұ ڱҰ
ǽ, Ұ ۼ ;
â, ,
2-ῡ
3-, Ż
帣 ı, ǥɷ
4- ´
ģȯ ľ
5- ǥó
Ÿ ۾ ǥ
6-Ḧ ִ
¿
7-۾ῡ ڷ
8-߰ , ,
9-۾
10-۾
11-۾ ۾, ,
12, 13-۾ , ,
14-۾ ܰ, ,
15-۾ (ϼ, ǰ )
16- (ǰ ǰȸ, )
* ÷ .
ȣ wrote:
> Բ
> ϸ..
> ' ' ¥Ⱑ ʹ ..
> ϴ.
> ..
> ..
>
> //
> //
>
>
> 2003 1б ȹ:
>
> ݼ DZ 3.0 3ð
> ̼а ݴ
> Ǵ gumnuri@chollian.net
>
> ǥ:
> ݼ Ư ؽŰ ٸ , ݼ Ḧ ü ̷ â µ ִ.
>
> :
> +++
>
> :
>
>
> :
> metal working p.scott th and hu 1978
> ݼӰ Ͽ콺 1984
> ݼӰ Ͽ콺 1982
> the colouring, r.hughes watson 1991
> bron and pati of metal
> ǿ,
> ټ īŸα å..
>
> :
> ڱҰ
> 츮۹ٷξ б
> ǿ ۼ б
> õå б
>
> ȹǥ: 1~16
> 1- Ұ ڱҰ
> Ұ ۼ ;
> â, ,
> Ŀ ־ ϰ ۼ ,
> 2-ῡ
> 3- Ż
> ı
> ǥɷ
> 4- ´
> ģȯ ľ
> 5- ǥó
> Ÿ ۾ ǥ
> 6-Ḧ ִ
> ¿
> 7-۾ῡ ڷ
> 8-߰ , ,
> 9-۾
> 10-۾
> 11-۾ ۾, ,
> 12-۾ , ,
> 13-۾ , ,
> 14-۾ ܰ, ,
> 15-۾ (ϼ, ǰ )
> 16- (ǰ ǰȸ, )
>
> * ÷ .
> ..
> ..
> ..
> //
> //
63.Subject DZ п Դϴ. 695.Access 179 d@nate.com .co.kr 695.Access 999 27111854 a7000.com 755.Email urimannangusonpilyun@mail.com 454.Access 1830 695.Access 1000 695.Access 1331 400.Access 1082 403.Text :
> * 巯 ̾߱
>
>
> [][] (巯 ʰų 巯 ʴ) .
>
> ⼭ ο
> 巯 ʰų 巯 ʴ ̴.
> ڽ ٸ 巯 ʰų
> Ǵ ڽŵ 巯 ʴ´.
>
> ȴ.
>
> ˾Ƶ ѱ ٰ Ͽ.
> ѱ 巯 Ѵ.
>
>
> **
>
>
> ӿ 뿩 ó ִ.
> ٰ ̿
> ڱ 뿩 Ƣ ٸ ó ൿϰ ȴ.
>
⼭ ߿
巯 ʰų 巯 ʴ ̴.
ڱ ٸ 巯 ʰų,
ڱ ٸ 巯 ʴ´.
巯 ȴ.
˾Ƶ ѱ ߴ.
ѱ 巯 Ѵ.
**
ӿ 뿩 ó ִ.
ٰ
ڱ 뿩 Ƣ ٸ ó ൿϰ ȴ.
-----------------------------------------------------------------
ҽϴ.
531.Password SYnKfoewIh.z2 680.Subject 巯. 141.Filesize 71466 375.Subject Ҹ ãƼ 695.Lines 23 400.Date 20050923031522 75.Access 999 146.Thread 0 327.Email 616.IP 222.106.104.26 88.IP 218.235.60.230 408.Subject ٸ å 51.Lines 23 conf.HomeUrl http://gumnuri.kookmin.ac.kr 331.Access 757 45.Filename 160.Domain 220.85.187.135 469.Filesize 462.Filename London_Swiss_Re_Building_+_.jpg 491.Name 311.Domain 219.241.102.67 686.Email 5556161@hanmail.net 454.Lines 14 134.Subject ݴ. 92.Email gumnuri@chollian.net 533.Filesize 387.Thread 0 195.Filesize 30362 370.Text
ʴ øų ־ ڿ
Ÿ ָ,
ʸ Ἥ Ÿ
ϴ ̴.
̷ ̸ ϱ ϰ,
Ե ش.
ʰ
ѳ ۰ŷ
̳.
Ӹ
ѳ 鿩
̷ ſ
۾ ´.
̶ ϰ ǰ
̿ 췯 Ͼ.
췯̶
̿ Ͼ ִ
,
ʴ 繰
̳ ܴ̳ ε巯
˸ ̾Ͼ.
ϴ
Ǵ
踦 µ, 쿩 ξ ۿ ų
ֹŷ õ
ִٴ ,
÷ ٴ
̳ .
̰ ֱ ´
ʸ Ἥ θ ̰ ִ
̷ ϸ,
̷
巯̳
dzϰ ־
۾ ϰ ˸´ .
ϰ ãƼ
, , ٷ Ǵ
Ÿ
η ã
ӿ
ڿ 췯 ֵ Ѵ.
1. ̶
ų, ̴ ϰ Ѹ̴.
츮 ѷ ִ ڿ Ͱ µ, ĥ, ε巴, 帴 , . ִ.
1-1.
. ̴
*
* ó ̵ 䳻
*
.
* ϰ ״ 巯
* ϰ պ ̰ 巯
* ϰ ο ÷
1-2. ϰ
. ڿ ϰ - , , , , Ǯ, , ...
. ϰ- , , , , øƮ ...
1-3). 巯
. ֱ -
Ʈ
ε帮
ϱ
쿬
Ʋ ̿ϱ
2. ̷ ִ
2-1) (ڿ ٸ ̷)
2-2) (Ӱ ٸ , ִ )
2-3) ( , , )s
3. ϰ ٸ
3-1)
ʶ ÿ µ ̸ ó ϴ ̴. ¦̰ ϰų,ε巴 κ Űų, ʰ ϴµ δ.
3-2)
. µ
* µ
* µ
.
*
*
* Ĺ
*
4. 巯
4-1.
ʿ ҳ ϳ ݹ ٸ ϳ ʸ ־ ٸ ҳ ְ δ. ܵ Ʋų ÿ ġ .
4- 2. ̱
.
. Ʈ
. ϱ
. 쿬
.
. Ʋ
5. ǰ
̳ ÷ ξ ÷ ָ, ڼ Ѻ ٸ ġ ݰ Ǵ ־ ϴ ϴ ϰ ο ְ ̴.
ݼ dz⸦ ٶ, ẸⰡ ϴ ſ ִ ̷ DZ⸦ Ѵ. 488.Domain 210.123.36.156 10.Email canadian-silversmith@runbox.com 157.Filename 186.Name ֿ 524.Name 649.Subject 4 14 ´ 149.Lines 33 336.Date 20050610165224 765.Name 75.Access 1240 conf.HomeUrl http://gumnuri.kookmin.ac.kr 50.Domain 210.121.158.152 239.Filename conf.ReadTextBgColor white 14.Date 20030313174500 268.Name 270.Filename Ű.jpg 150.IP 210.123.35.39 262.Lines 82 341.Filesize 195.Thread 0 393.Password SY31RqzE3AgLc 303.Filename 01.jpg 419.Name 50.Filesize 95.Access 999 262.Date 20050412031629 296.Domain 210.123.35.123 349.Access 769 380.Access 129 426.Password SYZXoxmJ6/RM6 457.Subject ó 'Ŀ' 494.Email 527.Email 521.Subject ּ 533.Thread 0 536.Date 20051222101156 391.IP 211.196.81.11 413.Access 999 253.Email 603.Text Ʈ
Ȯϴ.
´Բ ̶ ̸ ż ãƺ,
̶ Ǿִ Ʋ ˾ҽϴ.
̻ϱ ߾µ, ݹ ˾ ߽ϴ. 95.Access 1058 665.IP 124.63.52.200 100.Filesize 152.Password 544.Filename 1_web.jpg 424.IP 221.162.91.154 536.Lines 99 96.Date 20030425015825 469.Thread 462 &
452.Text ̻ 10ȣ - ݱ .
6 1ʰ 3 .
ñ Ǯ
10ȣ - ñ
 440.Email malignant@empal.com 262.Access 899 393.Filename 659.Date 20060428011953 690.Date 20060526103835 59.Filesize 63.Name 385.Lines 10 464.Filesize [ i * BL403. n 9L149.
&/L294.{+
SL141.
$L375.ɕ L695.
275. 456.
XRL400. 765.
dL75.A
;L146. L327.&
*kL616.1 L88.IG NL408.\ ( L51.L #dLconf1
CL331.Ɩ uL45.FՖ L160. TL469.
$L462.
& xzL491.= /L644. h ML311.M L686.g
L454.
L134. L92.E L533.ʗ
wL387.ؗ 88.L 3L195.
L467.h
L680. fSL370. O L488.X ZL10.Er L157.
]~L186. CoiL524. L15.T ( s
3CL336. EqL649.ɮ On.L531.w
< m I X X ) 463.$ 393. $ bM331.+
#M385., tM410.+
4M462.+
f!pM264.+ g-M149.+ bM401.+ ٢M344.
zmM12.N jM526.* 2[M602.= ͩfM396.J jMconf_ M188.} BM695. Q{M81.D
762.|p s M66.T CM549.
zM45.D õM580.
130.& ^UM429. M64.T
M252. 5M651.:
319.&
M/M32.SM jM613.l
oM204.
M457. M81.F "YM275.
306.& xM73.P DȐM659.
M690. w+yM155. 8)M454. )ٽM346.
750.
۬(M521.' 3M639.1 ͣSM337.K : ݱ ̾߱⸦ Ǯ ΰ
> ( ̾߱⸦ Ǯ ΰ)
>
> : Ҹ ̿ ϴ
> (Ҹ ִ ¸ ̴. 켱 Ҹ ִ ̴. ȸ μ ̴. ̴. Ҹ ǰ 踦 Ÿ Ѵ.)
>
> : ̳ ɸ ϴ Ϳ
> źп̳
> (ϴ ̸ غ)
>
> : ̾߱Ⱑ ĿDZⱸ
>
> : Ư ̿ ű
>
> : ̸ մ մ
>
: ø ӿ ϴ ű
426.Filename 44.Access 1000 44.Access 1096 jl.dynamic.163data.com.cn : q N A A + ^O50.D
762.N e {O239.
sCOconf( R]O14.DC i$O268.Z "O270.j
wXO150. oO262.
)}O341.
O265. @O195. O393.
*O9.Na O303.ڴ
xO419. O50.F HO95.AL
O262. ŁO296.7 tO349.Q #9O380. O426.o
ϥ;O457. ûO494.
pxO527.
JO521.Ƶ
+O533.ܵ O536. MFO391. O413. OEO253.%
O603.0 DlpO654. "O665.[ O100.p
c{O152.~
C0xO544.
414.,# 475.D#
5O424. 8vO536.
742.v#
;ڿO539. ,`#O96.Dʷ < O469. zO606. 591.%
265.Text پ ̴ ƴ .
(ϲ.)ؾ 巯 ƴϴ.
°:鰡
[ǰ ]
⺻ İ ߿ϴ.
.
ݴ ´ ǰ
ǰ ϳ ְڴٴ ..
.
ϳ ° ߽ϴ ϴ.
.
忡 赵 ..
Ÿ .
.
˹ ϰ.
˱ ű .
Թ .
ݴ ۲ .
.
߳.
.
ö .
[ ]
´ ũ..
.
´ ƹ ũ.
´Բ ̴ٰ մϴ.
´Բ Ͻô ̶.
ϴ .
.
ٸ ϸ .
.
ü
ſ ִ ϰ .
- -а
ʷ.
..踻 ãƺ
-߱-
ο -ιƮ - о
9.Name ̾ ^ < 409.H;
VN382. $ 432.f;
56.E;8 ,lN14.F
$ eN334.$ > EqQN644.a% " ^N181.% 466.8 497.8 550.8 688.8
\gEN415.%
"N331.% NeN61.E% 272.79
wN59.D%
530.b9 435.; cN157.%
$>uN370.& ;N547./& c}N659.E&
76.F9 245.9 760.e 686.9
;4iN141.R& 133.; 97.L9 39.A9
cN403._& # 376.:
706.#:
_N273.& 2N656.& 37.P; 15.LQ: 245. 4
757.e 2 4:N455.& iGN44.Ay
594. 8 664.m8
:2N96.F& mqNN306.& 486.8 31.D1; ' U' N N rN452. /N580.#
429. $
N159. '
37N190.-'
190.-'
494.g$ kN152.;'
(XN33.TI'
ۉN536.> z2N376.d'
yN613.'
155.$
N39.E' hN275.'
N147. s 678.%
EN516.' 547.& 㸝N690.'
381.% u4N178.' EN409.'
N440.
N262. 350.%
92.T%
152.
& 319.&
MN393.ǹ
N659.չ N690. `!N59.F ±N63.N B\N385.!
306.& TjN464..
EN388.| 414.,# 475.D#
N426.W
466.f# 742.v#
N681.
591.%
N385. 140.# N549.&
681.Email 385.Date 20050916004429 580.Password SYi30NGbHBYMs 536.Access 1766 539.Text δ Ƶ̱ dzؾϰ
δ ֱ ʾƾ Ѵ.
ֵ̰ ..
ʱ Ѳ ʰ
״ ߷ ڸ
̸ֵ ̾Ƴ Ѵ.
ִ .
606.Name ++ 762.Subject ֽſȭٿ° 380.Access 999 380.Access 1000 帳ϴ...^^ ^ !boa7000.com 762.Subject ¶ιī&渶 ѹ ٲ㺼? ǰ, , ̼ǿ) 380.Access 2242 413.Access 1512 654.Access 1645 ??? 762.Subject ߿ !! ̺꽺ũ渶 ¶ī 762.Subject 缳 -> world-score.com 缳 -> world-score.com
缳 -> world-score.com 缳 -> wor 266.Email 113.Filesize 580.Lines 31 152.Access 999 283.Filename 580.Date 20060308211332 549.Date 20051225195312 48.Filesize 155.Text
< ' ڱϴ '
־ ´ Ȱǰ >
*' ' '־'
ΰ ڱϴ ã.
.
ٰ . Ӹ .
ȭ'E.T'ܰ
ȭ,
ϸ̼'ξ'
ȭ'ؿ
conf.NameFirst false jsk.U 393.Access 1189 544.Access 1499 et 152.Access 1029 57.Domain 220.76.11.185 567.Filesize 647.Filename 64.Text
ָ ...
̴ γ...
ູϽʴϱ?...
ٽ ?...
ܿ ٽ ...
319.Subject 05.05.31 ħ ̾߱ 350.Subject Ǯ 527.IP 210.123.36.156 529.Filename 488.Date 20051116153640 639.Lines 155 631.Filesize 52479 676.Name Ⱦ 586.Domain 58.143.172.26 253.IP 211.40.11.51 49.Password SYHUspa72Nc7A 255.Filename 104.Domain 210.113.7.48 298.Thread 0 479.Email hanscraft@hotmail.com 406.Filename conf.ArticlesPerPage 15 378.Password SYZXoxmJ6/RM6 399.Domain 58.142.199.117 435.Name 赿 591.Subject 3 10 ´ ħ 55.IP 218.237.98.186 636.Thread 0 543.Email hanscraft@hotmail.com 311.Lines 10 12.Filename 161.Name Ӽ 496.Filename 636.Filesize 140641 688.Password SYZXoxmJ6/RM6 672.Thread 0 301.Subject : 05.05.02 ħ ̾߱ 140.Domain 220.117.128.126 43.Filename 109.Domain 210.113.7.48 283.Lines 11 5.Password SYVYtV2tddTqg 4.Filename 471.Name ä 596.Subject ī Ʋ .. 40.Lines 52 70.Domain 218.235.60.236 468.Name 輺 390.Filesize 170802 652.Text Ӹ. 100.Thread 0 319.IP 211.40.195.78 53.Thread 0 142.Subject ︮ 350.IP 58.72.6.43 395.Thread 393 344.Lines 109 59.Email 423.Filesize 347.Text
Mariko Kusumoto 79.Domain 220.76.11.179 475.Password SYMsytvs3NSQc 532.Name 62.Password 657.Subject : ܰ 378.Domain 210.123.35.193 609.Email heethroe@gmail.com 344.Date 20050611000126 462.Access 999 529.Domain 210.123.36.156 591.IP 220.74.99.58 383.Subject ̸ մ 79.Filesize 157.Access 926 111.Filename 265.Subject 05.04.12 ħ ̾߱ 335.Email 664.Filesize 157.Access 272 234.Password SYl/ZTEdn2OLg 624.IP 211.243.35.90 255.Domain 211.40.11.51 50.Email jy95craft@hanmail.net 148.Email 18.Lines 1 48.Domain 211.204.137.14 104.Name 55.Text
------ ð ȭϴ ǥ,
ּ ǥӿ
?
մġ Ѱ ......... 535.Email malignant@empal.com 239.Date 20050315004448 270.Date 20050426080112 17.Filesize 197.Email gumnuri@chollian.net 2.Text
7L2l
-T
D 394.Name 82.Password SY.XrZ59F5BSs 245.IP 211.40.11.51 544.Date 20051223034121 5.IP 220.76.11.195 273.Text
.̸
.Ӷ...ֵ.Ÿ..۷....巯.Ѵ
7L2l
-T
D 99.Filesize 276860 2.Filename 455.Domain 211.196.78.5 70.Email sweetbe74@hotmail.com 348.Email 677.Filesize 116.Lines 11 639.Filename 181.Domain 61.80.19.141
l H 0 S255.
ӫS437. xpS439.
IsS50.E ^S148.
[S18.L n`R40.L nR70.D
XR468.% TR390.5
fR652.I RR100.[ ES48.D%
BR319.h R53.T}
.R142. MlR350. R395. z@R344.
かR59.E ԈCR423.
ŲR347. R79.D
dvR475.
R532.5 ٸR62.PE BR657.R K'R378.n PR609.
mR344. D:R462. ךS104.> 0S55.TN AR529. Y"S260. R591.
R383. - *S406.
6{R79.F3 _>R83.N@ wTR111.O
Y~R265.] PtR335.
1wR588. *1R664.
-=R157. R234.
nR624. 588.Text 츮 Ẹ° ó մϴ.
ڶ ؾ ´Բ ª øϴ.
..ο ã , θ. ٲ Żٲ....
..θӸ.θ.η.밡 Ǿ δ.
.. ̶ Īϸ, ϷϷ ָ θ, ϸ ڱ⿵ ѳ īӰ ֽѴ.
µθ. 260.Subject ִ ġŸ 406.Domain 61.73.103.35 437.IP 210.123.35.123 439.Filename 462.Lines 0 749.Password 462.Access 1471 b N GN + b + `P349. L
B P380. L
$XP130.L
E8P383.4L 4 @P537.qM P651.M CqP421.M
P450.M 752.b P645.M
{Q458.
KQ260.B Q65.DK# a Q159.b# Q190.o# sQ531.~# IQ452.# 3 zQ539.# Q341.# $Q660. $ SQ344.+% RQ421.$$
ŏQ603.2$ 749.$
Q109.M$ W Q140.]$ xYQ473.m$ HQ475.$
276.- 346.-
gGQ467.(b
MQ355.$ . Q147.$ / 531.Lines 31 381.Name ä 272.Filesize 49639 196.Text ü Ϻκ ̿ ݼ
â ڿ Ƹٿ â ̶ ȴ
̾ Ϻ ϳ ǰ̶ Ǿ
ȸ پ ǹ̸ Ÿ ִ
߿ Ǿ ڽ Ÿ ǥ ȴٴ ̴
츮 ϰִ ⺻ ̸ ǥ ̴
κ ϳ ȣ̸ ̲ Űü̴
̴
츮 Ȯ Ǵ ϰ ִ
̷ ü Ѵ
츮 Ѱ踦 ߰ ؾ Ұ̴
Ȯ
Ǽ
ؼ
Ư¡
ڿ ̿Ͽ
Ϻκ ؼϿ ο οѴ 565.Domain 210.123.35.193 234.Filename 263.Name 388.Subject : ° + ° 49.Lines 21 458.Email 81.Email ijin100@yahoo.co.kr 114.IP 211.219.74.51 414.Name 260.Text
츮 µ θ ξִ ̸,
ϸ鼭 ̰ ̴. .
Ű ֱ ̷ο鼭 ƴ. 鼭 Ӱ ˰ԵǴ ϴ ο̳ Ե ϰ, õ ͵ ɼ ϸ鼭 پ ÷ ڱѴ.
Ǹ ̰ Ӹ 繰 ط ̰, 巯 Ͽ ø ӹ ڸ ȿ ϰų ȿ Ͽ 鳢 ѵ ų þ Ͽ θ ̷ Ѵ.
۰ Ͽ Ǵ ٸ
* Dan Flavin
* James Turrell
* Robert Irwin
65.Date 20030408145241 159.Thread 0 190.Thread 188 531.Date 20051221112123 452.Subject ݱ ̾߱ Ǯ ΰ - 539.Subject 341.Thread 0 660.IP 124.60.51.121 64.Access 1015 421.Password 603.Subject Ʈ 109.Name 140.Name ȭ 473.IP 210.123.35.123 475.Filename chesterfield.jpg 355.IP 211.40.195.78 147.Subject ſӿ ...ôı⸦ ؼ 64.Access 167 749.Filename 4.6 129 64.Access 999 191.124 344.Access 1164 51.102 763.Email world-score@world-score.com 7 # 514.?
535.$< 204.><
176.L<
678.g<
749.
n`R40.L nR70.D
XR468.% TR390.5
fR652.I RR100.[ 160.z BR319.h R53.T}
.R142. MlR350. R395. z@R344.
かR59.E ԈCR423.
ŲR347. R79.D
dvR475.
R532.5 BR657.R 657.R K'R378.n PR609.
mR344. D:R462.' 327.w>
437.>
AR529. 319.>
R591.
R383. - 481.>
6{R79.F3 wTR111.O
111.O
Y~R265.] PtR335.
1wR588. *1R664.
-=R157.@ R234.
nR624. 4 4 3 $5 5 5 ) S255.
114.-
299.,
IsS50.E ^S148.
[S18.L ES48.D%
ךS104.> ӫS437. xpS439.
0S55.TN Y"S260. *S406.
'S462.
(S470. 0
sS549.0
CpS465.0
S586..3 243., 㙁S111.G3
QS613.b3
434.,
օcS70.Fo3 נS163.|3 9S462.3 vbS496.3 LS389.3
y S549.P5 L*S157.3
-S345.3 S33.A 4
^-S236.4
S580.p5 ! S85.F+4 lS647.84 !_S46.IR4 ĊS613.95 %ZS453.v4
ƖS272.4 ܃S157.4 Xy$S275.4
>
> .
> ε帮 ū ٲ.
586.Name Heather Bayless 111.Password SYs1CSqhjsk.U 613.Lines 26 70.Filesize 163.IP 211.216.157.19 462.Date 20051103184524 496.Domain 210.105.22.126 389.Email 426.Access 999 157.Lines 14 345.Name 33.Access 963 236.Filesize 580.Access 999 85.Filename 647.Domain 222.106.13.185 46.IP 218.235.60.206 613.Access 216 453.Email moen@7dmoen.com 272.Thread 0 157.Date 20030612214143 275.Access 869 300.Filesize 31136 678.IP 218.50.87.20 744.Filename 4.167 196.Subject 426.Access 970 613.Access 999 9.217 613.Access 3444 8.242 549.Access 1511 426.Access 1214 580.Access 1378 616.Text Žñ ...
Ź
Ź
Ź
Ź̸
밡
^ ^
..
7L2l
-T
D
˱ ǰ
 ߴ
ũ Ը
̼
.ã´
οƺ,
.ϴ̸,
̸,
Ȧ.̸,
ο.̸
..., .⸮..ٶϴ!
1943 ... ...ũ.̵.Ʈ...ۿ..츮.Ű.Ҵ
In June 1943, Frank Lloyd Wright received a letter from Hilla Rebay, the art advisor to Solomon R. Guggenheim,
7L2luploading
-T
D
 Ʈ ȸ .la spirale du Guggenheim
ũ ̵ Ʈ
()
īҴ ϳ ο ű ü̾.
̷Ĵ 귯 Ÿ, ȿ ٷ ְ Ͽ.
ǥǴ ʴ Ӷ ̴ ó ߿ϴٰ ߴ.
ܴ õ ùٸ ̶ ٶ ˰ Ǿ.
ٴٴ ̴.
ٺġ ڴ ̼ ִ.
賤 Ϳ .... ڼ ̼ ٽ ϰ ߴ.
տ ̸ܹ '' ̶ ̸ 濡 ̷ Ͽ.
ٺġ 1000 ̶ ϵ ڼ ݰ Ŀٶ ̶ Ѵ.
ٴ ִ ״ ű ϴ Ϳ Ÿ ٲ Ǿ.
ִ ̴ (̳)
Gizmo
Spider man
Spider human being
Spider human
Human spider
Ź̸
Head of pig
An anus sensor
Dancing house
Frank Gehry
Guggenheim Museum
I need
a fighter,
a lover of space,
an agitator,
a tester and a wise man. . .
I want a temple of spirit, a monument!
-Hilla Rebay to Frank Lloyd Wright, 1943
In June 1943, Frank Lloyd Wright received a letter from Hilla Rebay, the art advisor to Solomon R. Guggenheim,
7L2luploading
-T
D
Frank Lloyd Wright
Falling Water
House of Winslow
Picasso was a cubist who represent object as if he could be seen from several different positions at the same time.
A futurist is someone who makes predictions about what is going to happen, on the basis of facts about what is happening now.
Expressionism says that symbols and exaggeration to represent emotion is important rather than representing physical reality.
After Cezanne, painters knew that perspective painting is not right.
Dada is the evolution.
Mona Lisa of Leonardo Da Vinci has been regarded as top of Europe art.
Marcel Duchamp who wrote L, H, O, O, Q and drew mustache on Mona Lisa of Leonardo Da Vinci open up new stage on art.
90 years ago, he applied to toilet as a Fountain.
Da Vinci is called 1000years person and Marvel Duchamp also is respectable.
After Dada, painting had changed from realistic to abstract.
Artists ability is a honesty. (Kwon ina)
Žñ
ѫޫ
⡡
⡡
ѡ
Ź̸
ʪ
ڦ
ɪêƪʫ
ի
ϫڸν
戦ͪ驪Ǫ
Ѫ
ګʥȪ恵ƪ
ϪѪҷ̸ʫԫëȪ۪Ǫ
1943Ҵūիɫ髤ȪϫϫڸνǪêҫ٫᮪ê顣
իɫ髤
ժ⩪
˪ʫ
ԫء体పڪ
ڱ来Ѫ誦Ȫ
̸ʪګ̸ΪȪ驪Ǫ֪ê
̪画ʫʪ᪷絵모ʪǪΪª誦˪ʪê
٤
ӫΫʫ꫶ϫーëڸêǪ롣
Ǫʫ꫶ΫԪ߾髭ڪ뫨ޫ뫻ڸ檿㷪᪵
ce truc
araignEe homme
araignEe humain
humain araignEe
Ź̸
une tEte du porc
un anus sensor
la maison dansante
frank gehry
musEe du guggenheim
j'ai besoin de
un combattant
un ami du espace
un meneur
un examinateur et une personne intelligente
je veux un temple de la EternitE et un monument .
-hilla rebay A frank lloyd wright 1943
en juin 1943, frank lloyd wright a reCu une lettre de hilla rebay,
le conseilleur de l'art A solomon r. guggenheim
frank lloyd wright
(?)
la maison de winslow
picasso est un cubiste qu'il dessinait beaucoup de partie sur une canvas.
le futurisme exprime le courant du temps, et ils dessinaient le movement directement
dans la canvas.
expressionnism, il reprEsentait que la chose qu'on ne peut pas voir est importante comme la chose qu'on peut pas voir.
aprEs cezanne, on savait que la perspective n'est pas juste.
dada est la rEvolution.
la gioconda de leonardo da vinci, il est au sommet des beaux-arts eropEen.
mais, marcel duchamp qui Ecrit "L.H.O.O.Q"et dessine la moustache sur la photocopie de la gioconda. il fait recommencer l'histoire de l'art
comme nous appelons leonardo da vinci une personnage de 1000ans, duchamp est personnage excellente aussi.
un talent de l'artiste est la conscience.(kwon ina)
52.Name ݴ 132.Domain 220.76.11.206 275.Lines 7 91.Lines 84 613.Date 20060324002358 275.Date 20050428171922 393.Access 999 439.Password SYRLnG8HBCgHU 470.Password SYZXoxmJ6/RM6 72.Subject Ż ִ... ̵ ã.. 373.Domain 210.123.35.39 595.Filesize 524.Domain 210.105.22.126 347.Subject - Mariko Kusumoto 186.Domain 210.121.158.119 393.Access 1000 aURLRueYc 239.Access 829 399.Name 664.Thread 656 conf.ListBorderSize 0 303.Access 870 393.Lines 8 472.Filesize 15727 434.Filename ȸ__167.jpg 463.Name 588.Subject ˸. 314.IP 211.237.211.140 426.Lines 46 85.Date 20030415002649 390.Thread 0 167.Filesize 652.Subject conf.NameFirst false conf.WriteTitleBgColor #f0f0f0 491.Domain 210.123.35.15 544.Access 999 423.Thread 415 675.Filename 2.Date 20030303141050 746.Filesize 92.Subject ....Ƹ䳪 424.Text
Բ Ͱ. 396.Subject : Դϴ.. 466.Email moen@7dmoen.com 10.Subject ü 2003/03/07 Umberto Eco Bibliography 48.Email portfolio1007@hanmail.net 234.Lines 55 313.Filesize 135421 68.Domain 210.104.102.180 167.Thread 0 304.Name 421.Date 20051013142435 150.Text
./.
7L2l
-T
D 268.Domain 61.72.60.106 429.Subject ɵ̷ ȸ () ֱ 299.IP 211.106.36.73 530.Email 606.Domain 222.106.104.26 637.IP 61.37.203.91 116.Date 20030503134324 311.Password SYqeTiaNn5Ik. 68.Filesize 72.Name ̼ 475.Lines 2 155.Subject Re: 516.Filename n01.wma 53.Access 999 391.Text
ٸ üԴϴ.
ٿ ֵ ӿ ´ մϴ.
545.Name 178.Filename & S
Q . vT491.S AT524.Q yPT544. 3&T113.
T347.Q ) թT186.R dUT470.4Q
XT463.R
T580.
T239.6R ܛT423.S ZT588.R ΒT675.S
- T152.
́T399.ER T595.Q
595.Q
765. T283.5
fT580.C CFT549.[ _T48.Fs ET616. 8 &!T52.NP T132.P w@T275.P
[T664.UR TconfdR #T303.zR T314.R mT426. S
m T91.LP UT613.P aDT85.DS 'T390.-S T167.:S
T393.R
T472.R
xT434.R
"njT275.P
T393. h'T72.SOQ 1 5T439.Q
KuT373.Q T652.HS Tconf 7TconfrS ET266.
5d g e gd Qi Qi , MU2.DaS /U465.d 9 BU303. d
LS
U152.g
M'U311.g
-aU84.Ag
FU236.Bd cU152.Od X U270.!i \U417.vd
vU97.Id U337.d U60.Ld XǿU488.e
NcU421.1i pU590.]e
fU54.F.e U300.;e rhBU15.IHe gU706.f )>U143.ke
AU396.ve U401.vf iU309.g wU432.f U544.f
?U283.i
U658.f
,DU69.Lf CU99.Df
U116.Ai MPU393. g p/U429. h 516.>
zU276.5g 350.>
5U17.DEg
481.>
624. ? W U160.^g
?U426. d U239.lg
U318.yg
wU270.g
ڧ+U384.g
-U340.
d NxU673.f OSU155.
303.Lines 14 340.Name 426.Date 20051014121446 84.Access 99 236.Thread 0 152.Date 20030530142033 270.Access 999 417.Email 97.IP 211.219.36.99 337.Domain 211.237.211.171 60.Lines 59 465.Subject : ݱ ̾߱ Ǯ ΰ - 421.Access 999 488.Filename -2.jpg 54.Filename 300.Thread 0 15.IP 220.75.238.123 590.Filesize 143.Email 396.Text 赿 :
> ƺٿ ü ֵԴϴ.
> ¸ س ϴ.
̷ ϶ ϸ ָ ĥϴ.
۾ ϳ.
ϴ.
401.Domain 211.243.35.199 673.IP 211.192.67.195 432.IP 219.248.93.86 544.Lines 2 706.IP 210.123.45.114 658.Email 69.Lines 168 99.Domain 220.75.238.113 84.Access 1078 393.Date 20050921102713 276.Name 17.Domain 220.85.187.141 160.Filename 239.Lines 37 318.Filesize 270.Lines 7 384.Email moen@kookmin.ac.kr 152.Lines 4 311.Filename õ-ſӿ_.jpg 309.Name 84.Access 999 429.Text 繰 ž ڽ Ҿ ä ȴ.
ȸ ϱ Ѵ. ž ´ ȸ ϼ Ǿ ΰ ֱ ϰ ȸ ֱ Ѵ.
װ ɵ̷ ŸѴ. 283.Password SYrVObm3v4wlA 270.Access 1147 421.Access 1178 116.Access 1099 306.Text ǰ ũ ...
̺ Ѵ.
ũ ǥô **
ϱ ƴ϶,
մ ֱ ̴.
? ٴں ȵdz? 츮 ٴں 纼?
ִ ̱ .
õε õ ̸ ֱ ,
ð ʴ´.
̵ ̸ ش.
̴ ҽ, ̸ ش.
Ʋ Ȳ ̰ .
õ ̴ ̴.
̴ .
̸ ϴ ̴.
̴ ϴ.
30, 45, 60, 1 ҽ, 3 ҽ...
Ȳ Ѵ.
̶ ̴ δ.
, δ ֱ δ.
*
ü. ٴڿ , ŴĿ .
Ѵ.
ɺ ڼ .
߸ õ ̴.
ݴ ó .
ݴ .
Ͽ ȴ.
̷ 鿩.
..
ִ Ѵ.
, ٴ, õ, ......
ûó ϴ ͱ .
츮 ǰ 縻, ӳǵ 缭 ̴.
ε ε ӿ ˷ϴ...ε .ο.
ؼ ƴϴ.
ε ε ӿ ƹԳ Դ ѿ Ǯ .
ϰ ìܾ Ѵ.
ִ ƴϴ.
ã ִ.
ϱ 巯 ִ.
Ƽ. డ.
"ȭ ִ ִ ̴.
434.Password 486.IP 210.123.36.156 616.Subject 3 24 ´ ħ 90.Domain 220.85.187.141 303.Date 20050516131253 668.Name 261.Email 54.Date 20030328021441 160.Password SY3JbuE26MsYI 73.Thread 0 550.IP 210.123.35.75 595.Thread 594 41.Subject ... 79.Email knk2814@hanmail.net 675.Password SYi30NGbHBYMs 113.Thread 0 547.Text Ӹ
ΰ ȿ ̻罽 ڸ θ ̶ ڸ . ΰ ΰ , ΰ ۷, ΰ ̷ ΰ ̱ ̴. ΰ ʴ. ΰ ϴ ΰ̴.
ΰ ϴٴ ȸ ϴٴ ̴. ȸ ̷ ߴ ΰ 罽 ڸ ̰ ̴. ϱ ȸ ̷ ̴. ̷ ȸ δ ̴.
ΰ ȸ̱ ȸ ̴.
ǥϰ Ѵ. ߿ ž ǥϰ Ѵ. žϰ ž ¿ · ϴ ̴.
ڰ װͿ ̿ ڱ ̸ ڸ 鿩 ڷ ٲٴ DZ Ѵ.
ž ΰ ȸ 踦 Ÿ ִ ⺻ Ҷ ϸ ž̶ ϴٴ Ÿ.
ǰ ʸ ãƺ ŰƽƮ ǥ Ӱ ǥϷ ۰ ǵ ˾ƺڴ. Ư ŰƽƮ ϻ ̴ ۵ ã ۾ ϰڴ.
ŰƽƮ
ŰƽƮ Ư¡
ŰƽƮ ֿ ҷ Ͽ ǰ ӿ ǥϰų װ ߽ϴ ǰ ϸ ҿ ̶ Ұ Ͽ ϳ ǰ ǥ Ǿ ̴.
ŰƽƮ (20 ) ȭ ̶ , þ ǿ ̷ ӵ ִ. ݺ̸ ܼ · ֱ Ѵ. п ٶ̳ 帧, ߷ ۿ ش.
ɵ
ΰ
ΰ Ϸ ʴ. ű . ü ϱ ̴.
ΰ ȸ
ȸ ΰ . ȸ ϻ ΰ ʴ´. ΰ ȸ ΰ Ų. ΰ ž ϸ ڽ Ҿ ̰ ȴ.
ȸ ϴ ΰ
ڽŵ ȸ Ű ư ΰ. ȿ ȸ Ʋ ȿ .
ֱ
ΰ ȸ ѹ ΰ
ȸ ̴ ΰ
ɵ̷ ȸ ֱ
Ӹ
Űƽ Ʈ
ɵ
ΰ
ΰ ȸ
ȸ ϴ ΰ
ֱ
ΰ
ΰ ȸ
踻: ɵ, ž, ΰ, ȸ, Űƽ Ʈ 75.Text ' İ ο'
-> 'ī縯 ȸ ¡ '
- 䳹
, , , ̻, , ü, ô , д, , , , ڰ, 14ó, , , , , ¡, , ȭ, Ƹٿ...~
- ڷ
* ī縯 ȸ
- , д, 븦 ߽/
б п 2000
* ũ ݼ ǰ /
(): ͱݼӰ
б п 1999
* ѱ 14ó /
(): ̼
п 2000
* ī縯 ʿ ο /
()
п 1987
* ʿ Ȱ
'̰ ˾Ƶӽô' - -
ٿ
234.Access 941 90.Filesize 589.Email 436.Filesize 225998 488.Password SYnKfoewIh.z2 66.IP 211.192.67.236 421.Lines 2 475.Access 999 665.Text մϴ.
ſȸ ̷ ϱ θ ˸ϴ.
2006 4 18 11 20а
http://www.dcinside.com/ Ʈ ̿Ͽ Ʈ Ϸ ۱ ߴµ...
ģ شٰ ϴ
ڵ ڸ ´, ִ, ٷ ϴ
ڷ ƿ ȭ ʳ... ̾ϴ.
Ǹڰ ø
"ǰ ǸԴϴ.
CPU AMD2000. RAM 128 512߰ 680
ϵ 40Ⱑ 80Ⱑ
ҷȭ ϴ.
۳ 5 ߽ϴ.
մϴ.o1o-ĥo2 46 "
ipּ : 211.171.205.209
Ѵް ƸƮؼ ҽϴ. ο Ẹߴ ۵ ϳ
Ż (۱ݺ, ڸ ȣ-û翡 ġؿ..̷ ̶ ϸ ȵ)
ȣ : 010-5535-8702
Աݰ : 252101-04-032285 迵
ϰ 46 ۱߱.... ϳ.... ̷ ƾ մϴ.
ΰϴ θ ˷ ̷Ӱ ϰ ͽϴ.
ȸ ô.
.
l eW y _ _ $ pbW424."T T ߭hW23.F_ 253.;
56.E;8 bW396.T W466.T
8.Fi8 W10.ST ) fW48.ET ^W234.U
mW313.%U
sW68.D9U
VW167.SU 7IW304.`U X W421.pU O/3W150.U W268.JV
QW429.bV ) b_MW299.V БW530.V
ƂW606.V p8W637.V
757.y
w"W116.V 245.9 6W311.V
749.y kW68.FW CW72.N%W MݝW475.4W
buW155.@W 746.l 376.:
706.#:
256./: # W516.PW
ttDW53.AB
W391.sW f 6W545.W W178.W
W475. 438.V; W639.
706.8 3SW472.3 W111. W249.Q
W92.S T 475.Date 20051108151406 639.Password SYi30NGbHBYMs 472.Thread 469 53.Access 1049 249.Filesize 23.Filename 749.Lines 1 757.Filename 410231211 111.Access 4795 s 2 m X V535.
98.S3 )V239. "JV270.6 LBV17.FN dV197.[
E(V306. l #V434.r
*cV486.r %agV616.r Z>KV2.Tez 373.)N
\ xV90.Dr
8V303.s .=V668. s $V261./s
vV54.D:s 378.N 294.N 8V160.Qs
ԑV73.Tls
# rV550.xs 458.O
ZV595.s X
V41.Ss V79.Es :V675.s
$V113.s OV547. t
paV394.u 686. UuV82.P confO
704.O uV245.
CE&V544. 453.
243.
65.FO 496. 456.O
Y ī Ʋ ٷΰ..
114.Text
7L2l
-T
D 663.Name 輺 672.Filesize 89.Lines 8 296.Filename 306.Subject 05.05.17 ħ ̾߱ 514.IP 210.123.36.156 5.Lines 33 conf.TableWidth 80% 176.IP 211.216.157.180 590.Thread 0 470.Lines 14 629.Text
I apologize for not writing this sooner...my time lately has been taken up by many other things, which are now over, so I may finally focus on my work. For the past several months I have been preparing a presentation about some research and my work, which I presented in Jeju-do this week. You can see it online if you go to my website, http://www.heatherbayless.com and click on the link for 'Fulbright Research'.
I do not yet have a title for my thesis work (even if I did I know it would change), but the theme will be close to 'natural form and pattern,' including functional tableware as well as jewelry. I am interested in forms and patterns from plants, and recently I have been working on some models in paper and wax based on the form of mushrooms. As you can see, I am interested in the function of the under-side of mushrooms, the structure that holds the spores (seeds) and how it works. One of the most interesting things about this is how you can make 'spore prints' by leaving a mushroom over paper for a few hours. I plan to use this as a connection to some tableware, as a shaker of some kind (salt and pepper).
As I develop my thesis further I will continue to show images and writings on my work.
mushroom photo from: http://www.gettyimages.com
spore photo from: http://www.sxm-info.com/photos/mushrooms/
660.Text ְ±濡 ϵ Ҵ
̵ Ƽ
Դϴ.
մϴ. 691.Domain 211.196.78.108 755.IP 121.175.52.180 439.Access 1688 uXRnIwejoM 18.Password SYnkARlywv2gM 134.Filesize 406.Password SYeS7QyIlsbTA 11.Access 999 458.IP 210.123.35.193 649.Filesize 63.Filename 680.Filesize 173.Access 931 671.Name ,, 39.Name 486.Text ΰ? 132.Password SYBbs.Yy0J4eE 314.Subject 688.Access 190 78.Lines 50 296.Lines 76 375.Filesize 567.Thread 0 550.Text 浵 Ҹ ϴ..
1...ؿ - ħ ְ
2...û - ٻ ɻ ִ ܿ
3... - 鿡
4...ٻ -
5...Ǫ - Ǫ
6... - Ҹ ġ
7...߿ - ߿డ Ƹٿ
8...Ÿ - ϴÿ ذ Ÿ
9...Ŵ - δ
10...ϴÿ - ħ
11...ƴ - ܿ ġݴ
12...ŵ - ٵ ƮӸ
408.Filesize 314.Text ȱö. 28 .
,õ. 1200*600*500Ƽ. 1996
̰ ̴.
װ ¾ ؼ ̿ ̴ ̴̿.
´ٴ ,
츮 ƶ ʰ θ Ƴ , 귯 δ ϰ .
츮 < Դ> ְ, μ < > ִ.
ȱö 繰 ̾߱. . 624.Subject : ΰ ü ǹ 494.IP 219.254.38.128 516.Access 999 345.Domain 211.104.22.113 311.Date 20050607021344 488.Lines 7 238.Email 178.Access 999 9.IP 210.104.102.180 489.Name 373.Filename 639.Date 20060411082836 57.Filesize 61.Name Ӽ 597.Email insanary@hotmail.com 757.Access 2 516.Access 1000 516.Access 1927 b 8L
0 [Z298.x
{JZ591.
2 rZ672./ Χ[675.B
L*Z301.< UlpZ140.c JZ43.F~ BPZ109.
gZ283.
$EZ5.Pa I3Z4.Fi Z471. }Z596. FZ624. =Z675. /Z90.E. 0wZ548.8
a(uZ58.LC Z204.O Z283.e dJZ95.T Z319. # (Z74.D Z166. %̿Z350. Q 2Z629.Z
\Z660.o
]Z381.
q[742. D
/ ̒Z39.S
4PZ434.
Z274.
GI[311., Z313.
UQ[480.;
#¯Z173.
wEZ565.
o[43.DO vLZ414.)
[409.f v[62.T{
X[440.
FZ636.
syZ688.
@Z307.C
JZ73.AN
{Z126.\
tZ160.i
u 8L
( {Z126.\
tZ160.W rZ672./ 148.5
L*Z301.< UlpZ140.c JZ43.F~ BPZ109.
gZ283.
$EZ5.Pa I3Z4.Fi Z471. }Z596. FZ624. =Z675.G /Z90.E. 0wZ548.8
a(uZ58.LC Z204.O Z283.e dJZ95.T Z319. # (Z74.D Z166. %̿Z350. Q 2Z629.Z
\Z660.o
]Z381.
752.
̒Z39.S
4PZ434. Z274.
96.E(Y Z313.
17.T
#¯Z173.
wEZ565.
325. X vLZ414.)
conf$ 172.? 745.
FZ636.
{JZ591.
2 syZ688.
@Z307.C
[Z298.x
JZ73.Ag
& 744._ 481./
PUX240. \ 551.
130."-
%(X355. 6 70.T=-
565.I- /X422.? 755._ &8X547.O # F~X386.~ 96.D
645.-
XX51.P pX439.ܹ .X470._ ,X318.ð X234.а X126.
# X178.
EuX301. $ vlX419.C 7l3X117.]
$X450.s [X273. ZX343.
BX481. qX111.
/X516.α
{X596. ϩX114.u .G X663.: |X672.J
X89.LX ⟉X296.c
JX306.q 1X514. ƄX660.K X vX5.Li vNKXconf 7rFX176.ɳ 9X590. F[X629. B LzX691. X44.T\ 757.ܹ
YX23.D^
D; ` o ` o * PY473.^ UY150.# W]Y439.=
744.b
686.F0 Y665.^ 6 iY4.Da<_ Y173.R_
xY439.l_ Y470._ Y37.F_ [Y41.N_ :yY397._
Y436. 2Y244.
\Y168. 0Y4.Te NY296.
bY235.$ SY537.4 BY391.M Y686.g VY74.F| Y249. zY283. .dLY688.
759.
491.
jbY601. 327.mO .MY61.S Y99.E YwY263.
91Y424. Y11.T5
b-Y294.A Y156.W
qY485.v
Y594. wY17.E wY111. {Y476. zVY37.D
r, Y677. 747. , ; M}Y470.
-Y327.
e`Y518.^
436.Thread 0 244.Filesize 168.Text ٹ
..
..
..
'̴Ͼ' 츮 ϴٰ ̸ ؼ ÷.
*̴Ͼ=۰ Ʋ,,,Ʋ
..
..
۵ Ź.. 4.Text
2003.03.14
14;00
δ..мȸ
7L2l
-T
D
296.Password SYi30NGbHBYMs 235.Name 537.Domain 211.196.79.88 391.Subject ι° 686.IP 124.60.51.121 74.Filename 249.Thread 0 283.Access 141 688.Filename 601.Domain 211.196.80.72 61.Subject 99.Email shimjinah@hotmail.com 263.Domain 61.72.60.182 424.Subject : 11.Thread 0 294.IP 211.196.71.176 156.Email yhanjim@chollian.net 485.Filesize 94235 594.Name 輺 17.Email 0one79@hanmail.net 111.Date 20030502070221 476.Name 輺 37.Domain 211.211.82.148 677.Thread 0 327.IP 219.241.48.216 150.Subject .ÿ 439.Lines 23 752.Filename .65.58 33 744.Lines 24 747.Text *ҨѨѨبۨڨ*߹,GHB,-þƸǸ/ĺ
ǰ˱Ǹšۨ-ۨ-Ǹ
*ҨѨѨبۨڨ*߹,GHB,-þƸǸ/ĺ
ǰ ˱þƸ Ǹ
8 - 10
16 - 14+ǰ
32 - 24+ǰ
1(30) - 22+ǰ
*** Т֢ ǢŢ ***
墽-21Ʈ11-̱- ֢ Т֢
-31Ʈ12-Ϻ-Ϻְ Ʈǰ-¢ Т֢
ʴ עǢ ʶ߸ ȸ!!!
ѱ! ȱ! Ѵ! ״ǿܢ!
ְǿ ׳ ǿ!!!
,,=Ϻ ۾ ǰ!!!
Ը̰ ִ ٷ ǰ!!! 283.Access 926 29.138 759.Filesize 624.Text ʵл 63
̽ ϱ ξ Ƿ
Ǿٰ 28 Ʈ ߴ.
ڵ Ƹ߾ Űܹ
ȮεǾ.
θ 2003 ű Ҵ.
״ ̼
ʵл Ƿ̾µ, ⸦ ϰ Ǿ
ϸ ¦ ִٴ .
θ ο ο
θ µ,
Ȯ ̴ 2003 ڵ
24 ̽ ̶ .
θ θ ɡ
µ, ⸦ Ƹ߾ ȭٰ
θ Ȯߴ.
ֽ ߰ ϴ ̷ ⸦ ٴ
θ .
θ 翬 31 ϸ Ͽ ҰǾµ,
ڵ ̷ 縦
Ϻδ Ѵٰ ߴ.
̱ ָ б Ը "̶
̷ ߴ.
̳ Ǿ ִ
̽ڿ Ű ְ,
ڷκ ̽ڰ ̳
ִٴ ̴.
п θ ȭ ٸ ̽ڵ鿡Ե
Ÿ ִµ,
ΰ ִ Ƽ ڳʶ ̸
̽Ĺ Ǿٰ.
̹ۿ ̽Ĺ ̸
Ǿ ģ ̰(?) ϰ ִٰ ߴ.
( : θ ̽ Ŀ . www.dailymail.co.uk)
(۱ ˴)
675.Access 158 90.Email 548.Email 58.Lines 11 204.IP 211.211.61.151 283.Date 20050503010700 296.Date 20050503100608 188.Filesize 96238 75.IP 211.204.137.79 491.Password SYBND8V/Smf/o 179.Name ̼ conf.CharSet euc-kr 95.Text < ̱ ø⸦ . ʹ ̷ο ̾߱Ÿ
... ϴ.>
' ˰ ִ." < >
־ϴ.
ְ μ
ģ ־ϴ.
,
Ƹٿ Ÿ½ϴ.
̹...
...
ҿ뵹̸ ġ ϰ,
ϱ ߽ϴ.
ǵ ϴ.
亥 () - .
...Ƹ Ÿϴ.
Ʈ 40 Ƹٿ .
...ȭϰ Ƹٿ Ÿϴ.
(̺ ) ־ ϴ.
...Ƹٿ ̺ó иǾ Ÿϴ.
,
г Ż .
...ڴ · Ÿϴ.
ڸ а ǹ̸ Ͽ
¸ ٲ۴ٴ .
Դϴ.
å , ѱ Դϴ.
74.Date 20030410234536 166.Name ̼ 319.Text ڵ , Ȳ, Ҹ ο Ҹ(), ȦҸ Ҹ ѱ .
ѱ ⺻ ϴð ̴.
ڰ ٿ .
:ǥ :
.
Ϻ Ҹ..߱ 鿩 Ҹ..
õ ̹鿩 ..ε õ 鰡 Ҹ ִ.
24ڸ Ἥ ڸ .
츮 24ڸ
28ڸ ٸ...
Ҹ ̾ ֱ
Ҹ .
ݴ ۲ ۲
Ʋ ѱ ÿ ۼ Ҽ
ĺ δ ð ̾߱⸦ .
ڵ ٸ д´.
. ٿ. .....
ݴ ۲ ÿ ð ̾߱⸦ ִ.
Ҹ ũ ϳ ǥ ȴ.
ٸ Ҹ ٲٴ ġ() 踸 ȴٸ..
ڱ⸻ е ִ.
ݴ ۲ ⺸ .
ݴ ۲
ü ̴
ü迭̴.
3 Ư 2 Ư ̴.
ѱ ü ÷ ذ.
ѱ Ư Ƴ ʴ´.
鼭 Ӱ Ͽ.
311.Access 553 480.Filesize 314976 43.Date 20030319010209 409.IP 210.123.35.34 62.Thread 55 440.IP 221.162.91.154 666.Email 745.Name 745.Name ̹ 745.Name hgjdgjdfj 745.Name 745.Name ineedyoudoyouneedme.info 675.Access 761 434.Access 1756 Se7gZrLHn6 675.Access 999 675.Access 1704 160.Access 1024 73.Access 972 350.Text
28 x 26 x 87 и /
Ӹ
ѳ 鿩
̷ ſ
۾ ´.
̶ ϰ ǰ
̿ 췯 Ͼ.
췯̶
̿ Ͼ ִ
,
ʴ 繰
̳ ܴ̳ ε巯
˸ ̾Ͼ.
ϴ
Ǵ
踦 µ, 쿩 ξ ۿ ų
ֹŷ õ
ִٴ ,
÷ ٴ
̳ .
̰ ֱ ´
ʸ Ἥ θ ̰ ִ
̷ ϸ,
̷
巯̳
dzϰ ־
۾ ϰ ˸´ .
ϰ ãƼ
, , ٷ Ǵ
Ÿ
η ã
ӿ
ڿ 췯 ֵ Ѵ.
1. ̶
ų, ̴ ϰ Ѹ̴.
츮 ѷ ִ ڿ Ͱ µ, ĥ, ε巴, 帴 , . ִ.
1-1.
. ̴
*
* ó ̵ 䳻
*
.
* ϰ ״ 巯
* ϰ պ ̰ 巯
* ϰ ο ÷
1-2. ϰ
. ڿ ϰ - , , , , Ǯ, , ...
. ϰ- , , , , øƮ ...
1-3). 巯
. ֱ -
Ʈ
ε帮
ϱ
쿬
Ʋ ̿ϱ
2. ̷ ִ
2-1) (ڿ ٸ ̷)
2-2) (Ӱ ٸ , ִ )
2-3) ( , , )s
3. ϰ ٸ
3-1)
ʶ ÿ µ ̸ ó ϴ ̴. ¦̰ ϰų,ε巴 κ Űų, ʰ ϴµ δ.
3-2)
. µ
* µ
* µ
.
*
*
* Ĺ
*
4. 巯
4-1.
ʿ ҳ ϳ ݹ ٸ ϳ ʸ ־ ٸ ҳ ְ δ. ܵ Ʋų ÿ ġ .
4- 2. ̱
.
. Ʈ
. ϱ
. 쿬
.
. Ʋ
5. ǰ
̳ ÷ ξ ÷ ָ, ڼ Ѻ ٸ ġ ݰ Ǵ ־ ϴ ϴ ϰ ο ְ ̴.
ݼ dz⸦ ٶ, ẸⰡ ϴ ſ ִ ̷ DZ⸦ Ѵ.
629.Subject Mushroom 660.Subject : ǹ 381.Domain 61.80.33.231 39.Subject ϸ 434.Access 999 274.Email gumnuri@chollian.net 313.Thread 0 173.Password SYs1CSqhjsk.U 565.Filename 414.Domain 58.142.196.112 307.Email 73.Access 846 126.Thread 0 160.Access 999 298.Filesize 181.Filename ._.__030.jpg 517.Name 輺 565.Access 257 173.Lines 9 444.Thread 440 252.Filesize 63006 287.Email 743.Email pobds@bhis.com 565.Access 999 kff@t55.4q 752.Lines 1 mchada@gmail.com m 760.Filename .com@xxkkoo.com 758.Name ھ 565.Access 1500 591.Text
ġŸ Ĵ ִ â̴
̷ â̸
طѵ ũʰ ġŸ ٷ ̸ ȸ å̴
װ ͵̳ ĥ
Ŷ ؾ ϴ
츮 質 ٷų ٴ ؾ ڶ ͵ Ǿ
츮 ݰ̳ ġŸ 츮 ؾ ̰,
ű ˸´ 츮 ־ ̴.
츮 ο 츮 ã پ 巯
̷ 츮 ̰ ձ۴ٴ ˷ִ ̴
ϴ θ ձ۰ ʴ°
ѱ پ ڸ()̴
̹ Ʈ Ʈ Ʈ ִ (ü)̴
ħ ð ̾ ⸦ ٶ
տ ... Ͼ ο ̸ ϳ . ???
...
...
...
20 ȷ ̴
ڿ 簣 Ʋ ɷԴ
ƹ ãƺ Ϳ ռ ̸ ϴ.
Ϳ ̸ ʽϴ.
.......
̸ Դϴ.
Ϳ ̸ ʴ ִ
ó ƴϸ ,
ڿ ִ ,
Ǵ ִٴ Ƽ ̴
Դٰ ٸ ٸ ϰ ִٴ ٰ ̴
͵鿡 ̸ ⸦ ̰ ִ
ó ϰ ò ϸ ڴ
3
8 ̾
ױ۸ø ۸
Ҹ ڷ ȦҸ ū ڷ Ѵ
̷ ϳ ñ̴
ְ ִ ̴
Ҹ() ū ڷ ڰ ٸ Բ Ѵ
.˸.̶
θ..˰.ϴ ̴
ϴ..Ӷ...ġ.˰,ϴ.̴
ٶ..θ .˸ ̴
.ٸ..־.Ѵ
۰.ٱⰡ..帣.̾.Ѵ
ª..θ.˸.̴
 ݴ / / 4331
. .
̸ 巯 ϰ п ۵ ߷ ٽ ǹ Ѵ
Ʈ (come si fa una tesi di laurea ...)" ġ ¿ ٴϴ ΰ ۵ ִ
̸ " Ÿ ʴ°? "
츮 ־ ִ
β å ļ Ʋ ʰ ̰ £ ۰ ־ ´
 ݴ / / 4330
־ Ʋ ƴϴ
ٹ Ʋ ̴
() Ʋ ̴
īҿ ũ ̸ ٽ Ҵ
츮 ձ Ʋ ̰ ϴ
The words used in jewelry shops are polluted by English and Japanese. If we continue to use the polluted word, the worth of the Korean word would fall.
The Jewelers Bench Reference written by Harold O'Connor is steady seller. But the skill soldering small ball that he showed when he made or taught can not compete to the Silla period skill.
Our metal skill is very good and formed for long period.
When Silla craftsman made Silla crown, the skill must be based on our own ability and they must had spoken Korean words not English or Japanese.
So we have to find the origin of our culture and that is very important.
Goorum(cloud) means that the world is round.
The cloud in the sky is round.
Korean is great design.
It is good sample to show us that Korean is already in the center of post post post modernism.
When you are taught, please think of the appearance and structure.
A few years ago. The name I drew on the paper?
There is an episode when I sold my work before 20 years.
A few days later, a curator called me. And she said,
I could not find your signature on your work.
I said There is no signature on my works.
She said Then, how could we know this is yours?
I said All the works without signature are all mine.
There are some reasons about that I do not write a signature.
At first, I consider that no one would make it such things.
Secondly, I was wondering whether only I can make it.
Third, I like the feeling that was not finished.
Moreover, I like that I am doing something different behavior to the other artists.
And I am still hesitating to sign on my works.
When you write something, we should care nuance delicately and write based formative consideration.
3 in the middle
8 endless forever
When I write in English, I only write in small letters.
But the consonants are in small letters and vowels are in capital letters.
It is hard to write in that way, but it is formative expression. Someone may consider it as good looking.
When we write in French, we can make solve the problem of broken letters in the virtue of errors in computer program by writing the accent in capital letters.
What Introduce myself is
to introduce everything about me to other people.
to make other people know about what I like, think, my thought and my worth.
to tell about me in a right mind.
It should be unique.
It should be smooth like streaming river.
It should be short.
Thesis my thought.
In the title of thesis, the title should have the point of it. And in conclusion, you have to summarize the whole of it and ask question again.
In the book the way to write good thesis written by Umbert Eco there is comment about the way to keep our opinion from our teachers consideration.
Good example for the title of thesis.
Why does not the rainbow appear in the polluted place?
Our eye balls are round.
When we copy book, we and find some parts curved printed in black.
The curved one is printed in correct way.
But pictures taken by camera are incorrect things.
Picasso and  painted picture by dividing and gathering the solid.
Even though our eye balls are round, picture is square and paper is flat.
嫨ー売ƪᶪŪƪ稪㪯Ǫ롣
ʪ˪㪯Ǫ᪷Ѫ᮪ʪ
ϫーɫʪ宝ѪΪϫƫǫーǪ롣
内黪Ȫᬪ謪ª۰ƪ몬۪۰ê骷ΪǪ롣
Ѫήªê˪国Ū쪿Ϫ窿ƪϪ
窿٥ƪꪡ国ުŪȪ˪Ϊ驪Ǫ롣
꣡ͣ
ϫ骷ǫǪ롣
ʪƪŪ۰ªΪ驪Ǫ롣
20ҴΪϪʪ
売ᶪ
٣̸ު
Ҫ˪٣ު
Ǫ몫ɪɪުǪ窦
٣ƪʪ٪ƪϪ٪ΪΪǪު
٣ʪΪ˪릪롣
Ϫƪªʪʪ֪ê˪当ªΪʪ몦来来ުڱǪ視˪ʪê
˪繊ᬪŪ驪ܪŪꪪ˪Ϊ驪Ǫ롣
顡
ڡ
ުŪŪêƪ롣
ܪުΪٽŪ⪢롣
۰Ϊʪ
Ǫ⪪̸ƪ몫⡣
իު強発媹ݻªΪ壊ƪުȪ̽몳Ȫ来몫⡣
˿Ȫ
۪Ѫª々骻Ϊ
ʪΡ当ګŪ価骻Ϊ
᪷ǡª骻Ϊ
۪Ѫު視驪롣
誦۪ު
ӭ骻몳ȡ
Ū
ͪ˪٪̿˪峪ު窿驪롣
٫ȫ骷۰˪教⣪̸ɪª̸몫ʪ몦ݻª⪢롣
骷٣쪿ᶪ˪ϪʪުʪΪ
窿ͪݻªتêƪ롣
Ԫ真ݻª黒تêƪ롣
ǪتêƪΪުêƪΪʪ
ʪ枠쪿写真ުǪ롣
ԫȫ֫髯ء体ప広絵ڪ
窿ͪɫȫЫǪ롣
il est confuse de mot qui d'utiliser dans le magazin des bijoux.
parceque c'est comme Ca, ils perdent ses valeurs.
c'est le livre populaire que harold o'connor Ecrit sur l'accEssoire. mais je pense que l'habiletE de sinla est bien que lui sur l'oeuvre d'art. nous avons l'habiletE supErieure de manier le mEtal et d'or. il est longtemps aussi.
quand ils fabriquent la couronne d'or et l'accEssoire, les ancEtres etablissent des bases solides pour les oeuvres. il y avait le coreen correctment A cet endroit-lA.
aprEs utiliser le coreen correctement, il apparait de la base et intelligence.
le nuage, comme ce mot, il apparait que le monde est rond.
le nuage du ciel flotte en rond dans l'air.
hangue, il est un design excellent.
il est bon exemple de post post post modernism.
-la signature sur le canvas
il y a 20ans, c'est A ce moment quand ma oeuvre se vendait A quelquun.
aprEs quelque mois, le acheteur me tElEphonait.
"il n'y a pas rien votre signature dans votre oeuvre."
"je ne signe pas dans ma oeuvre."
"et alors, comment on peut certifier."
"c'est A moi toutes sans signature."
il y a beaucoup de sens que je ne signe pas A miennes.
au premiEre moment, je suis la personne uniquement qui fabriqe cette oeuvre.
au derniEre moment, j'ai un doute que je suis la personne uniquement pour fabriquer quelquechose. parceque j'aime bien la sentiment de rester plus A faire quelquechose
aussi. d'ailleurs, j'aime ma pensEe que je fais diffErent des autres oeuvres.
je suis en train de hEsiter encore A signer.
3: milieu, ElEgance
8: infini, EternitE
-prEsentation de soi-mEme?
c'est que je fais savoir sur le moi A l'autre personne.
et fais savoir sur ma prEfErence, mes pencEes, ma valeur.
et fais savoir sur le moi avec bon esprit.
il faut que prEsentation est diffErent de l'autre personne.
il faut que la lettre et la phrase se joint comme courant d'une riviEre.
c'est que je fais savoir sur lr moi dans un moment.
-thEse. pencEe.
on doit apparaItre le sens propre de thEse dans un titre de la thEse. et puis, en finalement, aprEs rEumE, on doit questionner encore.
la technique pour rEdiger bonne thEse de umberto eco, dans ce livre, il y a le sens propre - (comment on peut Etudier diffEtent avec professoire?)
l'exemple de titre excellent: pourquoi on ne peut pas voir l'arc-en-ciel dans la pollution de l'atmosphEre.
il se courbe de intEneur des yeux.
quand on prend copie les livres Epais, on peut voir que il se fonce entre un page et l'autre page, il se courbe le lettre et le tableau. ce n'est pas faux. mais il est une tableau faux que on prend photo.
picasso et , ils dessinaient le tableau qui repartir les objets en beaucoup de parties. on a les yeux rond mais le verre de la camera est carrEe et le canvas est plat
675.Date 20060517075958 97.Domain 211.219.36.99 373.Date 20050902103630 457.Thread 0 537.Password SYpr/L7TUl35A 409.Text ̴.
Ѻ ϳ ü 鿩ٺ ̷ ִ ü̴.
ſ پϸ س ϵ ٸ. ġ ȿ Ǵٸ ΰ ִ° ó δ.
⺻ ̴. ˰̵ ̷ µ Ǯ ̴. 256.Name ݴ 521.Thread 0 8 L
n 407. 65.Eb 254. 526.W/ 379.E 609.z 298.
188.o/ P440./ /409./ Y,383./
255.y iX565./ 130.Ԛ
52.I 133. 261.
_L336. b)252.
282.+ 335.E 513.T
651._ 130.u hma12.A
B468.3 495.ț K64.FI =[400.V 346.؛ =681.e w243.~
X496. conf 645. 142.O
cQ532.j 40.Dy 87.S 374. M493. 528. 530.'
[84.Li z678.
M-A376. 263.
535._
# . 273. ( 2370.
166.%(
403.0(
495.K(
742.1 2 455.x(
457.(
;<635.
403.
nӐ457.^ *297.
406.= v 406.= v 299.2) `196.
588.
6>437. 7Z70.L X403. 521.N ʕ659.2
J690.@
175.>
567.> 652.N
.?260.i
83.T
547.{ 81.L{ f644.
51.S $m89.E 647. 163. 644.h?
b385.
172.? m347.
644. 762.1
http://www.baro.co1.kr/
http://www.baro.co1.kr/
D
A
R
N\
N\
' 3[168.W
759.`
269.%0 GI[311.}
UQ[480.;
o[43.DO 635.U0 d 182.1 [409.f X[440. 440. [P^[666.
[485. T
<[434.
T
[68.ET
[114.BT
3[437. X
: ' [88.D]T
'[488.
sT[175.T
9[71.PT
@[513.T
VR$[468.T
ǹ[518.T
x)[434.T
or[565.T
-[639.
747.
5 `[160.&U
327.mO k[681.3U
[163.HU
Q [473.V
A?x[88.FV
ї[confV
:[92.NV
d[355.V
- 03[532.1W
[244.KW
W[160.XW
#z*[675.pW
&s[678.}W
% t[10.NW
754.`
[376.W
Χ[675.B
/[378.W
485.Thread 0 434.Lines 0 68.Email canadian-silversmith@runbox.com 114.Subject .... 88.Domain 218.235.60.230 488.Access 999 175.Filesize 71.Password SY3JbuE26MsYI 513.Filesize 468.Domain 221.150.98.161 518.Thread 517 434.Date 20051020224335 565.Password SYl/ZTEdn2OLg 639.Access 740 160.Lines 63 681.IP 58.143.172.26 163.Text
ڼϰ ̿ ִ
Ȯ ߽ϴ. ְ ϰִ ۾
Գ ýϴ.
'̴Ͼ' ܾ 츮 ǥϱⰡ ...... ǥϱ
ܾ ô Ǿ ֽø ϰڽϴ. 473.Subject : -1 88.Filesize conf.BackTarget 92.Name ݴ 355.Subject ϴ ִ ̾߱ 532.Domain 210.123.36.156 244.Thread 0 160.Date 20030613003236 675.Lines 54 678.Text ε巯 Ÿ ܰ
10.Name ̾ 376.IP 210.105.22.113 378.Filename 168.Subject Re: 437.Text ..
- Ӹ
ִ
-
ִ
ϴ
ð
-
''
1.(Ӹ Ἥ) ø. ().
2.Ͽ Ƹų Ǵ. к(ܬ).
3. . ٶ(ϰ ) . . .
4. ̷ų Ϸ .
5. 繰 .
6. Ͼ .
7.(ο Ǵ ذ ִ ) Ӹ . .
8.( ) Ǵ ÷ . ߾. .
9.(ճ ) Ӹӿ , Ǵ ٺ. . .
10.ų ϴ . Ƴų ϴ .
11. , Ǵ Ʒ ִ . . .
12. . ().
''
1.(ᳪ Ἥ) ̷.
2. ̷ .
3.(ð 鿩) · ̷. ǰ ϴ.
4.(ó ) ϴ.
5.( ) Űų ٹ̴.
6.ϰų 常ϴ.
- ã ̹ -
742.Text 1 673.Text A piedi in fronto del specchio
Uno
Chi
avanti
Tu sei
Marcell DuChamp
Tree
Chi
avanti
Tu sei
Lee Yool Gok
Nove
Chi
avanti
Tu sei
King Sejong
Venti
nove
Chi
avanti
Tu sei
Leonardo DaVinci
Ottanta'uno
chi
Tu sei
Gum NuRi
Gum NuRi
Io sono
18
A piedi a fianco del specchio
Uno
Chi
avanti
Tu sei
Camille Claudel
Tree
Chi
avanti
Tu sei
SaImDang Shin
Nove
Chi
avanti
Tu sei
SeonDuk
Venti
sette
Chi
avanti
Tu sei
Joan of Arc
Ottanta'uno
Chi
Tu sei
NuRi An
Grande NuRi
Io sono
18 # o
U
T 0 _conf o
_524.o
^18.P ^134.
+^406.(
rp_243.2o
&_186.Bo
_545.]o
^11.AC
y^458.Q jȽ^649.g
^63.Fu ^680.
^173. s^671. e_438.wo
^39.N =^486.ļ _47.Lo
N^132.
^314. d^688. e-u_673.o
" 7^78.L' 7^296.3
I^375.@
p^567.N hL^550.[ ^647. l
^337.l
,^668.9l
Yqb^704.Sl
K_688.o
_84.T
"^33.Tcl
J i ^59.Sm
9 J^408.
((^474.m
#5<^516.n
#Q^178./n
X^401.Gn
/ i ^321.n
^<^373.n
^394.n
Z P^245.
8>^430.n
n^625.n
~^631.n
647.Password SYl/ZTEdn2OLg 337.Filename _-.jpg 668.Domain 218.39.197.169 704.Name ؿ 33.Text Բ մϴ.
б ð ɳ ⺸ٴ, ٽ ִ ð Ǿ մϴ.
2003.3.14 501
ȣ ø
: ֽ å(츮 ٷξ) Ҹ о ֽϴ.
59.Subject Re: ǰߵ ÷ּ...Ǵ пл鵵 474.Email malignant@empal.com 516.Date 20051125001806 178.Date 20030619003739 401.Filename we_are_one-Photographer_Dieter_Frangenberg.jpg 321.Filesize 62617 373.Password SYl/ZTEdn2OLg 394.Domain 211.192.67.197 430.Name 625.Email bronzering@hanmail.net 631.Thread 0 conf.BackUrl 524.Password SYFv2vIPU8Lnc 243.Name 186.Password SYoorJLJg6USk 545.Domain 58.142.196.112 438.Email jjong8932@hanmail.net 47.Lines 3 673.Subject A piedi in fronto del specchio 688.Lines 24 337.Password SYrVObm3v4wlA . H :b
d
d
d
( Po\57.D
\488.o
\676.F ^-\64.T4 p y\319. d\350. U\527. \529.
Xm\488.
\639.%
&\631.3
[\238.{
656.Wx
384.Y
681.Y 757. 382.v
\586.V !\253.o
\49.P b(\255.
/\104.
9\298. H\479.
X\406.
Y@\conf \\378.
\399.1 8\435.K !\591.[ [\55.I J\636. 0cW\543.
197.vw
6\311.
181._t
\12.F F\314. ֽ\624. . g\161. 8\494. <\496.
Y@\516.8 +e \345.= 98.Nw M<\311.W \647.&
\567.
g{
= 0 U]255.[y
*]276.vy
]296.5{
C]40.Py
t]498.y
VU]9.IP &VS]673. `
1 [L]175.D{
M~]489. ]491.y
.]645.S{
]309.y
+ ]340.y
O]373.
N"C]639. ]163.y
[]57.F 1( ]61.N /]597.
B]706. x
7 dT]115.@x
]444._x
$LC]496.mx
]524.
z
k]confz
e]678.3z
]186.Kz
[=]661.x
g]404.hz
x]516.~z
]178.z
2]529.x
e]432.x
]480.z
g]742.z
6 s4]170.x
#]81.Sx
r]139.x
V]463. y
7!]132.#y
hh]31.T1y
ΐ]248.z
T]12.Dz
]]513.{
4]130. {
. ]178. MJk]37.E=y
>Q#]203.Gy
706.Text ǥϱ
Ҵ. 115.Email gumnuri@chollian.net 444.Filesize 496.Password SYFv2vIPU8Lnc 661.Email 5556161@hanmail.net 529.Password SYnKfoewIh.z2 432.Text 170.Filesize 81.Subject DZ - 139.Filesize 31526 463.Domain 210.123.35.123 132.Filename 31.Thread 0 37.Email 203.Filesize 644900 255.Password SY/voPrtvQ6g. 276.Domain 219.241.48.166 40.Password SYs1CSqhjsk.U 498.Filesize 491.Filename 309.Domain 61.72.78.86 340.Domain 210.123.35.123 163.Subject 524.Filename conf.HighLightArticle 0 678.Subject ܰ 186.Filename ٹ̰2.jpg 404.IP 221.162.91.154 516.Lines 14 178.Lines 930 480.Thread 475 742.Subject 1 757.Lines 88 765.Filename 2 ȽƮ 248.Name 12.Date 20030312220013 513.Thread 488 130.IP 210.123.35.39 296.Access 999 175.Thread 167 645.IP 61.37.203.82 437.Subject ִ 178.Access 1606 1y
h {
t
t
>Q#]203.Gy
309.
$ 340.$ 343.'$ 521.6$
VU]9.IP &VS]673. `
1 58.D M~]489. 264.$ 474.$
663.$
410.[ O]373.
N"C]639. 545.$
[]57.F 1( ]61.N /]597.
B]706. x
7 dT]115.@x
]444._x
$LC]496.mx
167. 466.( 530.@
661.M
[=]661.x
12.D`
349.X 380.h 2]529.x
e]432.x
564. 382.y 8 s4]170.x
#]81.Sx
r]139.x
V]463. y
7!]132.#y
31.T1y
304.
457.
377. 110.
. ]178.{
U]255.[y
MJk]37.E=y
5{
8 3
V
V
V
*]276.vy
757.z
253.4 C]40.Py
t]498.y
320.I4 337. 589.
]491.y
68.T5
49.D ]309.y
+ ]340.y
754.z
]163.y
244.65
497.A5 X 630.ۀ
691.
]524.
z
k]confz
e]678.3z
533.% ]186.Kz
g]404.hz
x]516.~z
70.A5
658.5
]178.z
]480.z
377.
6 83.I 6 742.o
/ 645.
ΐ]248.z
527.@6 T]12.Dz
110.X6 485.s6
]]513.{
]296.
4]130. {
765.z
[L]175.D{
419.
40.F .]645.S{
]437.g{
296.Access 1000 296.Access 1307 Ҽ ִ°??? 742.Subject ǽð , 渶 kr/ 742.Subject ¶ ! ȭ !xxkkoo.com 245.Text åҰ. 츮 ϱ. 츮 ĺ ǥ.
.
.
[츮 ٷξ -̿-]
[Ÿ ġ - Ÿ -]
̸ ۰ ȭ.
å ִٴ ҹ..
ִ .
δ.
.
.
massin̶ п å ҳ.
. ſ.
ϰ ڴ .
(Ÿ ġ massin Ұ ֽϴ.)
å ̴.
ͷ ̴.
μ. .
(߸ Ἥ ̾ϴ)
.
å ̷ ̿..
ͷ ..
ʿ䰡 ֳĴ .
.
.
[ 츮 ؾ մϴ.]
~: ô
: Ÿ.巯
ֺ: .ѷ
:
Ȥ: Ǵ
־ ϴ: ־ Ǵ
ð: ð
:
.
.
.
[츮 ĺ ǥ]
̷ Ŵ..ε
Ŵ Ŵε ƴѰ..?
Kim...Gim ´ ִ.
츮 ġ.. ġ ʳ..
Ȱ öڵ д´ .
.
Ŭ. ̶. ̽
̶θ Ŭ̶ ʴ´.
Kimpo..? Corea..
.
Ȱ ϱ ⺻ θڷ ؾ Ѵ.
.
ٸ .
ο ϵ ۿ å ִ ̶ ´ ƴϴ..
Ʋ ļ Ѵ. Ʋ Ʋ Ʋ ϴ .
.
.
츮 ٷξ а.
̿ ؼ ʷ ּ.
õ .
ݴ ´Բ ñ ÷ּ.
84.Text
ð ºȭ ּ ǥ
------------> ð ºȭ
ּǥ
752.Access 1 nlkff@t55.4q 11.Access 1093 688.Access 1000 22.173 688.Access 1987 kd9jHAizsg
C
h
h
h
& 763.Ԏ
482.+ ^18.P ^134.
+^406.(
498.,(
658.J( 266.Y(
^11.AŎ
y^458.Q jȽ^649.g
^63.Fu ^680.
^173. s^671. 757.Ԏ
^39.N =^486.ļ 266.7 N^132.
^314. d^688.
765.
7^78.L' 7^296.3
I^375.@
p^567.N hL^550.[ ^647. l
^337.l
,^668.9l
Yqb^704.Sl
752.
90.A)
"^33.Tcl
J i ^59.Sm
9 J^408.
((^474.m
#5<^516.n
#Q^178./n
X^401.Gn
/ i ^321.n
^<^373.n
^394.n
Z P^245.
8>^430.n
n^625.n
~^631.n
l
_ q q . _524.o
_545.]o
rp_243.2o
&_186.Bo
K_688.o
e_438.wo
_47.Lo
0c_706.%
_252.
_84.T
y_337.o
s_63.D
l_139.
[_170.$
;!_351.3
_82.T>
_432.K
`N_609.^
.y_688.s
c1_50.S
ğ_88.E
t&_493.
&{_203.̘
_637.٘
5 8[_455.
o]_287.
q_91.P?
:'_299.Y
E _304.
-r_335.
!_679.כ
?۶_526.
760.P
760.P
7_296.} _188.
>_75.I e-u_673.o
" d3_110.
$"_491.
wa_179. (_181.
_conf
L_517.
9_565.
_173.
|#i_444.
_conf o
63.Date 20030403230145 139.Thread 0 170.Thread 166 351.Email 82.Thread 73 432.Subject ر 609.IP 58.143.172.26 688.Date 20060526102521 50.Subject 88.Email sweetbe74@hotmail.com 493.Filesize 203.Thread 0 637.Text ϸ.....
´...
Ǯ Դϴ.
ū ϴ
ٸ ڽϴ.
´Բ о Ͻ..å.(츮 )
ٸ
Ʋ ʰ
Ͽ 帮ڽϴ.
å о Ͻ ´Բ 帳ϴ. 455.Filename 706.Subject 91.Password SYoorJLJg6USk 299.Text
.....
..... ־
.....
ݻ..... ٲ
ȿ
Ʒ... ʰ
..... ´
..... ῡ
.....
踻
ġŸ
巯
304.Domain 211.41.255.219 335.IP 219.241.48.216 679.Email 526.Filesize 110.Email 481.Text ڶ
 ̻ 2 - ,, (ȹ)
̻ () 3 Ҵ.
̸ ݱ ̴.
1934 '߾Ϻ' 30ȣ ʴ Ͽ 15ȣ Ǿ. ʹ ռ Ͽ ̴.
̻ õ о Ǯ ƴ.
µ Ÿ ʰ ״ յڰ ʴµ Ϻη Ǯ ϴ.
˼ ˽ ̱ ְ ݱ Ǯ ̴.
1ȣ ص Ǯ̰ ʰ ȴ. 589.IP 222.235.88.178 48.Subject 406.Date 20051001161641 601.Password SYZXoxmJ6/RM6 320.Name 263.Password SYGbypOSgBa1. 89.Password 82.Access 999 132.Date 20030512005354 497.Name 348.IP 219.241.48.216 647.Date 20060416115056 524.Access 999 765.Access 1 524.Access 1000 524.Access 1869 rs.com 681.Text
: ;
Spice shaker.
I have been successful in fabricating a mushroom structure from silver sheet, and am now hammering a container form for this piece of tableware. This work will become a shaker for some kind of spice powder, maybe pepper. The complex disc form will become a lid with holes/slots, which will lock when used and can be opened to fill the container. At this time the peice is about 50% finsihed.
My other thesis works will continue to focus on natural plant forms and patterns, with an emphasis on fertility, including seeds, spores, bulbs, etc. I am also interested in how plants distribute their seeds, how "form follows function" in nature in order to make sure that a seed can travel from the mother plant and the lifeform will continue to thrive.
491.Access 1258 186.Access 1035 491.Access 1422 U
l
467. 397.n B"c261.
6dc373.
Dgc452.
387.H ~ 498. 745. 8 yTc414.
196. 464. ;@tc638.
lqc67.L=
Rc406.I
^c491.\ 548.#S
346.k 1c370.d
95.N Sjc147.q
72.I>S 455.
kZc471.
Fxc140.
Xc109.
y:)c294.
Lc524. 76.AZ
vc132.
Mac186.L Ac403.
146.CJ } 664.S
52.L j@c647.
Dc327.#
^c166.8
44.LS c197.Q
472.
& fXc388.f
tc95.It
321. ec381.
658. \ 765.
: + & Q Q c52.F
690. 666. X 543.
74.P/X nc376.
+ c686.
586.T 535.a
66.Po 589.| 104. c97.D*B
dc373.BB
c457.ZB
Ovc537.gB
#c409.B
P 0Mc440.
"Dc256.C
C}c589. 750. . 493.<
535.G 'c521.C
Mc48.S Xc406. Tc601.
340.
602. m"c320. .Cc263.
Oc89.P- 295. 345. 261. 348. 54.EВ Uc82.A
˩c681. 2 7c132.H xc497.` 269.Jp - 479.p
328.p 470._ c348.p c647. 762. 762.Thread 0 YnHIDVLfR 82.Access 1055 ī.渶 ¶θ Ҽ ִ°??? 494.Text 츮 ó Ŀǰ Ȯ ˷ ʴ.
1830 Ȱ Դ źε ø鼭
˷ , ִ ñ ӿ Ķ ִ.
ĿǸ ϰ 츮 ιδ Ѹ Ȳ ̴.
1895 ̻纯 Ͼ ưõ ϰ ưõ þ ӹ ű⼭ ĿǸ ð Ǿ ̴.
ν ġ ,
ĿǴ ִ ῴ ϱ?
ĿǸ ô , ߿ ڿ Բ
ӹ ĿǸ ø ߴٰ Ѵ.
ٽ ƿ ڿ ĿǸ ĿǸ ϵ ߰ ߿ ĿǸ ̴ٰ Ѵ.
Ȳ ĿǸ ô ؿ ִ ŵ ̴.
ĿǸ ϱ ߴ.
Ѷ ȴ 굵 踦 ִ
丮 ȭ
Ļ ô Ŀǿ ٷ ֵ ߴ ̴.
Ŀ ٸٴ ĿǸ ȸ̰,
̸ ̴ ڿ ŵ 鼭
ϻ 볪 Ǿ.
Ȯ Ŀ ˰ ־ ̴.
Ȳ ؿ ưõ ħ ڿ
Ŀ Ǿ,
װ 츮 ó Ŀ Ⱑ Ǿ.
539.Filesize 113270 109.Password SYPVqcPuwMyLU 71.Thread 0 140.Password SYnkARlywv2gM 530.IP 211.196.79.71 532.Filename 491.Date 20051116160255 77.Email 204.Subject Re: źϹƲ ̿ ǰ 524.Lines 15 186.Lines 7 374.Name 輺 265.Filesize 527.Text Ӹ ̶ մϴ.
Ӹ...
Ӹ...
Ӹ...
Ӹ...
Ӹ...
Ӹ...
Ӹ...
Ӹ...
Ӹ...
̶ ֽϴٸ... и ǥԴϱ? 603.Filesize 66439 524.Date 20051209053635 15.Domain 220.75.238.123 253.Text ǽ ħϱ⸦ Ÿڿ ϰ ִ ȿ ǽ ݾ . · ϱ. ָ ٶ⸦ Ѵ.
̷ ٶ ڽ ѷ Ÿڿ ӿ ڽ ġ ȿ ϱ⸦ ߴ ̰ ̴.
. ϳ ؼ ... Ϳ ϰ ִ ܺο . ׳ б ־ ̾߱ ־ װ å б ʿ Ǿ ߴ.
° ڽ ü Ǿ ٶ ʿ ð ̾Ƿ, ̰ ̳ ҿ ٶⰡ ȴ. ȭ Ҹ ߾ ٽñ Ű Ͱ ٸ ƴϴ. ᱹ ٶ ʵ ʴ.
ҿ ڽ ٶ ̱ ϴ. ߽ ƴ ֺ, ҿܵ , , ȭӿ ΰ ϰ Ǵ ǿ ´.
ȸ ҷ ü ΰ Ῡ Ǿֱ ̶ , ΰ ھƿ Ÿ ̿ ϰ Ǵ ü ҿϱ ̶ . ΰ ϰ Ǵ , ü ٿ ǽ ̹ Ѵ.
ǽ ü ر ̴ źм ũ IJ̴. ״ ̷ ٽ ſܰ ̷ ü ҿ Ȱ ߴ. ϸ ü ɷ ̼6 ~18 ư ſ ̹ μ ڽ и ü ̹ ϴ ۵ȴ.
IJ ſܰ踦, ȭ ü̹ ܰ(ȹٷ ְ ϴ) ü · ȮǴ, ñδ и ̵ƼƼ ϰ Ǵ Ϸ ȯ ̷ Ѵ. ҿ ü غϰ ü̶ ٷ Ǵ , ȮϰԴ ٷ ϴ ü ̸, װ ϼ ʴ ̴. ü ȯ̸ ü Ÿڿ 踦 Ӿ ְŰ鼭 ü ̴. ڽ Ͻν Ǵ ü ٺ ¥ ̴.
ſܰ迡 ư Ӵ ̳ ü Ͽ ü Ͽ ư Ÿ ü ü ε, ¡ ü ϴ ü ǹǷ ü ٿ Ÿڰ ȴٴ ̴.
ΰ ٿ ü ̹ ̹ȭ Ȱ ִ ҿܿ ϰ ֱ Ÿڿ ϸ ư.
ھƿ Ÿ ̿ ۾ ְ ϴ ε, ⼭ Ÿڶ Ÿ, ȸ, , . 縦 ü ҿ ΰ ð ȸ ΰ ̾߱ Ѵ.
ᱹ Ҹ ϱⰡ ̴. ʿ ƹ ⸦ ʾҴ . ۾ ȭ. Ÿڵ ̰͵ ʰ ϴİ ´. ַ ̷ ǻ տ ɾִ. ̷ 巯 ̸.. ϳ Ǹ .
. 130.Text
˰..˰.
.
.˰..ä.۵ε帮.ִ.ٷ..Ĵ...ҰԴ
: ȭ / տ...ٲ.ĥ: ݴ
7L2lonG
-T
D
409.Subject ÷ ִ Ƹٿ ֱ.. 440.Subject ݱ ̾߱ Ǯ ΰ - ̾߱ 161.Domain 218.235.60.154 17.Subject 츮 ٷξô!^^ 492.Name ++ 383.Filesize 657.Filesize 756.Email dkwnlkff@t55.4q 756.Email aoffgif@naver.com 0.com 756.Email igjggj@empas.com co.kr 756.Email dawnprey@daum.net 0.com 401.Access 247 765.Lines 2 .com m 401.Access 1188 8121849 401.Access 999 517.Domain 211.196.78.37 548.IP 219.248.93.125 601.Access 999 179.Domain 211.243.35.154 72.Filename 691.Lines 28 33.IP 211.216.13.178 263.Access 999 48.Name 142.Thread 0 394.Filename 9.Domain 210.104.102.180 243.Domain 211.216.28.25 404.Subject ݱ 2° 3° ̾߱ 274.IP 210.123.35.39 386.Lines 37 465.Filesize 657.Thread 652 340.Filename ̸鼭___¡_巯__̾߱.doc 268.Date 20050425234844 419.Lines 0 335.Text ݺ. ̿ ü
Ӹ
1.ʿ伺
2.
븻
1. ̷
2.ݺ
2-1. ã
2-2. ̴°
3.ü ǥ
3-1.ԽŻƮ
3-2.
4.ü ǥ
4-1.ɾƮ ü ǥ
450.Lines 7 182.Name 463.Password SYMsytvs3NSQc 537.Access 999 564.Email gumnuri@chollian.net 606.Date 20060322005859 645.Subject ڰ ־. 668.Filename ݴ_.jpg 537.Access 1858 601.Access 1628 263.Access 1008 th 347.Filesize 161461 539.Thread 0 671.Domain 222.106.104.45 309.Filename cornell20_1.jpg 338.Name 494.Subject Ŀ 603.Thread 0 386.Access 999 265.Thread 0 181.Date 20030620004403 402.Name 704.Domain 210.123.35.123 527.Subject Ӹ(Ӹ) ³? Ӹ ³? 397.IP 221.162.91.154 419.Access 999 588.Filesize 268.Access 999 @bhis.com om o.kr 268.Access 2156 9004458 @mail.com 760.Lines 21 + + +
, , % d52.D
d494. d241.1
,d109.
d71.T
Vd140.$
cnd530.?
;d532.T
d491.b d77.Ez d204. |9d524.
lkNd186.
Md374. ~yQd265.
۴d527. 606.Access 1584 181.Access 1073 404.Text ݱ 3° ̾߱
̾߱ ̸ ʾҴ.
ñ 鼭 õõ ̴.
̾߱ :
Ϸ 系 ä
ο .
系 ǻ츱 ٿ Դ´.
系 , ڳ ɴ´.
ٽ ¾ ڽ ٴ .
ڱⰡ ̸,
ﵵ ˾
ο ϴ Ǵٽ Ż̳ .
系 ٽ .
------------------------------------------------------------------------
2° ݱ ̾߱
| [â ] 3 0 /0 73 3 & 58.F $ g517. 0 340.$ Ûug548.0 deg601.3 ug179.>0 h~g72.FX0 dg691.e0
j;g33.Ir0 Sg263.3 761.UK (g48.N0 ;g142.0 Mg394.0
625.$
o`g9.Do0 g243.0 g404.0 hg274. 1 Bg386.11
Tg465.>1
lg657.L1 (g609. T n 758.3 ( sg456.wW *g399.W
661.M
533. O
275. a m g307.W
g68.SW kg130.W mg340.[1
3 ^g383.W 2`g18.TW
¤Mg268.1
g419.1
eLg335.1 < g450.3
g182.UK 8g463. 3
g537.3 $g564.F3
.8g606.e3 E g645.}3 " 601.u
nɸg668.3
263.
609.Text Hello,
Here is the de-foreignized Korean for my introduction (I forgot a password on the first one so cannot change it there).
ȳ ϼ! ѱ غڽϴ. ̱ ε 2004 6 ѱ 4 б Դϴ. ̱ ֹ̾ б ݼӰ ߾. ġ Ͱ ǰ ;. Fulbright grant ް ־ (www.fulbright.or.kr). ʹ . ^-^
̱ θ, ֵ ֽϴ. 츮 θ Ͽ̷ ̻ϰ ְ 1 ǰſ. ī ̿. ǰ ø, www.lottonglass.com ־ (go to 'Studio Artists' and click on 'Scott Bayless'). ֵ (sandwich) Ĵ翡 ϰ ʹ ģѻ ̿. ٲٰھ...ʹ ..., !
456.Name 輺 399.Password SYMsytvs3NSQc 307.IP 211.50.41.55 68.Subject Links 130.Subject ˰...˱Ͱ 383.Thread 0 18.Thread 0 5
5 P5 ` 5 L L f248.
763.0j 528. #zf579.
af172.)
77.T
382.y 8 110.
f463.4
760.q5 334.
Xf66.FL
<f70.NY
B
f455.h
+f687.u
/?f586.
zSf458.
397.
df104.
3?"f196.;
136. 751.q5
668. 8pcf455.I
467.* 92.I: l.f181.a
318.N ~ 1f260.n
k f90.S
33.N 394. fconf
s>ef40.T
422.
>f446.
474.
164.
Xgf46.E
f268.q5 NRf345.
656. 64.L& 343.2 760.5
679.?
4 35
@` @` f588.B5
190. s 307.
677. 438.I
452.d
6f430."
156. 710. Xf253.<
( f652.p
533. 76.N# 603.2
nf643.
594.w
665.t 304. BFf87.L
"f276.
ĝf691. ` f606.
147.
wײf156.
wf268.
)f347. 4
f539.4 33.L' f671.!4 f309.;4
Of338.X4 Of494.h4 464. ޔf603.4 #Af386.0` 666. 131. fͩf265.4 =f181.4 .f402.4 Wf704.4 f527.4 & 625.
388. Uf397. 5 n f450.` f419. ` 691.Access 4612 450.Access 1491 419.Access 1309 386.Access 2349 389.Text 輺 :
>
> Ҹ ̶ ߾.
>
> Ҹ ̶ ־.
>
> Ҹ θ Ϲε鿡 ˷ ռ ̾߱ ̶ غ, װ Ӹ ƴ϶ Ҹμ 鿡 ٰ ͵ ٸ ̾߱ ƴϱ ϰ Ǿ.
>
> 츮 ͵ ̾߱ ̶ Ѵٸ, Ϸ ٰ Ҹ ͵̶, Ҹ ̾߱ ̾ ͵ ڴٰ ߴ.
>
츮 ̹ Ҹ ÷ ̾ ̴.
츮ۿ غ ͵ ڴ. 417.Text ð Բ.
ϳϳ ϴ ǵ ۾ 뿡 ...
˸ ˼ ϴ
źӱ⸸ մϴ.^^
109.Access 3030 414.Access 1460 score.com ǽð -> world-score.com
ǽð -> world-score.com ǽ? 453.Text O Fortuna, velut Luna statu variabilis,
semper crescis aut decresicis;
vita detestabilis nunc obdurat et tunc curat ludo mentis aciem,
egestatem, potestatem dissolvit ut glaciem.
Sors immanis et inanis, rota tu volubilis,
status malus, vana salus
semper dissolubilis, obumbrata et velata michi quoque niteris;
nunc per ludum dorsum nudum fero tui sceleris.
Sor salutis et virtutis michi nunc contraria
est affectus et defectus semper in angaria.
Hac in hora sine mora cordum pulsum tangite;
quod per sortem sternit fortem,
mecum omnes plangite
̿, ó ʴ Ͽ,
Ŀٰ ۾±.
λ ó ٰ ϱ .
Ƶ̴ ״ Ƿ
ġ ó ƹ.
- Ⱬϰ
ʴ ,.
ູ ̸ õ
״ ±.
ʴ ֳ.
ºθ ڳ κ.
Ͽ ǰ ̴ Ҵ´ٳ.
Ȥϰ Ҿ 뿹¶.
鸮 ƴ⸮.
ڸ ߷,
̰ Բ 긮......
Carmina Burana
ca. 1230
opus
Carmina Burana, summa poetica medii aevi latini, collecta sunt circa annum 1230, fortasse in aula episcopi de Seckau (Austria). Usque ad annum 1806 manuscriptum in possessionem habuit monasterium Benediktbeuern (Bavaria), nunc bibliotheca Monacensis (Bayerische Staatsbibliothek M?nchen, clm 4660/4660a)
" о߿ 밡 ־ٴ 12 佺ī 13 иϰ ִ. п 츦 ִ. 12 ƾ , ϱ ƾ ù 帣 ü ⺻ οߴ Ż ̶ Ѵٸ . ̸ Ʈ 뷡 ī̳ ζ(Carmina Burana). 12~13 ǰ Ǵ ƾ 뷡, Ϻδ ġ Ǿִ."
Ż ȭ - θũ ϸƮ
" 'ī̳ '
ƾ 翡 İ 븮
ʹ ǰ 'εֳ ' ȭ 'Ƕ̵ ' ִ. ȭ Ǹ Ǹ ϴ ΰ ä ܿ ָ ʹ ϰ , ɾش. ȿ ', ̿' .
۰ (Karl Orff, 1895~1982) 'ī̳ ζ(Carmina Burana)' ùӸ â̴. ", ̿, ״ ó ϴ±. Ӿ Ǯ پ⸦ Ǯϸ ״ λ ߴٰ ٽ ش...." ȭ ̴ ƴ϶ ȭ ڵ 帣° ϸ TV ÷ Ѵ. ƾ ö 뷡 ̷ డó 츮 Ϳ ģ ־ ٷ 뷡 뿡 ִ."
, ູߵ - ̿
:
> 
> THERION - Deggial (Nuclearblast records 2000)
>
> Ҹ뷡 긮 2000 뷡
> ̳ ζ Ҹ 뷡 ٲ ҷ.
>
> | |
|
>
> .ٴ....ߵ.ϳ.
>
>
>
> .
>
>
> 7L2l
> -T
> D
393.IP 211.192.67.233 395.Filename 56.Access 1086 244.Domain 61.72.78.238 387.Lines 11 11.Filesize 56.Access 999 466.Filesize 191091 426.IP 211.196.79.71 69.IP 218.235.60.236 387.Date 20050916022225 530.Filesize 100.Password SYBbs.Yy0J4eE 602.Lines 8 656.Access 276 485.Domain 210.123.35.123 152.IP 211.211.61.151 535.Thread 0 73.Email yhanjim@chollian.net 378.Email moen@kookmin.ac.kr 197.Thread 0 146.Lines 12 334.Name 5.Email knk2814@hanmail.net 764.Subject 1 764.Subject 111 764.Subject ... ݰϴ 656.Access 278 454.Text Ż̶ ƮB.B. Mandelbrot 1975 å ϴ ƾ μٴ ǹ Ըfrangere fractus Ͽ ̴ܾ. fractus ܾó μŵ ü ϰ ִٴ ǹ ̴. Ʈ Ż ؼ Ѵ.
Ż ̷ , ؾȼ , ġĹ ̳ ɾ ó Ŭ п ٷ ʾҴ ڿ ڱ (κ Ȯϸ ü Ÿ ) ´. ̷ ڱ Ϲ 1, 2, 3 ƴ϶, 1.4̶簡 2.7 (ު) Ϲ Ż ̶ Ѵ. ̹ ̾߱ߵ ĭ 0.6309(Ȯϰ ڸ log2/log3 )̴. ̰ Ѱ ̷ ĭ 0 ٴ ũ, 1 кٴ ۴ٴ ǹ̴. Ż̰, Ż Ư¡.
Ż ̳ ﰢ̳ ٸ ִ. Ŭ 迡 ǥõǴ . ̳ ü ü 3̰, 簢̳ ﰢ 2̸, 1̰, 0̴. Ż η ִ 1 2 ̳ ִ. Ҽ Ų Ż 1 . ĥ ڷ ̸鼭 ä 2 Ż . Ż ξ ĥ. Ż Ż ִ Ŭ ũ ʴ. Ϲ Ż ä ִ.
ĭ Ե () ٴ ϸ鼭 信 䰡 ۵Ǿ, ڵ ϰ Ƶ鿩 ڼϰ Ͽ. Ż ̼ θ ̸ ī ӿ ܸδ ó ̴ Ű ִ.
ī Ż Ż ī ̶ ִ. Ż Ư ִ.
ù°, ü κ ¸ . ڱ缺 κ ȮϿ ü Ҵ. κ ӿ ü ִ κ ü ݿϴ ݺ ǹѴ.
°, Ż Ģ, Ī ̴. ﰢ, 簢, , ´ Ȯϸ . Ż Ȯ?ϴ ܼ Ģ Ǵ ڱ缺 Ÿ. Ʈ ϸ þɽŰ Ŷ̳ κ ü Ȯ ġϱ ڱ糪 Ī ´ٰ Ͽ. Ż ڱ糪 ο ݺ ƴϸ ϼ ü ī 踦 Ÿ.
°, Ż Ģ/ Ģ, ܼ/⼺, پ缺/ϰ Ư ȣ ϰ ִ. Ż ī ϰ Ģ ܼ ݺ Ģ Ѵ.
°, Ÿ Ʈattractor Ż Ư ´. ١ Ʈʹ ȿ ߽ Ǵ Ų. Ư ߰ߵ η ƮLorenz Attractor ī ȭ ش.
http://www.fractal.co.kr/ 764.Subject Ȳ ٿ ** ** ** ̺Ʈ ҽ Ʈõ 264.Access 1941 415.Access 1184 ̺Ʈ ¶ī 764.Subject ̵ٿε ** * ** * ** ϻ Ȱ¼! ̺ī .. _.渶.....߸ 764.Subject nss700.comλ Ӱ ʹٸ īũ 渶.... _.渶.....߸ 764.Subject ϵ ٿε ** ** ̺Ʈ ¶ī 264.Access 1229 602.Access 1700 656.Access 1509 ī 78.Text 
Click this image (If you wanna read English data)
츮 Ǿִ
Arnold, David, Peter, Lisa y Little Diana. 1982.
Pearblossom Highway, 11-18th April 1986 #2 656.Date 20060425053731 132.Email knk2814@hanmail.net 695.Subject : ɻ ־. 421.IP 210.123.36.156 533.Lines 56 664.Password SY.XrZ59F5BSs 44.Name 62.Filesize 382.Date 20050914102011 195.Lines 12 274.Filesize 651.Access 1000 651.Access 1595 m 346.Access 999 @ie.hh 659.Text - ...
巯 ϳ .
ð 巯 ã,
,
ִ. Ϳ
ϰ Ȥ,
ٱ
ٱʿ 巯 ȿ ٶ .
ã 뵿.
- Ÿϴ
ִ ͵ ִ°.
͵鿡 ͵鿡 ̾߱.
- ִ°͵ ִ , Ѵ.
, Ÿ
, ͵麸 ü̳ ϴ.
DZ ѷο װ͵ Ƹٿ
Ǵ, ʴ´ٴ°Ϳ ̾߱⸦ ϰѴ.
ݾ ϰ ֽϴ.
ѷ ֽϴ.
conf.Message ݼӰ 149.Subject Ż... ̾߱ 410.Access 999 469.Lines 16 548.Filesize 67068 539.Name 赿 385.Text
Ҹ ̶ ߾.
Ҹ ̶ ־.
Ҹ θ Ϲε鿡 ˷ ռ ̾߱ ̶ غ, װ Ӹ ƴ϶ Ҹμ 鿡 ٰ ͵ ٸ ̾߱ ƴϱ ϰ Ǿ.
츮 ͵ ̾߱ ̶ Ѵٸ, Ϸ ٰ Ҹ ͵̶, Ҹ ̾߱ ̾ ͵ ڴٰ ߴ.
410.Access 1283 346.Access 1102 kr 98.Text 2003 1б ȹ:
ݼ DZ 3.0 3ð
̼а ݴ Ǵ ׳ п
Ǵ gumnuri@chollian.net
ǥ:
ӿ ǥ ̾߱ϰ ϸ ۾ Կ ̳ ִµ ִ.
:
ϰ ϱ
:
Űƽ Ʈ ()1985
ǿ,
Friedrich Becker ǰ1997
ݼӰ Ͽ콺 1984
:
ڱҰۼ, 츮۹ٷξ б, ǿ ۼ б, õå б, ۼ
ȹǥ: 1~16
1- Ұ ڱҰ
Ұ ۼ ;
â, ,
츮
2- ױ Ư
3-ῡ
Ż
ı
ǥɷ
,
4-ģȯ ľ
(å ڿ )
5- ǥó
Ÿ ۾ ǥ
6-(꿡 ö ̾߱ϰ ϱ)
7-۾ῡ ڷ
8-߰ , ,
9-۾
,
10-۾
,
11-۾ ۾
,
12-
13-۾ , ,
( ٳ ̾߱ϱ)
14-۾ ܰ, ,
15-۾ (ϼ, ǰ )
16- (ǰ ǰȸ, )
349.Text Annelies Planteydt.
Tantalum źŻ. ǰ .ȣ73
45*23 Ƽ
1998 77.Date 20030411011047 195.Date 20030624200832 491.Email 390.Password SYpr/L7TUl35A 464.Access 1602 6.13.178 186.Email jy95craft@hanmail.net 444.Domain 211.196.81.102 113.Filename 142.Name ݴ 475.IP 210.123.35.123 337.Email 666.Filesize 23.Password 159.Access 780 89.IP 211.211.62.25 190.Access 227 236.Password SYJHP1uX5LeOk 657.Name ݴ 651.Lines 1 331.Subject ó ǰ 139.Domain 210.121.158.147 403.Lines 48 262.Text
ϳ...
Ǹ ƴ ͵ װ DZ ؼ
ذ ɸ?
ذ ɸ ?
.
Ǹ ƴ ...
.
ƴ
츮 ٷ ⸦ а
DZ ؼ..濵 ϳ
.
ذ ɸ..
ƴ϶ شǴ .
Ŀ..
ƴ ƾ ϰ.. ߿.
̵ ǻ ƴ ŭ ڸ ؾ Ѵ.
.
հ..
¿ ٷµ.. ſ.
츮 ϴ .
̶..
ð ɸ ..
.
.
ɸµ ..
.
ϱ ٷ.
..
б ۾ǿ µ
ġ 100 Ǵ ž.
.
ġ ..
1 ϴϱ տ Ͱ..ǰ.
1 ϴµ..
100 ġ Ẹϱ.
ڽŰ ž.
1 ..
Ż ÿ ...
.
.
Į
ƽ . dz ̶..
ȭ.
.
ȥ .
ֹ 츮 ִ.
.
ƽڴ ĴϾ ..
̿ ڰ ִµ
ص ϰ ƴ..
.
36 ̾ 360 ̾..
ð Ÿ پ ִٸ?
.
νŸ ̷п ϸ ð Ÿ پѴ´.
20 ߿ ̷ ϳ..
ӵ ð θ.
νŸ ۰ ִٸ..
.
ڼ. ̷ ۰..
ӵ..ð 帧 ߴ.
õ ϰ ǰ..
.
ڼ ׳ Ѱ鿡 Ź źθ.
νŸ 뼺 ̷п ִٰ ϴ ̼簡 ִ.
ǿ ȴµ ִ 谡 ְ..յڿ ִ.
ݵ װ͵ ǰ̴١ ڼ ð ִ.
533.Date 20051221122233 410.Lines 25 159.Access 952 343.Thread 0 14.Thread 0 595.Filename 423.Password SYFv2vIPU8Lnc 654.Text Ư ̿. ݼ ʾ ¸ Ǹ ݼӺ ƿ. ϰ న ְ ̿.
ݴ ũ ˰ ִµ, ̺ ű ϰ ־. ū ۾ ;.
I feel mushrooms have a special character to them, they are almost like little figures. The patterns and forms in them are also enticing, and I feel that using an alternative material such as silicone gives it more sensitve qualities such as translucency and tactility that may not be as interesting if made by traditional metal techniques. I plan to try using metal through casting and electroforming but thusfar have been trying different things with silicone.
I still plan to use these forms for tableware and jewelry, and hope I can someday soon make larger works with the forms as well.
The above objects are more three-dimensional than the last ones I showed, using a cone form rather than disc. The silicone form is from pouring into the paper model and removing the paper. Originally I was going to use this negative form as a mold for other materials in order to make the paper form in another material, but will use these forms as well.
467.Text Ҹ'' ٰ ߴµ, Ҹ'' ߽ϴ.
߾ ̴ Ҹ''Դϴ.
̸ ʰ ̿ ̰ ־ Դϴ.
'' ؾ ٸ 츮 ڱ 켱 '' Ͽϴ.
ױ۸ ̴(Vinyl)̶ Ѵٴµ ̴̶ ȸ ̸, 츮 ϴ.
7dMoEn 536.Text
--
Ӹ
ϳ. ü ̹
.ö
.ü ̼(Biomorphic Art)
.μ ü ̹
.ü ǥ ۰ ǰ
. ٿ,
.
.
ǰ
ǰ
Ǹ
Ӹ
ڷ ̷ ִ. ̵ ̵ ̼ϰ ˰̰ ϳ 繰, ̷ ִ ̴. 繰 ٴ ִ νѴٴ ̱ Դ θ ϰ νѴٴ ̴. ƴϸ Ѵ. ν μ 翡 οǴ ̴. Ÿ ̴ Ϳ ϰ ϴ ǻ 鸸 Ϳ ġ ̴. ǽ ȹϷ 츮 ȥ ߾ ϸ ̴ 繰 ʴ 繰 ϴ Ƶ غ Ǿ ־ Ѵ. ߴ. ̰ ü ƴ϶ ڱ ظ ǥؾ Ѵٴ Ѵ. , ٽ 繰 θ ٶ Ѵ. ߴ. 繰 Ρ ϴ ִ μ ΰ ̶ . ܼ νϴ ̷ Ͽ () ϰ ϰ Ų. 鿩ٺ⡯ Ѵ.
õ,
繰 츮 ΰ ڵ ̷ ִ. ȿ پ ϰ , ϸ鼭 Ͽ ü Ȱϰ ִ. Ϲ ũ, , ü κп ٸ, κп ٸ. ̵ ⺻ ̾ ̰ Žϴ ϴµ ⺻ ȴ.
ü ⺻ Ǵ پ µ ϰ μ ڿ ǥϰ Ѵ. ߰ϰ, ڿ мٴ( κ ٴ) ü ̷ ִ ¿ Ÿ ִ ̹ ְ Ѵ. ӿ ¿ (λ) ̰ ǥϴµ ־ ΰ ִ. , ü μ ΰ νϰ ⺻ ΰ ǥ ϰ Ѵ.
ϳ.ü ̹
ڿ Ͽ ڽ ϰ â ֵ ִ Ƹ źο õ̴. о߿ ڿ ڿ ̸鿡 ϴ ü Ӿ ȭ ¸ ǥȴ. ǰ ǥϴ Ǵ Ŀ پ ְ ؼ , Ƹٿ ǥѴٴ .
.ö
̶ ΰ?ϴ ũ ù°, Ư °, ȭй ؿ ȴٴ ִ. ڴ Ưϴ ̸, ڴ , ȭ ۿ װ ٰſ м ϴٴ ̷̴.
ϴ ö ̰ ǰ Ͻϴ Ͽ غϰ â, ν, ô 屸 شٰ ߴ. ̷ ö ȸ ؿԴ ǿ ǰ õ鼭, ǾԴ Ű ϴ ö ν ϰ Ǿ.
װ ϴ ̿ ȸ ؼ ݹϿ öл, ȭ ȯ ϴ ð źϰ ٶν ø Ͽ. ̳ µ ϴ źϿ.
ſ ִ. 1907 ǵ â ȭ(Creative Evolution)' Ե ൿ(elan vital)"信 Ǿ ִ.
츮 츮 ̴. 츮 츮 ڽ â . Ѵٴ ȭѴٴ ̰, ȭѴٴ ̸, ٴ ڽ âѴٴ ̴. Ƿ ȭμ â ȭ ̴. ,[â ȭCreative Evolution]
ü ϰ, ó ܺο ־ ƴ϶ ü ο ִٴ ̴. ü ȿ κе ü ȭ ̷ 츮 ִ ̷е δ ľϱ ϰ ִ ̴.
ۿ ռ ũ(Lamarck) ̹ ־. ״ ü ڽ ó ȯ濡 ϱ ¿ ٷ ȭ ִٰ Ҵ. ȯ̶ غ , , ۿ뿡 ǿ ̻ ִٰ Ҵ. , ü º ɿ , ̸ ÿ ̾ Ѵٴ ̴.
ۿ ־ ϽõǸ鼭 , ȭ Ӽ ϴ ̴. ̸ ൿ̶ Ͽ.
̷ ״ ó ΰ ѵǾ ǽ Ը Ŀ鼭 ȸ ̶ ϰ ִ.
ߴ öл 20 ʹ ߽ ô 鿡 μ ҷ ״. ȸ ȥ ӿ ڵ ̼ ħϴ ٰŰ Ǿ.
.ü ̼(Biomorphic Art)
ȭ ̰ ü Ȱ ȸǴ Ͽ ΰ ߱ϰ ϰ, ڿ ٿ ǥ Ͽ ù̼ ܼϰ ǥ Ͽ.
20 , ̼ ̼ ڿ ܰκ ־ Ǹ鼭 ο ð ٰ Ƽ() Žϴ ư Ǿ. б ߴ( ̰, ) ڿ ̰̽ Ž ð 鼭 ο ð ߰ ߱ ϰ ̴.
̼ ̷ ̼ Ÿ ñ 1930 ĸ ߽ ϰ ϸ鼭 ǥ ϳ νĵǰ ־. , ڿĢ ãƼ ΰȰ ϰ Ͽ, ڿ ߸ Ҵ. ̷ ڿ ¿ ȯǾ ڿ ο Ž õϰ ȴ. ڿ źϰ ȥ ̻ ϴ (biomorphic), Ǵ (biomorphism) Ÿ Ǿ. ̵ κ ǽ ̹ ̰ ȭ ⱳ ·κ ǰ ӿ ϰ ϴ ̴.
κ ۰ ϵ ö ٿ , ̼ õǾ ־. ְ ¼ ִ ¿ ȭѴٰ Ӹ (Henri Bergon) ö Ӱ ΰ -Ż(neo-vitalisme) ڿ ü , , ȭ پ ϰ Ͽ.
۰鿡 ̹ ǥϴµ ־ ο ̸鼭 ڿ â â 缺 ִ ٸ ɼ 鿩. , ̷ ð Ϲ ǹ ü ¶ ʶ߸, Ͽ ο ü ¸ â ִٴ ɼ ɾ ־. ڿ ǥ ִ ü ϰ ϴ ̼ Ӱ DZ ϴµ ,̷ ü, ٷ, ٽ ڿ̳ ü ¸ س ̼ ̿ Ʈ(Biomorphic Art) Ѵ.
η ˷ο(Lawrence Alloway) ̿ Ʈ(Biomorphic Art) Bio:, ִ , ǹϴ , Morphorgy: Ǵ κ ̷ ̶ Ѵ. ̽(Edward Lucie-Smith) ̶ ڿ ӿ ߰ߵǴ µ鿡 ٰŸ ΰ ִ ұĢ µ ϴ ̶ ϰ ִ. ̿ Ʈ ü ƴ϶ ̼, ź, , ǽ âϱ μ Ǿٰ ص ƴϴ. ̿ Ʈ ǥǾ Ȥ ǽ Ϳ ° ü Űų ¡ϴ ¸ Ѵ. Ƿ ° ǰ Ƽ Ͽٴ ̿ Ʈ Ư¡̶ ִ. ߿ Ư (zoology) »(embryology) ã ִ Ƹٿ ô , ٿ ¿ Ĺ ¸ ǰ ҷμ Ͽ, ü ̹ ¡ ǹ̿ Բ ǥϿ.
̿ Ʈ ´ ü ƴ ̸ ° ִ ָŸȣ ¡ ̳ Ȥ ü ִ Ͻø Ѵ. Ϻ ºٴ й ̹ Ͽ ° ִ , ̹ ϰ ǥϴ ̴. Ƿ ̼ , ¡ ̼ 쿬, ո ÿ شٰ ִ.
.μ ü ̹
۰ ؼ ӵǰ ¸ ִ ȯ ־. ̳ öڵ, ̳ ź ǥϰ Ͽ.
̼簡 ÿ ̸, ´ ̴.(Life is form, and form is the modality of life) ߴ. ״ â̰ ¸ , ¸ (Life), (Movement), (organic) ϸ鼭, ü νϿ. Ӿ ȭϴ ӿ ϴ üμ ´ (metamorphoses) , Ӿ ݺ(recurrence)ȴ. ȭ ̴. ᱹ, ־ ´ ü, ٽ (vitality) Ǿ ִ ü νĵǾ ̴.
ü ȣ ڿ ִ Ĺ Ƽ Ͽ Ŀ ΰ ǥϿ. ó ̴ κ ¸ ϰų, ƴϸ ̻̰ ·μ ¡ ǥϿ ǰ ݿϰ Ͽ. ٴ뿡 ͼ ü ̷ ִ ٿ ߰ ü ü 巯 Ǿ, ۰ ϴ ¸ Ȯϰ Ǿ. ۰ ־, ȹ Ʒ پ â ־. ǰ ο ⺻ ̷ ִ ´ Ƹٿ ô , ¾
¡ ǹ̿ Բ Ư 巯 ִ ͵ ϰ Ǿ. ̷ ü ڷḦ ؼ ۰ ̰ ¿ ȯ Ǿ ռ ǰ Ȱ ̷ . Ư ü ̷ ִ ü , , , Ǵ ܰ迡 پ ִµ, űϰ ۰ ŷ ״.
. ǥ ۰ ǰ
̳ ߱ϴ Ƹ(Jean Arp,1886-1966) ڿ ӿ ߰ߵǴ µ鿡 ٰŸ ΰ ִ ұĢ µ ǥϿ. ǰ · ̸ ǥ ù̼ ã ִ ٿ̶ ¹.
̽ڴ â ǰݿ źο ݷ ϰ Ƴ ִ. ǰ ̰ · ϰ ǥǾ ִ.
߿ 縶(Yayoi Kusama) ǰ ұĢϰ ä ִµ ̴ ϴ ̹ ϰ ִ. ̷ ׳ ǰ ƴ 踦 ִ ϴ.
ǥϴ ´ κ ̰ ̸ ̷ ǥ , ư ȥ, ü ϴ ü, Ȥ ڿ ϴ ¡ ִ.
. ٿ,
.
ΰ ̷ ִ. 繰 ڷ ̷ ֵ, ü ڵ ̷ ִ ̴. ܼ ƴ϶ ִ ü̸ ִ ̴.
̴ ּ ̴. ̷, ٽ ̷ ϳ ϵ ü Ѵ.
⺻ ٰ ̷ ܺο 踦 ̷µ, ܺο ȯ(, , ) ̷. ҵ 鿡 ȣ ̷ ڱ⺹, Ѵ.
ȿ پ ϰ , ϸ鼭 Ͽ ü Ȱϰ ִ. Ϲ ũ, , ü κп ٸ, κп ٸ. ̵ ⺻ ̾ ̰ Žϴ ϴµ ⺻ ȴ.
.
ΰ 屸 Ǵ ڿ ´ װ ̵, ̵ ؼ ٸ ð ̷ ִ. ̵ 迡 ־ ָ Һ ¿ ӹ ʰ Ӿ ȭѴ. Ϻκ ̰ 鿩ٺ ̷ Ӿ ̰ ִ. ϰ ü踦 ߰ µ ų ƲŸ. ġ ָ ϴ źο ϴ. ü ȿ ̷Ӱ ϵ Ͼ ΰ ϴµ ū ش.
̴ ǹϰ ִ ִٴ ʹ 翬ϴ. ̷ ٿ ٷ ̸ Ҹ ΰ Ѵ. ִ ǥ ṵ̈ ̴.
¿ ӿ 롯 Ÿ ִ. ü ϸ鼭 Ȱ ش. κп 迭 ϼ ̸, ֺǿ Ư κ Ǵ ܼ ΰ踦 ϰ ÿ Ģ 븳 ұĢ μ ǿ 쿬 ش. ȮϿ ϸ δ Ŵ, ߾а ϴ ¸ ߰ ִ.
ǰ
383.Name 397.Thread 0 595.Password SYZXoxmJ6/RM6 113.Password SYl/ZTEdn2OLg 651.Date 20060420224520 498.Domain 210.105.22.126 167.Filename _
+ Z 0 652.Y o82.FX 666. X s252.Y B74.P/X N134.IX 4.NabX &100.pX !548.X Q{64.NY )283.Y )k395. Z
L97.FX Mt318.X
>
58.IX $confX -q 347.X l W649.X v341.Y
b~395.Y d472.$Y
Ů344. 9274. + w^190.)+ confA+ )w680._+ z4536.y+ Kz375.+ 606.+
m341.+ 262.E?Y n268.^Y
$u597.iY
WE82.DwY
(307.Y Ɗ67.T , '3 3(115./_
C46.D=_ i408.T_ confn_ ä167._
YzX262._ *661. X
+ 439._ xU?470._ l100._
588.Y #590.Y
OY fZ Y Z + #590.Y
o82.FX 666. X 744.;Z B74.P/X N134.IX 4.NabX &100.pX !548.X 746.|Z
L97.FX Mt318.X
>
58.IX $confX -q 347.X l W649.X v341.Y
b~395.Z d472.$Y
Ů344. 9274. + w^190.)+ confA+ )w680._+ z4536.y+ Kz375.+ 606.+
m341.+ 62.E?Y n268.^Y
$u597.iY
WE82.DwY
(307.Y Ɗ67.T , '3 3(115./_
C46.D=_ i408.T_ confn_ ä167._
YzX262._ *661. X
+ 439._ xU?470._ l100._
652.Y
588.Y K W \ \ \ \ ' @203. H "3r234.H ҳ346..H
98.T
349. O `77.DV w7195.m 491.
"390.
6262. "533. 533.
410.
Μ464. 749.kK )i343. 914.T˷
#ߢ595.
c186.Į
423.
444. w113.
Wxp142. x_475. 337.2
*_666.=
L23.PK -@159. 89.Ig i190.kK 236.
):657. c/651.
331.
139.ׯ u170.:H E401.SH
469.rH fg654. ;536. U? ]383.^
M Z . . ) 467. @397.n c464.}
113.
q543.
E4 380.H v498. W167.
7#11.E5K 7+H196. 464. ;z531.( L159.5
M1100.B 0190.Q
^238.]
m
346.k 413. H95.N W260. g_385. %:455.
;659. Ek111. 4159. 410.5 jy.76.A
]S156.h %[690.w 690.w 760.
!X52.L 341. 181.
ղR46.F 479.
472.
& )65.T
Y
300.3
k321. 33.SN $ ] 651. 595.{
196.Name ֿ 464.Date 20051104005013 531.Text Ӹ 巯
-
ϳ. Ӹ
ǥ
.
1. ̳ ̾߱
2. ̾߱
3. Ǯ ̼
1) Ż ̾߱
2) Ǯ ̼ ( )
. Ӹ ̾߱⸦
1.
2. ǰ
3. ֱ
1) Ӹ ̾߱
2)
.
159.Lines 40 100.Access 937 190.Lines 3 238.Filesize 346.Date 20050611002513 413.Text 95.Name 260.Name 385.Subject Ҹ ٲ 455.Email moen@7dmoen.com 659.Subject ѷ 111.IP 220.117.38.92 159.Date 20030612232053 410.Date 20051004150320 31.Filesize 76.Access 999 156.Thread 155 690.Subject ٸ 52.Lines 20 341.Access 924 181.Email 46.Filename 479.Filesize 145733 65.Thread 0 321.Domain 61.72.78.86 472.Filename London_Swiss_Re_Building_+_rocket.jpg 300.Password SYqeTiaNn5Ik. 33.Subject DZб Ϲݴп ȣԴϴ. 464.Lines 11 543.Filesize 240911 746.Filename 76.Access 1169 -score@world-score.com 344.Text ִ
- ߽
.Ӹ
־ ̶
ӿ ׳ ĥ ִ ̸,
ϰ ٸ , dz
30 ƿ .
̷ ̾ ִٰ ִ.
, Ȱ ӿ
湮 ã Ǹ鼭,
© ϴ ̱ ϴ.
̷ ־ ' ֱ
ְ Ÿ Ÿ̱ ϴ.
ְ ٸ ִ ̱ ϸ,
ϰ ģٸ ƹ ,
ϰ ; ڿ͵ DZ Ѵ.
Ͽ ѷ ⸦ ϴ
ͼ ð ӿ ذ ,
ӿ ִ ã´ٰ ִ.
̰ ƿ ð ̰, ̸, ģ ̱ ϴ.
Ƽ ̳ ֱ ٶ.
ִ ȸȭ ǥ Ҹ Ͽ ä Ѵ.
.
1.
)
̶ ó ñ Ȯ Ϳ Ÿ , ʳ ̳containerȿ ٱbasket, box, bowl, bag Բ ְ, 濡 ¥ӻ ְ ڰ package ִ.
ΰ ȯ ϱ ̰ Ƹٿ ġ ߴ ô뿡 Ÿ.
ż ô ȯ ȿ ٷ ־ , , , , ϰ µ ÿ о. Ʈ ĥ ϴµ Ǿ κ Ѳ Բ ٱ ߴ.
Ÿ̾ƿ ҿ θ ʰ ־ Ǫ ö . ǰ ϰ ٴ ִ ۰, ձ۰ Ǿ. Ư ʼǰ̾µ ߰ װ ƹ ۾Ƶ ؾ ߴ. κ ٹڰ ǰ ö Ǿ , , ǰ ۿ ʰ Ǵ ̾,15 Ĺݱ ϰ ̾. ô뵿 ô ڷ Ͽ Ƹ ٸ Դ. ȣȭӰ ٵ 濡 17C ʱ ū ־δ ÷ ̾ ڵ Ƹٿ ˸° ߾. ݼ̳ ٸ ̿ ο Ÿ.
)
Ȱ , ̴, Ѳ, ִ.
̷ , Ȱ ڸ, ڸ, ̴ ð ڸ 뺯Ѵ.
Ѳ̳ ߾ , ǰ ִ ϴ ̴. ִ ΰ Ը ϰ ѿ , ʿ ϴ ٸ. ̷ ̶ ϳ ȿ ʴ ǹ̰ ִٰ ִ
ִ ʴ ϰ Ѵ.
)
-Į Ĺ ް
-Ʈ
-ô
2.
)
- ַ
-ο ȭ
- , 缺
)̼
-: â( ġ۾),
ȸ(dz۰)-͵鿡 1,2,3
-: Ʈ,
īĸ Ʈ 帮-dzȭ
-ü: ڳ Joshep Cornell,
Mariko Kusumoto
3.
)Ÿ
-ø
- ִ
-̼ ִ
)ϰ
ϰ1)
1-ð
, ,
ϰ2)
2-
, ,
ϰ3)
3-
, ,
.
ִ ִ ϻ ǥ ̴.
縦 ϻ ǿ ã װ ￡ ֱ ̸, ְ ֱ ̴.
̹ ۾ Ͽ ܼ ̸ ϰ ϰ, پ ù ̴ܰ.
ð̰ ȸȭ ǥ 3 ü·κ ӱ ̴.
274.Thread 0 190.Date 20030624005335 conf.ReadTitleBgColor #ffffcc 680.Domain 210.123.35.123 536.Subject ÷ ü ̹ ǥϱ 375.Domain 221.150.98.200 606.Email pangda82@hotmail.com 341.Date 20050610172345 67.Text IF YOU LOOK AT THE PRESENT DEEPLY ENOUGH, THE FUTURE WILL BECOME DISCERNIBLE.
I believe that style as a term is applied to objects by those who need the security of quantifiable definitions used for intelligently justifying their public views on taste and quality. Defining an object, or work, in this-or-that style comfortably allows works to be compared, contrasted, and catalogued with others, allowing an intellectual rationale to support an individuals contemporary sense of taste. There is no opportunity for an object to evolve along with changing living conditions once it has been associated with the specific cultural and social values of a lifestyle. The object then becomes an icon or artefact fixed in a particular period of time and space defined by the aesthetics of a style. It is a label applied after the object has been created; an epilogue written after the climax. An after thought that should not consciously prejudice the designers creative processes before the work is realised.
So then how can I use the term Organic Essentialism for describing my aesthetics even though that definition is not actively governing the methodologies of my creative processes? This paradoxical situation occurs because academia requires students to link-up with a historical chain of influences which apparently establishes a context for critically understanding their works. Therefore I selected this term because it best describes my philosophical approach towards design rather than the style of my works and its contemporary concept discards many historical relationships by focusing upon ever-changing human conditions.
The term Organic Essentialism (OE) was first printed as the introductions title for The International Design Yearbook 2002 (Laurence King Pub. 2002). It was used to describe the design approach of Ross Lovegroves work as well as providing a context towards understanding the works he selected for that years edition. However an examination of Designing the 21st Century (Taschen 2001) clearly expresses from many designers the ideological values incorporated into defining OE.
I NEVER USE THE WORD MODERN. THE CONCEPT OF MODERNITY IMPLIES AN UNDERSTANDING OF ANCIENT THINGS. I KNOW THIS SOUNDS LIKE A PARADOX, BUT IT IS SO.
It is merely simplistic to say that OE is a reactionary response to the style led / insipid anorexic quality of the last couple of decades minimalist designs. The continuing minimalist approach to design pronounces that the [form] is what is there not what seems to be there; therefore we must speak in terms of the work that brings it into being . From that you would be mistaken to think that by adding utilitarian, organic, reduced, soft, puristic, poetic, modular and nomadic elements to minimalist aesthetics evolves the form towards a new genre. If you did you would only be styling because altering the structure of the form does not substantially modify its aesthetic value or character.
Currently there many designers engaged in a transition phase from pure-minimalist aesthetics towards a modified-minimalist design approach. Karmin Rashid states,I feel that a new culture demands new forms, material and style. I define my work as sensual minimalism, or sensualism, where objects communicate, engage and inspire yet remain fairly minimal. They can speak simply and directly without superfluousness. My work is a marriage of organic and pure geometry. But I feel this approach, and others similar, are being cautiously applied as derivatives of minimalism due to the seduction-factor of market economics and consumers reluctance to engage in radical shifts in design. At the moment mass production is completely in control of the market, while we (the consumers) are looking for one-of-a-kind products. A beautiful product alone is not enough, we like to hear the story and see the marks of craftsmanship and not the influence of a styling designer. This dissatisfaction with fashionable / decorative / stylised products being slight variations of previous designs comes from a sentimental detachment born from the annual (quarterly) cycle of machine-made products recreating new statussymbol opportunities. Designers must re-evaluate the necessity of mass-produced products perpetuating the temporary and disposable scenes of a theatrical lifestyle.
Therefore we have to consider beyond the formal qualities of the object towards the needs that our human desires require by being transformed from social and environmental changes. Liberated from the concept of the object, design will be generated by a more complex system which will involve an understanding of situations and a permanent freedom of movement. This means that the object must be conceived more from a broader social / cultural perspective rather than specific aesthetic / functional considerations. The basic concept of the object has to grow from being a product or an accessory reflecting certain periods of our lives into becoming a holistic component of how we live our life. This opens up the probabilities for OE becoming an ideological approach evolving design within the borderless (global) influences from Information Technology (IT) and the Internet, rather than being motivated as a reactionary movement away from Minimalism.
The affects of ITs influence on the human condition will be comparable to the social changes following the developments of agriculture, urbanity, celestial navigation, gun-powder, the mechanical clock and the internal combustion engine. It will be the catalyst for fundamental shifts in the perception of our existence in mega-urban centres and our symbiotic relationships within nature. Less prophetically (and more poetically) Ross Lovegrove states, [the] process by which we are discovering new possibilities is being rapidly accelerated by computing technology a technology that we always knew would open our minds. Indeed, it is this concept of inevitability that intrigues me especially when applied to the world we see and touchour physical world. As boundaries blur, this world will become stranger and less predicable a fabulous prospect for those of us who believe that strangeness is a consequence of innovative thinking. The irony of all this is that ultimately, creativity generated by such soup-like freedom will lead mankind full circle back to nature, its organic composition, its purpose and with it forms that will no longer be limited by mans imagination.
I think his rational comes from a humanist awareness that we are all living in one planet (The Big Blue Marble) regardless of geographical, political, social, cultural and religious differences and that the Internet is the means for millions to communicate simultaneously. We are one species in one large eco-system with the technological ability to instantly communicate with all others and that (virtual) reality will concentrate the sublime scale of natures immensity. Once we may have felt helplessly subjected by natures unexplained power but now we can fully understand that our civilisation is adversely affecting nature. This global awareness is the re-connection to nature that I feel his opinion offers beyond the obvious design capabilities that computing technology continues to develop.
Advances in engineering and materials research have created possibilities to design spaces and products in harmony with nature rather than decorating the interior and exterior of cubed spaces we currently inhabit. The best architectural scale example of OE was recently completed in Singapore in 2002. The Esplanade, Theatres on the Bay, designed by D.P. Architects establishes a precedent for future public (and private) spaces by embodying a new naturalism of form that is based fundamentally on the concept of getting the most from the least while assertively radiating the sculptural line of things that exist in the natural world. On the smaller scale of objects / products, OE designs reflect something of the abstract essence of nature and possess an engaging tactility that invites physical interaction. It is that invitation that transcends the object beyond its functionalism towards a spiritual interaction with its user. That is when the product transforms from being an objectified it into being a personalised yours/ours/mine/my and the difference between being just another trendy stylised object and an integral life-living participant. In either scale the character of the form projects from within the value of its soul to those innate emotions of being and becoming within us.
A summary of Organic Essentialism as a meta-design concept subliminally underlying a designers (my) creative process needs to directly state the objectives of its various components. Firstly it marries sculptural forms inspired by ergonomics and elements from the natural world to a concern for the logical arrangement of only those elements that are absolutely necessary for the accomplishment of a particular purpose. The essence of the form is suggestive of natural elements while not being decorative or functionally minimalist. Functionality is no longer merely the simplification of use, but also implies all the plans we make in life, first and foremost on the spiritual level. This is why we can now speak freely about the functionality of the spirit. The beauty of the object provokes a feeling that constructs our life. This second component of OE understands that beauty is a projection of the soul of an object inviting a visceral engagement with our life. The third component suggests that [the] designer of the future should use references from his cultural background traditions, colours, history- so that his sproducts have an authenticity and originality that is not governed by fashion or global trends. These soul references will help products communicate more directly. When these references are combined with previously mentioned humanist values they will generate a familiar distinctiveness that characterises the soul of an object. The last component includes a human-touch through the quality of craftsmanship and references to the hand-made. This is easily achieved in my work but still remains important for animating the character of an object regardless of its manufacture.
These components of OE are not a checklist to be adhered to during the creative process but are an outline of a growing Western contemporary design philosophy that is underlying the aesthetic values of many designers besides myself. They represent a holistic approach to objects participating in an epicurean life rather than things perpetuating a transient existence based upon consumerism and disposability. The key to OEs longevity in influencing design aesthetics will be directly proportional to the skills of those designers assimilating its components into their visions and inspirations and unconsciously combining them into the parameters of any given project. One such designer already on the forefront is Ross Lovegrove and his humble admission describing the sources of his inspiration will end this section on Organic Essentialism.
THERE IS AN ABSOLUTE BEAUTY IN ORGANIC FORMS THAT STIMULATE DEEPLY WITHIN THE SUBCONSCIOUS. I AM MOVED BY THE HONESTY AND RICHNESS OF SUCH FORMS WHICH CELEBRATE THE THREE DIMENSIONAL EFFECT OF OUR LIVING IN HARMONY WITH SPACE.
Ron Arad. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 41.
Antonio Citterio. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 116.
Peter & Charlotte Friell. The International Design Yearbook 2002 (Laurence King 2002) Pp. 6.
Enzo Mari. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 310.
Werner Aisslinger. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 31.
Karmin Rashid. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 407.
Arnout Visser. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 529.
R. & E. Bouroullec. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 88.
Ross Lovegrove. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 297.
Peter & Charlotte Friell. The International Design Yearbook 2002 (Laurence King 2002) Pp. 6.
Peter & Charlotte Friell. The International Design Yearbook 2002 (Laurence King 2002) Pp. 7.
Peter & Charlotte Friell. The International Design Yearbook 2002 (Laurence King 2002) Pp. 7.
Peter & Charlotte Friell. The International Design Yearbook 2002 (Laurence King 2002) Pp. 6.
Riccardo Blumer. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 82.
F. & H. Campana. Designing the 21st Century. Edit. Charlotte & Peter Friell (Taschen GmbH 2001) Pp. 111.
Ross Lovegrove. The International Design Yearbook 2002 (Laurence King 2002) Pp. 7.
115.Filesize 46.Date 20030320213341 408.Domain 218.235.29.232 conf.DefaultSubject 167.Password SYfvONnf5Dgvk 262.Subject 05.03.29 ħ ̾߱ 439.IP 220.117.248.11 470.IP 211.196.78.64 100.Lines 11 d f _ f t t # s252.Y Q{64.NY )283.Y )k395. Z
7n474.Z
434. d 45.Af
xl[436.#d
X465.Fd -97.DVd MW395.md 479.d 590.d
?462.d NH616.d {\691.d
4515.Fd $R84.Sd v^a493. e 543.%e >654.2e 386.Ee
NN675.ce O157. h H677.ye
AP526.e 349.e e188.e Fi238.e ?380.e Xuw272.f 318.f
419./f
%ޭ450.Mf
748.f
O-413.kf 434.IP 219.248.93.86 45.Access 999 436.Filename _ƿøȭ.jpg 465.Name 輺 97.Date 20030425024048 395.Date 20050922201852 479.Thread 475 590.Password SYl/ZTEdn2OLg 462.Text 616.Name ++ 691.Email 15.Filename 84.Subject ļ ǥغ 493.Domain 219.254.38.128 543.Thread 0 654.Subject Sequel 386.Email malignant@empal.com 675.IP 222.106.104.79 677.Filename 526.Domain 211.196.81.122 349.Subject 188.Domain 220.75.238.76 238.Thread 0 380.Subject ִ 45.Access 1004 318.Password SYrVObm3v4wlA 419.Email min7261@hanmail.net 450.Email malignant@empal.com 413.Subject ر -- 748.Filesize 272.Access 1171 157.Text ̿ ٸ ִ, ô̳ ִ ̴. 츮 Ȱ İ ִ. 簡 νĵǾ ϱ ϸ, ݸ鿡 簡 ϳ ־ İ ִ ̱ ϴ. ̹ ̷ ̴ ѵ ̹θ ̰ ִ ͵ ̴. , ŷ ִ Ḧ پѾ .
. ѵ ãƳ ̴. ٰ? ϴٸ 尩 ӷ ƴϸ 㸮 ̴. ãƺ ִ ̰ Ź 츮 ̷ ̵簡 ϰ ǰ ִ. ̴ ϴ. ɾ ִ ֺ ѷ. Ϳ ִ ǵ ߿ ̰ κ ٸ ٲپ ̸ . ٲپ ᰡ °? Ƹ ̴. , ̹ ȿ װ ̸ ִ ãƺ. ̴. , .. ̳ Ź װ ̸ ִ. 㸮쳪 , Ź߿ پ ̴. κ ̴ Ϻθ ϴ Ѵ. ƴϸ ܴ ʿ κ ̰ ȴ. 㸮쿡 μ谡 ̷ ְ ݼ谡 ̷ ִ. Ź ̰ پ ִ κ̴. ̷ κ ǿ پִ ̴ װ ִ κ پ ϰ ȴ.
κ ̰ Ϻ .. ǥ ڵ̴. κ ̷ ڵ ڿ Ƽ , ҷ δ. κ ʿ . õ Ǿ ̱ ؼ ռ ִ. ֱ ؼ Ǵ ̴. ڵ ֱ ؼ ȴٸ ̰ Ư ̹ ̴.
⼭ Ư ̹ ư ٽ ѹ ¤. ó ؼ̴. ؼ ٵ ξٰ ߿ ٴѴ. 嵥 罿 ٴϴµ ȣ ٴѴ. 罿 ۿ 罿 ۿ ٴ ȣ̸ ִ , ƴϸ ٸ ȣ ڽ ִ ȣ ٴ ִ ̴. ⼭ ִĴ ڽ Ÿ ̴ ̸ ڽ ǥϴ ¡ǥ DZ ϴ ̴. 귯 ٵ ߴ Ѵ. а ڽ Ÿ ϴ 뵵 ȴ. ٸ ŵǰ ٵ 찯 ٷ θ س Ѵ. ȸ 찯 巯 θ 鼭 ؿ ִ 찯 ƶ.. ̷ ̴̾߱.
¡̾. û⺸ ξ µ ߴ ö ִ ڵ鸸 ־, ܴ ο ̰ ȴ. ᱹ ö ƴ ڿ ڷ ȴ. ִٴ ̷ ö Į̳ â ʿ . ö ö ǰ ϳ ־ ް Ǵ ̴. ̷ δ źа ¡ǥ ǰμ ٸ δ Ȱ Ͽ ̴ ٷ ϰ ȴ.
ݿ ͼ īο, Ȥ ̰߰ Ź ؼ 찡 . (̰ ǥó Ǿ° ִ. ̴ ǥó ݹ , ݹ 뱤ο ִ ̴.)
Ѽ װ ̸ 츦 캸 . ҷ ̺ . ̷ ̸ װ, ̴. ű ĵ ٸ ͵ ̴. ܿ ӻʹ ĵ پ ִ ʰ鵵 ̴. , (marcho) ̹ ص īӵ ص Ź ̹ Ͽ ͵̴. (⼭ ַ Źϰ ߰ſ ̹ .) ٸ δ Ϲ ̹ װ ̰ ǰ ִ. ӻʹ ĵ ʰ ǰ ǰ ̴. ͼ ̹ ̹ Ҹ SF ̹ ǥϱ ؼ װ ̸ . ̰ 60 ƺ α⸦ ϴ SF ȭ ΰ ִµ, ȭ Ȥ TV ø ̷ ǥϱ ؼ ð ǥ , ű ٿ ϱ ؼ ٵ ̸ ӻʹ κ, Ȥ ġ ӻ ̴ κп ٿ ִ ̴. (⼭ ַ īӰ ̹ ص Ѽ .)
캻 Ͱ װ ӻ ʿ ̴ ̹ ص ϱ ؼ ũ ִ. ̷ 츮 ̹ ִ ̳ ̿ ߿ 츦 ִ.
ٸ װ ̸ ʿ伺 ƴϰ ܼ ͵ ƴ .. 츮 Ѱ踦 Ѿ .. ̹ װ ̹ پ Ѿ װ , ̿ ...
580.Text - la signature sur le canvas
il est un tableau ou une signature?
lee o-dek -la utilisation correcte de corEen
umberto eco -la technique pour rEdiger bonne thEse
* il faut que on va lire ces livres.
Q: vous avez savoir quelquechose d'essentiel en CorEe?
taegukgi(un drapeau en CorEe du sud) s'agite au vent pourtant l'essence du pay, il est CorEe.
il y a beaucoup de mot environ 6000 sortes des langages. on ne peux pas exprimer beaucoup de situation variEe avec un langage comme l'anglaise.
le corEen, ce n'est pas un langage uniquement pour CorEe parceque, il a le sens indEpendant et alors, il est important de conserver corEen.
- le sens de la saison -
bom - printemps - voir yeorum - EtE - porter des fruits
gaul - automne - partir gyeoul - hiver - ?? (c'est devoir ^^)
la rEflexion est important sur l'essence. Le corEen, il a l'histoire splendide plus de 5000ans donc, la graine de rEflexion d'ancEtre, il vit en corEen intErieur.
c'est dommage qu'il disparaIt beaucoup pendant la colonie Japonaise. il est important d'utiliser le corEen correct et nEcessaire qu'on pense en corEen chaque fois qu'on pense quelquechose.
bit-gal - couleur - division de la lumiEre
moogigae - are-en-ciel - prendre de l'eau
ha-yang - Blanc - venir du soleil
cca-mang - Noir - venir de la suie
ppa-gang - rouge - venir du feu
pa-rang - bleu - venir de la mer
no-rang - jaune - coucher du soleil
jaji - gEnitaux - grandir sans manque
249.Filename 625.Filesize 15.Date 20030313213435 661.Thread 659 160.IP 220.85.187.135 272.Lines 7 351.Filesize 275.Text
ٸ.̳...ѱ۷.Ű..
츮...Ѵ...
7L2l
-T
D 429.Name ѱ 644.Domain 61.37.203.82 311.IP 219.241.102.67 313.Filename ġ123.jpg 467.Subject Ҹ 51.Filesize 96.Access 999 272.Date 20050426092349 96.Access 1389 613.Text , ΰ ʿ ϴ Ѱ.
ð 帣 ߴϸ鼭 û Բ پ ǹ̿ ȴ.
, б, 繫, ְŰ . ѷ ,
ΰ 屸 ȭ ʿ ϰ ȴ.
ѵ ϴ÷ ڰ ǰ, ġ ʿ Ϸ ݺ ̷.
Ʈ, ǹ, ȸǹ κ ϴ.
, 簢 , ô ¹ ȹȭ Ǿ.
ٴ డ ̷ Ҿ ְ ִٰ ϰ ʹ.
ũ Ը, ũ ̵ Ʈ ü డ.
ü ⸻ ̿ϼ, Ī, Ȯ, ȴ.
õ , °̳ ǥ鸶,
ΰ , ٶ ̴ ż ݰ ȴ.
ȿ ӻ 鿡 ɹ ¿ â̰ ִ ǥϰ ִ ̴.
ü ̶ Ҹ ° Ǿ ű Ǵ ۾ ϴ.
ǹ ̷ο Ž ϰ ,
ܼ ̿ µ ֽϴ.
ü ⸻ ۵ µ Ҿ ڴٴ մϴ.
üǿ ۵DZ Ͽ ̷,
, , 켱 ǰ ֽϴ.
ü ' ״ - ũ Ը' Դϴ. 43.Password SYObKM.EwovF. 436.Password SYpr/L7TUl35A 537.Email artercrafter@naver.com 155.Name 14.Access 988 488.IP 210.123.36.156 531.Subject Ӹ 巯 - 370.Domain 211.216.27.3 66.Filename 601.Email insanary@hotmail.com 423.Access 999 263.Email 152.Text
־
ʹ ǸѰ? 462.Subject -1 532.Email 351.Thread 0 236.Date 20050314221839 300.Lines 31 303.Text ù° ۾
: WHO ARE YOU?
: , , å
ũ : 18 *11 *6
̸̱.
ٿ ̸, Ű ,
װ͵ ְ ִ ǹ̴.
Ҽ< ̿ >
νȵ ̷Ͽ ִ.
613.Subject ü , () 150.Name ݴ 485.Filename .jpg 275.Subject ű 595.Lines 4 334.Domain 219.241.48.216 300.Date 20050510001828 636.Filename -ȭ.jpg 65.Access 999 665.Name ۵簡 12.Password SYtXRTx7W623Y 126.Password SY.XrZ59F5BSs 78.IP 220.75.238.72 298.Filename 516.IP 210.105.22.126 178.IP 220.117.128.45 518.Filename 746.Access 3 672.Password SY3jJ32sWqEu2 110.Thread 0 544.Text ձ ϰ
113.Access 951 282.Filesize 178979 391.Name 赿 707.Filesize 29696 244.Filename 625.Thread 624 468.Email moen@7dmoen.com 470.Text Santiago Calatrava
Turning Torso
Malm, Sweden
588.Domain 124.60.51.121 624.Name ̼ 18.Domain 220.117.130.143 85.Access 1011 249.Lines 5 436.Date 20051021013129 328.Filesize 551.Thread 548 652.Domain 218.39.197.169 319.Name 321.Filename shadow.jpg 350.Name 475.Subject : -2 545.Email hanscraft@hotmail.com 249.Date 20050321234943 313.Lines 15 444.Password SYZXoxmJ6/RM6 40.Filesize 85.Access 999 246.Thread 0 498.Filename 347.Domain 211.104.22.113 61.Lines 12 378.IP 210.123.35.193 55.Filename 139.Password SYoorJLJg6USk 74.Thread 0 591.Name ++ 234.Subject ù. 65.Access 1081 18.167 595.Access 1642 0 S
532.
q
351. |
236. B2
300.0
p^b 421. E{
303.= M %]
613. 1
150.Е X
485.
K
275. x
595.
334. 539.
300.1 N
636.I
]
65.Af
.
665.t 128.
0
12.P Ck
126.
E
78.I
298.ϖ
ۤ
516.ݖ 7ʹ
178. #x
518.
Y
595. :U
672.%
110.@ Ki
544.M ( 0
113.~ >8
282.
l
391. U
707.
ܵ 393. E%
244.ė
ћ
625.җ Y
82.E E
468.
&
287. #
236.-
424.: c
87.T l
239.J 5 z
270.
388. ~
549. ! Z
580.ϫ . 518.u
82.Email bronzering@hanmail.net 287.Thread 0 236.Lines 21 424.Name 239.Text ȣ?
1..
2. ӵǾ ȣ
. . . .
. . . ¡
3. ,, Ÿ ϴ
. . . . . .
. . . . .
ȣ ǻ ϸ鼭 ǥ .
ù̼ ΰ չٴ ڱ
ĥ ϰų ߴ .
° ȣ .
Ҹ..ȣ........
ȣ
1. (ðȣ)
2. (ûȣ)
3. (˰ȣ)
4. (İȣ)
5. (̰ȣ)
ü ȣ ǹ̸ ¡ϰ
ϸ ´.
ȣ () ΰ ȣ ´.
388.Domain 210.123.35.193 549.Subject : ݸ ҽϴ. 580.Subject Le cours 03/03 421.Text
ȋ < H P + zQ531.$ 531.$ 3y110.*<
344.8< ' &I403.k< x597.< :u677.<
:g9.Em< |115.< 549.< >lX287.?
396. P (51.D0P
ѩ580. j E249.s
}C625.
9:664.P t '15.D W661. 慘613. ל"160. w
